strange-days-before-modif.bib

@comment{jabref-meta: databaseType:biblatex;}
@comment{jabref-meta: fileDirectory:/bib;}

@misc{Laman.LTo-Truly-Understand23,
	author = {Laman, Lisa},
	date-added = {2024-05-03 14:40:55 +0300},
	date-modified = {2024-05-05 19:47:35 +0300},
	howpublished = {collider.com},
	month = {April},
	title = {To Truly Understand the Wachowskis, You Have to Start With `Bound'},
	year = {2023},
	abstract = {A terrific noir pastiche that established key queer-centric themes of the Wachowski Sisters' filmography.},
	bdsk-url-1 = {https://collider.com/wachowskis-bound-movie/}}

@misc{El-Mahmoud.SThe-Matrix-And-Gender22,
	author = {El-Mahmoud, Sarah},
	date-added = {2024-05-03 13:44:42 +0300},
	date-modified = {2024-05-05 19:47:35 +0300},
	howpublished = {cinemablend.com},
	month = {January},
	title = {The Matrix And Gender Identity: The Trans Narrative Behind The Wachowskis' Sci-Fi Classic},
	year = {2022},
	bdsk-url-1 = {https://www.cinemablend.com/movies/the-matrix-and-gender-identity-the-trans-narrative-behind-the-wachowskis-sci-fi-classic}}

@misc{Mirasol.MKathryn-Bigelows,
	author = {Mirasol, Michael},
	date-added = {2024-04-30 19:41:06 +0300},
	date-modified = {2024-05-05 19:47:35 +0300},
	lastchecked = {2015-03-26},
	title = {Kathryn Bigelow's uncanny 'Strange Days', by Michael Mirasol of the Philippines},
	urldate = {2010-01-21},
	bdsk-url-1 = {https://web.archive.org/web/20150326021027/http://www.rogerebert.com/far-flung-correspondents/kathryn-bigelows-uncanny-strange-days-by-michael-mirasol-of-the-philippines}}

@misc{Denby.DPeople-Are-Strange,
	author = {Denby, David},
	date-added = {2024-04-30 19:37:38 +0300},
	date-modified = {2024-05-05 19:47:35 +0300},
	journal = {New York},
	lastchecked = {2016-06-21},
	title = {People Are Strange},
	urldate = {1995-10-16},
	bdsk-url-1 = {https://books.google.ro/books?id=6OQCAAAAMBAJ&pg=PA60&redir_esc=y#v=onepage&q&f=false}}

@misc{Ebert.RStrange-Days,
	author = {Ebert, Roger},
	date = {1995-10-13},
	date-added = {2024-04-23 10:30:09 +0300},
	date-modified = {2024-05-05 19:47:35 +0300},
	title = {Strange Days},
	url = {https://www.rogerebert.com/reviews/strange-days-1995},
	urldate = {2024-04-23},
	bdsk-url-1 = {https://www.rogerebert.com/reviews/strange-days-1995}}

@inproceedings{McFarlane.AStrange-Days,
	author = {McFarlane, Anna},
	booktitle = {The Routledge Companion to Cyberpunk Culture},
	chapter = {16},
	creationdate = {2024-04-20T16:00:20},
	date = {2020},
	date-modified = {2024-05-05 19:47:35 +0300},
	language = {English},
	modificationdate = {2024-04-20T16:07:54},
	pages = {128--133},
	title = {Strange Days (Case Study)}}

@inproceedings{Halden.GPhotography-and-Digital,
	author = {Halden, Grace},
	booktitle = {The Routledge Companion to Cyberpunk Culture},
	creationdate = {2024-04-20T16:03:21},
	date = {2020},
	date-modified = {2024-05-05 19:47:35 +0300},
	modificationdate = {2024-04-20T16:03:49},
	title = {Photography and Digital Art}}

@inproceedings{Butler.AEarly-Cyberpunk,
	author = {Butler, Andrew M.},
	booktitle = {The Routledge Companion to Cyberpunk Culture},
	creationdate = {2024-04-20T16:04:17},
	date = {2020},
	date-modified = {2024-05-05 19:47:35 +0300},
	modificationdate = {2024-04-20T16:07:54},
	pages = {119--127},
	title = {Early Cyberpunk Film}}

