annotations.json

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          "uri": "http://openshakespeare.org/work/romeo_and_juliet", 
          "text": "The dialogue among Romeo and his friends twists and turns and presents some\ndifficulty in being understood.\u00a0 Don\u2019t be frustrated with their language;\ntheir parents probably would have been, too, and we shouldn\u2019t expect to\nunderstand everything they say.\u00a0 The scene is of chief importance for\nintroducing Mercutio, a pivotal character in the play\u2019s plot and supposedly\none of Romeo\u2019s close friends.\u00a0 Read his speech, especially the famous\ndiscussion of Queen Mab, carefully, noting the type of language he employs.\nHow does his language strike you when compared to Romeo\u2019s?\u00a0 Benvolio\u2019s?\n\n", 
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            "name": "Seth Herbst", 
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          "quote": "Enter ROMEO, MERCUTIO, BENVOLIO, with five or six Maskers, Torch-bearers, and others", 
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          "uri": "http://openshakespeare.org/work/romeo_and_juliet", 
          "text": "Imagery of day.\u00a0 \u201cWe burn daylight\u201d\u2014Mercutio intends a\u00a0 figurative meaning,\nthat, as he says, they\u2019re wasting time (\u201cwe waste our lights in vain\u201d).\u00a0 But\nRomeo, in his moodiness, chooses to take him literally\u2014\u201cno,\u201d he says, \u201cwe\u2019re\nnot actually burning daylight.\u201d\u00a0 Romeo\u2019s remark may seem the willful\nmisunderstanding of a moody teenager, but he inadvertently causes us to\nconsider a more profound meaning, one that is linked to the day/night imagery\nrunning throughout the play: with their torches, these men are creating an\nartificial daylight (so they can walk in the dark).\u00a0 The torch is a means of\ncreating artificial day, just as by closing his shutters Romeo generated an\nartificial night.\u00a0 Shakespeare is playing with the notion of what constitutes\nday, what constitutes night.\u00a0 We\u2019ve already seen that day has been associated\nwith light and sight and beauty and companionship; but here, at night, the\ntorches create an artificial light and facilitate the companionship of Romeo\nand his friends.\n\n", 
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          "quote": "Come, we burn daylight, ho!   /  ROMEO Nay, that's not so.   /  MERCUTIO I mean, sir, in delay   /  We waste our lights in vain, like lamps by day.", 
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          "uri": "http://openshakespeare.org/work/macbeth", 
          "text": "Another example of \"humor theory.\" Personality was thought by many medical\nauthorities to be linked to liquid imbalances. Thicker blood meant a braver\npersonality, a sense the expression has retained in modern times.\n\n", 
          "created": "2007-09-18T09:49:22", 
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            "name": "sagittarius", 
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          "quote": "make thick my blood;", 
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          "uri": "http://openshakespeare.org/work/macbeth", 
          "text": "Physiognomy, the ability to judge character from looking at people's faces, is\nclearly an issue in this play (Duncan mentions this in I.4 when bemoaning his\ninability to detect the treason of the rebellious Thane of Cawdor). But Lady\nMacbeth's reference is more complex because the audience has already learned\nthat she doesn't trust Macbeth's ability to dissemble. \"Your face\" here could\nmean \"anyone's face\" (what Duncan meant) or Macbeth's specifically (because\nhis human kindness makes him transparent).\n\n", 
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          "quote": "Your face, my thane, is as a book where men   /  May read strange matters.", 
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          "uri": "http://openshakespeare.org/work/macbeth", 
          "text": "\"Leave the arrangements of tonight's great business to me\"\n\n", 
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          "quote": "put   /  This night's great business into my dispatch;", 
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          "uri": "http://openshakespeare.org/work/romeo_and_juliet", 
          "text": "Mercutio\u2019s last sally of obscenities: \u201cmedlar\u201d is a euphemism for\n\u201cprostitute\u201d; and the \u201copen et cetera\u201d and \u201cpop\u2019rin pear\u201d represent the female\nand male genitalia, respectively.\n\n", 
          "created": "2007-09-18T12:36:24", 
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          "quote": "Now will he sit under a medlar tree,   /  And wish his mistress were that kind of fruit   /  As maids call medlars, when they laugh alone.   /  Romeo, that she were, O, that she were   /  An open et caetera, thou a poperin pear!", 
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          "uri": "http://openshakespeare.org/work/romeo_and_juliet", 
