adjusting metadata according to publication

.zenodo.json

@@ -4,28 +4,53 @@
     "title": "Claude Debussy – Préludes",
     "keywords": [
         "music research",
+        "music theory",
+        "music history",
+        "corpus studies",
         "corpora",
         "symbolic datasets",
         "scores",
-        "piano",
+        "piano music",
+        "claude debussy",
         "extended tonality",
         "modernism",
-        "impressionism"
+        "impressionism",
+        "discrete fourier transform"
     ],
     "grants": [
         {
             "id": "10.13039/501100001711::105216_182811"
+        },
+        {
+            "id": "10.13039/501100000780::760081"
         }
     ],
     "upload_type": "dataset",
     "version": "v0.9.1",
     "communities": [
         {
             "identifier": "dcml"
+        },
+        {
+            "identifier": "epfl"
         }
     ],
     "publication_date": "2023-05-23",
     "creators": [
+        {
+            "affiliation": "State Music Conservatory \"Giuseppe Verdi\", Turin",
+            "name": "Sabrina Laneve"
+        },
+        {
+            "orcid": "0000-0001-9460-702X",
+            "affiliation": "\u00c9cole Polytechnique F\u00e9d\u00e9rale de Lausanne",
+            "name": "Ludovica Schaerf"
+        },
+        {
+            "orcid": "0000-0002-1486-1886",
+            "affiliation": "\u00c9cole Polytechnique F\u00e9d\u00e9rale de Lausanne",
+            "name": "Gabriele Cecchetti"
+        },
         {
             "orcid": "0000-0002-1986-9545",
             "affiliation": "\u00c9cole Polytechnique F\u00e9d\u00e9rale de Lausanne",
@@ -43,6 +68,12 @@
             "scheme": "url",
             "identifier": "https://github.com/DCMLab/debussy_preludes/tree/v0.9.1",
             "relation": "isSupplementTo"
+        },
+        {
+            "scheme": "doi",
+            "identifier": "10.1057/s41599-023-01796-7",
+            "relation": "isPublishedIn",
+            "resource_type": "publication-article"
         }
     ]
 }