@inproceedings{Tomberg.JNon-SF-Cyberpunk,
	author = {Tomberg, Jaak},
	booktitle = {The Routledge Companion to Cyberpunk Culture},
	chapter = {11},
	creationdate = {2024-04-20T16:07:08},
	date = {2020},
	date-modified = {2024-05-05 19:47:35 +0300},
	modificationdate = {2024-04-20T16:07:54},
	pages = {81--90},
	title = {Non-SF Cyberpunk}}

@book{The-Routledge-Companion,
	creationdate = {2024-04-20T11:15:39},
	date = {2020},
	date-modified = {2024-05-05 19:47:35 +0300},
	edition = {01},
	editora = {Anna McFarlane},
	editorb = {Graham J. Murphy},
	editorc = {Lars Schmeink},
	isbn = {978-1-351-13988-5},
	language = {English},
	modificationdate = {2024-04-20T11:24:46},
	publisher = {Routledge},
	title = {The Routledge Companion to Cyberpunk Culture},
	abstract = {In this companion, an international range of contributors examine the cultural formation of cyberpunk from micro-level analyses of example texts to macro-level debates of movements, providing readers with snapshots of cyberpunk culture and also cyberpunk as culture. With technology seamlessly integrated into our lives and our selves, and social systems veering toward globalization and corporatization, cyberpunk has become a ubiquitous cultural formation that dominates our twenty-first century techno-digital landscapes. The Routledge Companion to Cyberpunk Culture traces cyberpunk through its historical developments as a literary science fiction form to its spread into other media such as comics, film, television, and video games. Moreover, seeing cyberpunk as a general cultural practice, the Companion provides insights into photography, music, fashion, and activism. Cyberpunk, as the chapters presented here argue, is integrated with other critical theoretical tenets of our times, such as posthumanism, the Anthropocene, animality, and empire. And lastly, cyberpunk is a vehicle that lends itself to the rise of new futurisms, occupying a variety of positions in our regionally diverse reality and thus linking, as much as differentiating, our perspectives on a globalized technoscientific world. With original entries that engage cyberpunk's diverse `angles' and its proliferation in our life worlds, this critical reference will be of significant interest to humanities students and scholars of media, cultural studies, literature, and beyond.}}

@misc{Harris.GBeyond-representation:,
	author = {Harris, Geraldine},
	creationdate = {2024-04-20T11:15:39},
	date-modified = {2024-05-05 19:47:35 +0300},
	modificationdate = {2024-04-20T11:24:33},
	ranking = {rank3},
	title = {Beyond representation: Television drama and the politics and aesthetics of identity}}

@article{Diodato.RVirtual-Reality,
	author = {Diodato, Roberto},
	creationdate = {2024-04-20},
	date = {2022},
	date-modified = {2024-05-05 19:47:35 +0300},
	doi = {10.3390/philosophies7020029},
	editor = {Desideri, Fabrizio},
	issuetitle = {The Role of Theory and the Relevance of Epistemic Models in Contemporary Aesthetics},
	journaltitle = {Philosophies},
	keywords = {aesthetic experience},
	language = {English},
	modificationdate = {2024-04-20T16:08:04},
	number = {29},
	title = {Virtual Reality and Aesthetic Experience},
	volume = {7},
	abstract = {The problem of aesthetic experience in a virtual environment could be reformulated as: what can we learn about aesthetics from the perspective of {\"\i}¿½aesthetic experience in virtual environments{\"\i}¿½, given the specific nature of such an environment? The discourse goes in circles, because it is always from theories elaborated in the field of the so-called {\"\i}¿½real{\"\i}¿½ that we develop the difference, but it is a process typically philosophical, that, on the other hand, can make sense only if it can be shown that the virtual is an existent being that has an ontological structure of its own. The ontology of this strange object{\"\i}¿½event, and of its relationship to space{\"\i}¿½time, must therefore be addressed: what are the conditions of identity for a virtual body? What are its limits? In what sense does it have borders? Also, its specific temporality and its connection to human and computer memories are arguable dimensions that deserve analysis, as they directly affect an ontology of the virtual body, the difference between the virtual and the possible, and the relationship between the human body and the virtual body. However, the specific character of the virtual is to be an intermediate entity between object and event, between thing and image, so that virtual bodies represent a hybrid, interactive world which can be visualized as synthetic image, an immersive hybrid engaging the corporeality of the user and merging with the virtual body{\"\i}¿½s image; this hybridization, between the body of the spectator{\"\i}¿½actor and the virtual space in which it is immersed, is difficult to define with singularity.},
	bdsk-url-1 = {https://doi.org/10.3390/philosophies7020029}}