          "text": "The following scene is, of course, one of the most famous passages in Western\nliterature.\u00a0 As you read it for the first time, don\u2019t try too hard to keep\ntrack of all the imagery or to delineate the complexities of language; rather,\nallow yourself to be transported by the lyrical beauty of the language, the\nexcitement of these two young lovers drinking the words of each other\u2019s\nutterance.\u00a0 I\u2019ll provide some signposts that flag thematic elements, but I\u2019d\nrecommend reading the scene first and only then returning, on a second\nreading, to my annotations.\n\n", 
          "created": "2007-09-18T12:39:39", 
          "updated": "2012-06-29T12:14:56.746861+00:00", 
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          "quote": "But, soft! what light through yonder window breaks?   /  It is the east, and Juliet is the sun.", 
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          "uri": "http://openshakespeare.org/work/romeo_and_juliet", 
          "text": "Juliet again bids Romeo good night, threatening, once again, another parting.\n\n", 
          "created": "2007-09-18T12:50:48", 
          "updated": "2012-06-29T12:14:56.802805+00:00", 
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          "quote": "A thousand times good night!", 
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          "uri": "http://openshakespeare.org/work/romeo_and_juliet", 
          "text": "\u00a0\u00a0\u00a0 The Friar presents an oxymoron: the earth is at once a tomb and a womb\u2014the\nplace where dead bodies lie and new bodies are born.\u00a0 The metaphor, continuing\nthe language of oxymoron we\u2019ve seen throughout the play, implies that death\nand life are closely related.\u00a0 Remember the \u201cfatal loins\u201d of the first act\u2019s\nprologue?\n\n  \n\u00a0\u00a0\u00a0 The Friar introduces his metaphor as he begins to discuss herbs (the\nchildren of the earth)\u2014they can be used for good or ill, he says; an herb\nthat, when smelled, is beneficial, can, when eaten, kill.\u00a0 \u201cVirtue itself\nturns vice, being misapplied\u201d the Friar says (a few lines below this\ncitation).\u00a0 As so often in his plays, Shakespeare presents philosophical\narguments in separate pieces\u2014it is up to us, the audience/readers, to draw\ntogether various ideas spoken by different characters.\u00a0 Juliet has said that\n\u201ca rose by any other word would smell as sweet\u201d\u2014presenting the notion that\nlanguage (the names by which we call things) does not alter the identity of\nthings.\u00a0 Now, the Friar argues that nature is not intrinsic\u2014that is, that a\nthing can be either good or evil\u2014depending on how it is used.\u00a0 Juliet and the\nFriar take opposite stances: for Juliet, something is either good or bad,\nregardless of how it is named; for the Friar, how we name something\u2014i.e., how\nour usage determines its name (poison if used to kill, medicine if used to\ncure)\u2014determines its nature.\n\n  \n\n", 
          "created": "2007-09-18T12:57:22", 
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          "quote": "The earth that's nature's mother is her tomb;   /  What is her burying grave that is her womb,", 
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          "uri": "http://openshakespeare.org/work/romeo_and_juliet", 
          "text": "Note the Friar\u2019s tendency to moralize\u2014that is, to make pithy but somewhat\ncondescending statements encapsulating what he perceives to be a moral truth.\n\n", 
          "created": "2007-09-18T12:57:58", 
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          "quote": "Be plain, good son, and homely in thy drift;   /  Riddling confession finds but riddling shrift.", 
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          "uri": "http://openshakespeare.org/work/romeo_and_juliet", 
          "text": "The Friar\u2019s remark shows us that he is a shrewd observer of character: he\nrealizes that Romeo\u2019s \u201clove\u201d for Rosaline was actually manufactured rather\nthan real\u2014that Romeo recycled the love-speech of older men (\u201cdid read by rote\u201d\n= memorized) without having himself created that language (\u201cthat could not\nspell\u201d).\u00a0 The Friar is drawing our attention to Romeo\u2019s initial lack of\nindividuality\u2014his use of an already-existing language in lieu of speaking a\ntruly individual, new, unique language.\n\n", 
          "created": "2007-09-18T13:00:15", 
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          "quote": "O, she knew well   /  Thy love did read by rote and could not spell.", 
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          "uri": "http://openshakespeare.org/work/romeo_and_juliet", 
          "text": "Recall the play\u2019s categories of what is \u201cfeminine,\u201d what \u201cmasculine.\u201d\n\n", 
          "created": "2007-09-18T13:56:03", 
          "updated": "2012-06-29T12:14:57.045578+00:00", 
