diff --git a/docs/tutorials/range_extension.md b/docs/tutorials/range_extension.md index 4180597a8..d91351481 100644 --- a/docs/tutorials/range_extension.md +++ b/docs/tutorials/range_extension.md @@ -203,13 +203,19 @@ viable option. Extending the range with true legato samples requires extending the range for both the previous note (the sw_previous values) and the new note -(the lokey/hikey values). Here is a process which has worked in practice -for extending the range of a legato instrument upwards by a major second: +(the lokey/hikey values). It is important that when transposing a legato +transition sample, not only lokey and hikey must be changed, but lokey, +hikey and sw_previous must all be changed by the same value. + +Here is a process which has worked in practice for extending the range of +a legato instrument upwards by a major second by transposing the samples +by a minor third. * Copy regions with the key to be extended. Add the amount of shift (3 if taking the second-highest and third-lowest note and extending the range by a major second) to sw_previous, lokey and hikey to the copy. -* Copy regions with the sw_previous to be extended except those already copied in the previous step. Likewise add the amount of shift to sw_previous, lokey and hikey to the copy. +* Copy regions with the sw_previous to be extended (which will include some regions copied in the previous step). Likewise add the amount of shift to sw_previous, lokey and hikey to the copy. * Delete the regions with sw_previous above the new max range (or could try avoiding copying them in the first step, but this way is probably safer). -* Add in regions going from the bottom three values of sw_previous to the new notes. This is where some sort of defaults, as mentioned above, will be needed. +* Delete the duplicate regions copied in both of the first two steps. +* Add in regions going from the bottom three values of sw_previous to the notes in the extended range. This is where either some sort of defaults will be needed - using a sample of an ascending octave transition for all intervals over an octave seems to often work fine in practice. * Add regions going from the new extended notes to the bottom three pitches, as above. Note that there will be no legato samples covering the widest intervals