@book{Canadas-best,
	creationdate = {2024-04-20T11:15:37},
	date = {2020},
	date-modified = {2024-05-05 19:47:35 +0300},
	editor = {Walz, Eugene P.},
	language = {English},
	modificationdate = {2024-04-20T11:27:32},
	number = {56},
	series = {Cross/Cultures: Readings in the Post/Colonial Literatures in English},
	subtitle = {Critical Essays on 15 Canadian films},
	title = {Canada's best features}}

@inbook{Landsberg.AProsthetic-memory,
	author = {Landsberg, Alison},
	booktitle = {Memory and Popular film},
	chapter = {7},
	date = {2024},
	date-modified = {2024-05-05 19:47:35 +0300},
	editor = {Grainge, Paul},
	language = {English},
	modificationdate = {2024-04-20T11:24:34},
	publisher = {Manchester University Press},
	ranking = {rank1},
	subtitle = {The Ethics and Politics of Memory in an Age of Mass Culture},
	title = {Prosthetic memory},
	url = {https://www.jstor.org/stable/j.ctt155jfm0.12},
	urldate = {2024-04-18},
	bdsk-url-1 = {https://www.jstor.org/stable/j.ctt155jfm0.12}}

@unpublished{Salza.GInterview-with,
	author = {Salza, Giuseppe},
	date = {1994},
	date-added = {2024-04-21 17:26:41 +0300},
	date-modified = {2024-05-05 19:47:35 +0300},
	keywords = {William Gibson, cyberpunk, cyberspace, science fiction},
	read = {1},
	readstatus = {skimmed},
	title = {Interview with William Gibson},
	url = {https://web.archive.org/web/20210430022703/http://www.gutenberg.org/cache/epub/235/pg235.html},
	abstract = {CANNES. William Gibson was in Cannes in May 1994 to promote the filming of "Johnny Mnemonic", a $26 million science fiction movie based on his short story, and starring megastar Keanu Reeves as the main character. Directed by the concept artist (and Gibson's pal) Robert Longo - with a few music video and TV credits, but for the first time in charge of a feature, the film also stars Ice-T, Dolph Lundgren, Takeshi Kitano (of the cult "Sonatine"), Udo Kier, Henry Rollins and Dina Meyer. William Gibson also wrote the screenplay of his original story, which was published in the anthology "Burning Chrome". "Johnny Mnemonic" goes into wide release in current 1995.},
	bdsk-url-1 = {https://web.archive.org/web/20210430022703/http://www.gutenberg.org/cache/epub/235/pg235.html}}

@inbook{McFarlane.ACyberpunk-and-Science,
	author = {McFarlane, Anna},
	chapter = {13},
	creationdate = {2024-04-20T17:33:04},
	date = {2017-10},
	date-modified = {2024-05-05 19:47:35 +0300},
	file = {:secMcFarlaneCyberpunkScienceFiction2017a - Cyberpunk and _Science Fiction Realism_ in Kathryn Bigelow's Strange Days and Zero Dark Thirty.pdf:PDF},
	modificationdate = {2024-04-20T17:35:10},
	pages = {235--252},
	title = {Cyberpunk and "Science Fiction Realism" in Kathryn Bigelow's Strange Days and Zero Dark Thirty}}

@electronic{Henry.DJames-Camerons,
	author = {Henry, DisRegarding},
	date = {2023-06-04},
	date-modified = {2024-05-05 19:47:35 +0300},
	title = {James Cameron's Burning Chrome - Unmade Masterpieces},
	url = {https://www.youtube.com/watch?v=jVJJ0Q5xmpY},
	bdsk-url-1 = {https://www.youtube.com/watch?v=jVJJ0Q5xmpY}}