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          "user": {
            "id": 8, 
            "name": "Seth Herbst", 
            "realname": ""
          }, 
          "quote": "I'll play the housewife for this once.", 
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          "uri": "http://openshakespeare.org/work/romeo_and_juliet", 
          "text": "\u00a0\u00a0\u00a0 We can believe more in the Nurse\u2019s grief\u2014for despite her betrayal of\nJuliet (by suggesting that she commit bigamy and betray Romeo by marrying\nParis), she genuinely believed herself to be acting in Juliet\u2019s best\ninterests.\n\n  \n\u00a0\u00a0\u00a0 Note, too, her manner of mourning: she curses the _day_\u2014both in the sense\nof the specific date, and in the sense of _day_ as daytime (as opposed to\nnighttime).\u00a0 And, we recall, the precise time is _dawn_\u2014sunrise.\u00a0 With the\nrise of the sun, the dawn of the new day, is discovered Death.\u00a0 Just as the\nimagery associated with day and night has been altered and sometimes inverted\nthroughout the play, here, the Nurse says \u201cNever was seen so black a day as\nthis.\u201d\u00a0 Romeo created artificial night at the play\u2019s opening; now does\nJuliet\u2019s \u201cdeath\u201d cast the day into the seeming darkness of grief.\n\n  \n\n", 
          "created": "2007-09-18T14:05:56", 
          "updated": "2012-06-29T12:14:57.075538+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "user": {
            "id": 8, 
            "name": "Seth Herbst", 
            "realname": ""
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          "quote": "O woe! O woful, woful, woful day!   /  Most lamentable day, most woful day,   /  That ever, ever, I did yet behold!   /  O day! O day! O day! O hateful day!   /  Never was seen so black a day as this:   /  O woful day, O woful day!", 
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        "_id": "nFJIm8SSRmeWeBGc719t0Q", 
        "_type": "annotation"
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/romeo_and_juliet", 
          "text": "Recall Capulet\u2019s lines about Death lying with Juliet.\n\n", 
          "created": "2007-09-18T14:13:01", 
          "updated": "2012-06-29T12:14:57.099397+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "user": {
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            "name": "Seth Herbst", 
            "realname": ""
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          "quote": "Well, Juliet, I will lie with thee to-night.   /  Let's see for means:", 
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        "_id": "tyWZ2bRbSbOnw4htu0zjNg", 
        "_type": "annotation"
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          "uri": "http://openshakespeare.org/work/romeo_and_juliet", 
          "text": "Recall night\u2019s capacity to mask, or hide.\n\n", 
          "created": "2007-09-18T14:17:23", 
          "updated": "2012-06-29T12:14:57.115749+00:00", 
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            "name": "Seth Herbst", 
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          }, 
          "quote": "muffle me, night, awhile.", 
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          "uri": "http://openshakespeare.org/work/romeo_and_juliet", 
          "text": "And so the Friar repeats the tale.\u00a0 Why?\u00a0 What does such a long exposition\naccomplish?\u00a0 Might Shakespeare believe the audience missed any of the action?\nOr what might be a more subtle, thematic reason for the Friar\u2019s explanation?\nIs Shakespeare giving the Friar a chance to confess?\n\n", 
          "created": "2007-09-18T14:28:21", 
          "updated": "2012-06-29T12:14:57.151865+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "user": {
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          "quote": "I will be brief, for my short date of breath   /  Is not so long as is a tedious tale.", 
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/macbeth", 
          "text": "Literally \"for breeding.\"\n\n", 
          "created": "2007-09-20T06:53:52", 
          "updated": "2012-06-29T12:14:57.186631+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "finalsclub_id": 377, 
          "user": {
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            "name": "sagittarius", 
            "realname": ""
          }, 
          "quote": "procreant", 
          "ranges": [
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              "endOffset": 234, 
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        }, 
        "_id": "e1jku27OS1GO6OB-36RBvw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/macbeth", 
          "text": "Convoluted grammar characteristic of courtly praise and hyperbole: \"We\ncontinue praying for you [hermits were known to pray for a benefactor's soul],\nthanking you for the old dignities [Glamis] and the new ones recently added to\nthem [Cawdor].\"\n\n", 
          "created": "2007-09-20T07:02:48", 
          "updated": "2012-06-29T12:14:57.201826+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 381, 