CITATION.cff

@@ -0,0 +1,82 @@
+cff-version: 1.2.0
+message: "Please cite this dataset using the metadata from 'preferred-citation'."
+title: "The Claude Debussy Solo Piano Corpus"
+abstract: "The scores of Claude Debussy's entire oeuvre for piano solo, in uncompressed MuseScore 3 format (.mscx)."
+type: dataset
+authors:
+    - given-names: Sabrina
+      family-names: Laneve
+      email: [email protected]
+      affiliation: "State Music Conservatory “Giuseppe Verdi”, Turin"
+    - given-names: Ludovica
+      family-names: Schaerf
+      email: [email protected]
+      affiliation: "École Polytechnique Fédérale de Lausanne"
+      orcid: "https://orcid.org/0000-0001-9460-702X"
+    - given-names: Gabriele
+      family-names: Cecchetti
+      email: [email protected]
+      affiliation: "École Polytechnique Fédérale de Lausanne"
+      orcid: "https://orcid.org/0000-0002-1486-1886"
+    - given-names: Johannes
+      family-names: Hentschel
+      email: [email protected]
+      affiliation: "École Polytechnique Fédérale de Lausanne"
+      orcid: "https://orcid.org/0000-0002-1986-9545"
+    - given-names: Martin
+      family-names: Rohrmeier
+      email: [email protected]
+      affiliation: "École Polytechnique Fédérale de Lausanne"
+      orcid: "https://orcid.org/0000-0002-4323-7257"
+version: 0.9.1
+date-released: 2023-05-23
+keywords:
+  - "music research"
+  - "music theory"
+  - "music history"
+  - "corpus studies"
+  - corpora
+  - "symbolic datasets"
+  - "scores"
+  - "piano music"
+  - "claude debussy"
+  - "extended tonality"
+  - modernism
+  - impressionism
+  - "discrete fourier transform"
+license: "CC-BY-NC-SA-4.0"
+repository: https://github.com/DCMLab/debussy_piano
+preferred-citation:
+  authors:
+    - given-names: Sabrina
+      family-names: Laneve
+      email: [email protected]
+      affiliation: "École Polytechnique Fédérale de Lausanne"
+    - given-names: Ludovica
+      family-names: Schaerf
+      email: [email protected]
+      affiliation: "École Polytechnique Fédérale de Lausanne"
+      orcid: "https://orcid.org/0000-0001-9460-702X"
+    - given-names: Gabriele
+      family-names: Cecchetti
+      email: [email protected]
+      affiliation: "École Polytechnique Fédérale de Lausanne"
+      orcid: "https://orcid.org/0000-0002-1486-1886"
+    - given-names: Johannes
+      family-names: Hentschel
+      email: [email protected]
+      affiliation: "École Polytechnique Fédérale de Lausanne"
+      orcid: "https://orcid.org/0000-0002-1986-9545"
+    - given-names: Martin
+      family-names: Rohrmeier
+      email: [email protected]
+      affiliation: "École Polytechnique Fédérale de Lausanne"
+      orcid: "https://orcid.org/0000-0002-4323-7257"
+  title: "The diachronic development of Debussy’s musical style: a corpus study with Discrete Fourier Transform"
+  doi: 10.1057/s41599-023-01796-7
+  type: article
+  journal: "Humanities and Social Sciences Communications"
+  volume: 10
+  issue: 1
+  year: 2023
+  abstract: "Claude Debussy’s personal style is typically characterised as a departure from earlier diatonic tonality, including a greater variety of pitch-class materials organised in fragmented yet coherent compositions. Exploiting the music-theoretical interpretability of Discrete Fourier Transforms over pitch-class distributions, we performed a corpus study over Debussy’s solo-piano works in order to investigate the diachronic development of such stylistic features across the composer’s lifespan. We propose quantitative heuristics for the prevalence of different pitch-class prototypes, the fragmentation of a piece across different prototypes, as well as some aspect of the overall coherence of a piece. We found strong evidence for a decrease of diatonicity in favour of octatonicity, as well as for an increase of fragmentation accompanied by non-decreasing coherence. These results contribute to the understanding of the historical development of extended-tonal harmony, while representing a fertile testing ground for the interaction of computational corpus-based methods with traditional music analytical approaches."

README.md

@@ -7,14 +7,18 @@
 This is a README file for a data repository originating from the [DCML corpus initiative](https://github.com/DCMLab/dcml_corpora)
 and serves as welcome page for both 
 
-* the GitHub repo https://github.com/DCMLab/debussy_preludes and the corresponding
-* documentation page https://dcmlab.github.io/debussy_preludes
+* the GitHub repo [https://github.com/DCMLab/debussy_preludes](https://github.com/DCMLab/debussy_preludes) and the corresponding
+* documentation page [https://dcmlab.github.io/debussy_preludes](https://dcmlab.github.io/debussy_preludes)
+
+For information on how to obtain and use the dataset, please refer to [this documentation page](https://dcmlab.github.io/debussy_preludes/introduction).
 
 # Claude Debussy – Préludes
 
-This dataset is part of the [The Claude Debussy Solo Piano Corpus](https://github.com/DCMLab/debussy_piano) which has been released together with the publication
+This dataset is part of [The Claude Debussy Solo Piano Corpus](https://github.com/DCMLab/debussy_piano).
+
+## Cite as
 
-> Laneve, S., Schaerf, L., Cecchetti, G., Hentschel, J., & Rohrmeier, M. (in press). The diachronic development of Debussy’s musical style: A corpus study with Discrete Fourier Transform. Humanities and Social Sciences Communications.
+> Laneve, S., Schaerf, L., Cecchetti, G., Hentschel, J., & Rohrmeier, M. (2023). The diachronic development of Debussy’s musical style: A corpus study with Discrete Fourier Transform. Humanities and Social Sciences Communications, 10(1), 289. https://doi.org/10.1057/s41599-023-01796-7
 
 ## License