@misc{Vishnevetsky.IThe-Monitor-Mentality,
	author = {Vishnevetsky, Ignatiy},
	date = {2012-12-19},
	date-modified = {2024-05-05 19:47:35 +0300},
	organization = {MUBI},
	ranking = {rank3},
	readstatus = {read},
	title = {The Monitor Mentality, or A Means to an End Becomes an End in Itself: Kathryn Bigelow's "Zero Dark Thirty"},
	url = {https://mubi.com/en/notebook/posts/the-monitor-mentality-or-a-means-to-an-end-becomes-an-end-in-itself-kathryn-bigelows-zero-dark-thirty},
	urldate = {2024-04-21},
	abstract = {Bigelow's film about the CIA's hunt for Osama bin Laden is a portrait of modern warfare as self-perpetuating technocracy.},
	bdsk-url-1 = {https://mubi.com/en/notebook/posts/the-monitor-mentality-or-a-means-to-an-end-becomes-an-end-in-itself-kathryn-bigelows-zero-dark-thirty}}

@misc{Pattison.MLiving-in-the-End-Times:,
	author = {Pattison, Michael},
	date = {2018-03-25},
	date-modified = {2024-05-05 19:47:35 +0300},
	organization = {MUBI Notebook Feature},
	readstatus = {skimmed},
	title = {Living in the End Times: Close-Up on Kathryn Bigelow's "Strange Days"},
	url = {https://mubi.com/en/notebook/posts/living-in-the-end-times-close-up-on-kathryn-bigelow-s-strange-days},
	abstract = {"Strange Days" is a very 1990s film: excessive and peculiar, confrontational yet flippant, deeply serious in a trashy kind of way.},
	bdsk-url-1 = {https://mubi.com/en/notebook/posts/living-in-the-end-times-close-up-on-kathryn-bigelow-s-strange-days}}

@misc{Bunch.SStrange-Days,
	author = {Bunch, Sonny},
	date = {2016-09-03},
	date-modified = {2024-05-05 19:47:35 +0300},
	organization = {Washington Post},
	readstatus = {read},
	title = {'Strange Days' is a 20-year-old flop perfectly in tune with our time},
	url = {https://www.washingtonpost.com/news/act-four/wp/2015/09/03/strange-days-is-a-20-year-old-flop-perfectly-in-tune-with-our-time/},
	urldate = {2024-04-21},
	bdsk-url-1 = {https://www.washingtonpost.com/news/act-four/wp/2015/09/03/strange-days-is-a-20-year-old-flop-perfectly-in-tune-with-our-time/}}

@misc{Britt.RBefore-James,
	author = {Britt, Ryan},
	date = {2023-01-07},
	date-modified = {2024-05-05 19:47:35 +0300},
	organization = {Inverse},
	readstatus = {read},
	title = {Before James Cameron became a blockbuster machine, he wrote the best sci-fi film you haven't watched},
	url = {https://www.inverse.com/culture/sci-fi-movies-january-2023-hbo-max-strange-days},
	urldate = {2024-04-21},
	abstract = {A lot of cyberpunk has aged badly. A Kathryn Bigelow-directed thriller is a massive exception.},
	bdsk-url-1 = {https://www.inverse.com/culture/sci-fi-movies-january-2023-hbo-max-strange-days}}

@misc{Jackson.DWhat-The-Hunger,
	author = {Jackson, Dan},
	date = {2014-11-14},
	date-modified = {2024-05-05 19:47:35 +0300},
	readstatus = {read},
	title = {What The Hunger Games Could Learn From Kathryn Bigelow's Strange Days},
	url = {https://www.esquire.com/entertainment/movies/a31456/hunger-games-strange-days/},
	abstract = {The 1995 dystopian techno-thriller would be hugely influential, if anyone bothered to notice.},
	bdsk-url-1 = {https://www.esquire.com/entertainment/movies/a31456/hunger-games-strange-days/}}