          "user": {
            "id": 3, 
            "name": "sagittarius", 
            "realname": ""
          }, 
          "quote": "for those of old,   /  And the late dignities heap'd up to them,   /  We rest your hermits.", 
          "ranges": [
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              "endOffset": 256, 
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              "start": "/div[105]/p[2]"
            }
          ]
        }, 
        "_id": "FtPnoCMVSOGcYddDq1fUQg", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/macbeth", 
          "text": "Another grammatically twisted expression of feudal obligation. According to\nfeudal notions of property, the only \"owner\" of everything in society was the\nmonarch, who then allowed everyone else the use of what they had according to\ntheir rank. Each member of society, except for the monarch, was then a\n\"servant\" of whomever was higher in the social pyramid. Thanes like Macbeth\n(and by bond of marriage, his wife) were immediately below the king in the\npyramid and lorded over everyone but him. Lady Macbeth means \"we as your\nservants have servants (\"theirs\"), their own persons, and their property\n(\"what is theirs\") as credit or trust (\"in count\"), and we are required to\nsettle their accounts (\"make their audit\") at your pleasure, and to return\nwhat already belongs to you when we are asked to.\"\n\n", 
          "created": "2007-09-20T07:30:25", 
          "updated": "2012-06-29T12:14:57.217213+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 385, 
          "user": {
            "id": 3, 
            "name": "sagittarius", 
            "realname": ""
          }, 
          "quote": "Your servants ever   /  Have theirs, themselves and what is theirs, in compt,   /  To make their audit at your highness' pleasure,   /  Still to return your own.", 
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              "end": "/div[107]/p[2]", 
              "endOffset": 143, 
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            }
          ]
        }, 
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        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/macbeth", 
          "text": "An Early Modern wind instrument, from which the modern oboe evolved.\n\n", 
          "created": "2007-09-20T07:36:44", 
          "updated": "2012-06-29T12:14:57.231441+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 389, 
          "user": {
            "id": 3, 
            "name": "sagittarius", 
            "realname": ""
          }, 
          "quote": "Hautboys", 
          "ranges": [
            {
              "end": "/p[20]", 
              "endOffset": 8, 
              "startOffset": 29, 
              "start": "/h4[7]"
            }
          ]
        }, 
        "_id": "_AH4V72sS9OnZvKUpoREQg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/macbeth", 
          "text": "Macbeth's twisted reasoning continues (notice all the \"buts\") and this is\nanother passage open to varied interpretation. \"In these cases\" could refer to\nregicide, a very specific crime at the top of the feudal pyramid of criminal\noffenses. After pointing out the eternal damnation that he would be risking,\nnow Macbeth is also considering the consequences (the \"judgement\") that would\nalso occur on earth (\"here\") if he kills Duncan: the actions of a king (or\nanyone with lordship over others) in the feudal system, are not mere actions\nbut also lessons, examples (\"instructions\") for those lower than them in the\npyramid. If the lessons are \"bloody\" (and regicide was the ultimate example of\nthis), once taught, they can always come back to haunt the teacher\n(\"inventor\"). The justice of the world (in addition to eternal, divine\njustice) is blind (\"even-handed\") and if we put poison in a cup, it would\ninvariably send the cup back for us to drink from it. (Notice, Shakespeare\nwinking at his own plot device to resolve the conflcits in _Hamlet_ and\nprovide a rightful punishment for Claudius!)\n\n", 
          "created": "2007-09-20T08:09:23", 
          "updated": "2012-06-29T12:14:57.245468+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 393, 
          "user": {
            "id": 3, 
            "name": "sagittarius", 
            "realname": ""
          }, 
          "quote": "But in these cases   /  We still have judgment here; that we but teach   /  Bloody instructions, which, being taught, return   /  To plague the inventor: this even-handed justice   /  Commends the ingredients of our poison'd chalice   /  To our own lips.", 
          "ranges": [
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              "endOffset": 515, 
              "startOffset": 291, 
              "start": "/div[109]/p[2]"
            }
          ]
        }, 
        "_id": "M0WEN6zuSvOci9EmrYTY5Q", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/hamlet", 
          "text": "Edge=erection here, with \"take off my edge\" meaning \"lose your virginity.\"\n\n", 