@misc{Palermo.MJacking-in-to-Kathryn,
	author = {Palermo, Mark},
	date = {2020-11-05},
	date-modified = {2024-05-05 19:47:35 +0300},
	organization = {Pop Matters},
	readstatus = {skimmed},
	title = {Jacking-in to Kathryn Bigelow's Lost Classic 'Strange Days'},
	url = {https://www.popmatters.com/kathryn-bigelow-strange-days-2648593224.html},
	urldate = {2024-04-21},
	abstract = {Cyberthriller Strange Days is the Kathryn Bigelow version of a Brian De Palma film: interrogating the male gaze of the immoral.},
	bdsk-url-1 = {https://www.popmatters.com/kathryn-bigelow-strange-days-2648593224.html}}

@misc{Willistein.PStrange-Days,
	author = {Willistein, Paul},
	date = {1995-10-04},
	date-modified = {2024-05-05 19:47:35 +0300},
	organization = {The Morning Call},
	readstatus = {read},
	title = {'Strange Days' Reflects Director's Unique Point Of View},
	url = {https://web.archive.org/web/20160517210809/http://articles.mcall.com/1995-10-14/entertainment/3068852_1_strange-days-director-kathryn-bigelow-movie-theaters},
	urldate = {2016-05-17},
	bdsk-url-1 = {https://web.archive.org/web/20160517210809/http://articles.mcall.com/1995-10-14/entertainment/3068852_1_strange-days-director-kathryn-bigelow-movie-theaters}}

@misc{McCarthy.TStrange-Days,
	author = {McCarthy, Todd},
	date = {1995-09-04},
	date-modified = {2024-05-05 19:47:35 +0300},
	organization = {Variety},
	readstatus = {read},
	title = {Strange Days},
	url = {https://variety.com/1995/film/reviews/strange-days-2-1200443047/},
	abstract = {A very dark vision of the very near future, "Strange Days" is enough to make any Angeleno plan now to be out of town on New Year's Eve, 1999. A technical tour de force for director Kathryn Bigelow and her team, pic is less accomplished in putting over its characters, emotions and dubious sociopolitical agenda.},
	bdsk-url-1 = {https://variety.com/1995/film/reviews/strange-days-2-1200443047/}}

@misc{Guthmann.EVirtual-Reality,
	author = {Guthmann, Edward},
	date = {1995-10-13},
	date-modified = {2024-05-05 19:47:35 +0300},
	organization = {SFGate},
	title = {Virtual Reality Run Amok In `Strange' Thriller},
	url = {https://www.sfgate.com/movies/article/MOVIE-REVIEW-Virtual-Reality-Run-Amok-In-3021354.php},
	bdsk-url-1 = {https://www.sfgate.com/movies/article/MOVIE-REVIEW-Virtual-Reality-Run-Amok-In-3021354.php}}

@book{Barthes.RCamera-luminoasa,
	author = {Barthes, Roland},
	date = {2009},
	date-modified = {2024-05-05 19:47:35 +0300},
	file = {:BarthesCameraluminoasa2009a - Camera Luminoas{\u a}.pdf:PDF},
	publisher = {Idea Design and Print},
	subtitle = {{\^I}nsemn{\u a}ri despre fotografie},
	title = {Camera luminoas{\u a}}}

@inbook{Sontag.SIn-Platos-Cave,
	author = {Sontag, Susan},
	booktitle = {On Photograhy},
	chapter = {1},
	date-modified = {2024-05-05 19:47:35 +0300},
	isbn = {978-0-140-05397-5},
	modificationdate = {2024-04-07T12:45:31},
	pages = {3-26},
	publisher = {Penguin Books},
	readstatus = {read},
	title = {In Plato's Cave}}

@misc{Hultkrans.AReality-Bytes,
	author = {Hultkrans, Andrew},
	date = {2010-03-13},
	date-modified = {2024-05-05 19:47:35 +0300},
	title = {Reality Bytes},
	url = {https://www.artforum.com/columns/andrew-hultkrans-in-a-1995-conversation-with-kathryn-bigelow-193859/},
	bdsk-url-1 = {https://www.artforum.com/columns/andrew-hultkrans-in-a-1995-conversation-with-kathryn-bigelow-193859/}}