          "created": "2007-11-19T09:13:25", 
          "updated": "2012-06-29T12:14:59.592065+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 1282, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "It would cost you a groaning to take off my edge.", 
          "ranges": [
            {
              "end": "/div[572]/p[2]", 
              "endOffset": 49, 
              "startOffset": 6, 
              "start": "/div[572]/p[1]"
            }
          ]
        }, 
        "_id": "tCJvtcMNRkKMlvY_GFlLDg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/hamlet", 
          "text": "Fireworks.\u00a0 \"Don't be such a scaredy-cat.\u00a0 It's just a _play_.\u00a0 It's not real\nlife.\"\n\n", 
          "created": "2007-11-19T09:18:55", 
          "updated": "2012-06-29T12:14:59.613431+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 1287, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "false fire!", 
          "ranges": [
            {
              "end": "/div[578]/p[2]", 
              "endOffset": 31, 
              "startOffset": 20, 
              "start": "/div[578]/p[2]"
            }
          ]
        }, 
        "_id": "xufiacAZQk2hcxnPU6C3nQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/hamlet", 
          "text": "\"Back to reality!\u00a0 I want to be out of the darkened, mirror-world of the\ntheater and back in my lighted, normal life.\"\n\n", 
          "created": "2007-11-19T09:20:06", 
          "updated": "2012-06-29T12:14:59.618878+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 1288, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Lights, lights, lights!", 
          "ranges": [
            {
              "end": "/div[582]/p[2]", 
              "endOffset": 23, 
              "startOffset": 3, 
              "start": "/div[582]/p[1]"
            }
          ]
        }, 
        "_id": "7XLBQBVdRbqYo-h7eUmB2Q", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/hamlet", 
          "text": "Oxford makes the somewhat dubious observation that Hamlet, having asked\nGuildenstern to play upon the pipe, now \"plays\" upon the \"windbag\" Polonius.\nI believe it's a hard case to make that Shakespeare intended to make that\nparticular pun, but the image of Polonius whistling and tooting like a\nrecorder as Hamlet throws him for loop after loop is a pretty funny one.\n\n", 
          "created": "2007-11-19T09:34:13", 
          "updated": "2012-06-29T12:14:59.649559+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 1297, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "My lord, the queen would speak with you, and   /  presently.   /  HAMLET Do you see yonder cloud that's almost in shape of a camel?   /  LORD POLONIUS By the mass, and 'tis like a camel, indeed.   /  HAMLET Methinks it is like a weasel.   /  LORD POLONIUS It is backed like a weasel.", 
          "ranges": [
            {
              "end": "/div[632]/p[2]", 
              "endOffset": 12, 
              "startOffset": 69, 
              "start": "/div[628]"
            }
          ]
        }, 
        "_id": "n7vW4_lNR8akROOwto5pqA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "Warmer climates were thought to harbor more contagious diseases.\n\n", 
          "created": "2008-08-13T11:59:10", 
          "updated": "2012-06-29T12:18:34.491735+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 6822, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "contagion of the south", 
          "ranges": [
            {
              "end": "/div[159]/p[2]", 
              "endOffset": 30, 
              "startOffset": 8, 
              "start": "/div[159]/p[2]"
            }
          ]
        }, 
        "_id": "ECP8Ek-xQNSGBxcWwT-Haw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "Keep your eye on how often cannibalism is invoked in this play--what do you\nthink this is about?\n\n", 
          "created": "2008-08-13T12:22:38", 
          "updated": "2012-06-29T12:18:34.508811+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 6832, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "To the pot,", 
          "ranges": [
            {
              "end": "/div[163]/p[2]", 
              "endOffset": 11, 
              "startOffset": 0, 
              "start": "/div[163]/p[2]"
            }
          ]
        }, 
        "_id": "5OB8qplUROea5F0cbZbz2g", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "plague\n\n", 
          "created": "2008-08-13T12:37:32", 
          "updated": "2012-06-29T12:18:34.539140+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 6841, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "murrain", 
          "ranges": [
            {
              "end": "/div[172]/p[2]", 
              "endOffset": 9, 
              "startOffset": 2, 
              "start": "/div[172]/p[2]"
            }
          ]
        }, 
        "_id": "c2dZ3BhhR-qI3emNPs3nrg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "If any Shakespeare play were to be described as homoerotic, this would be the\none.\u00a0 A more interesting explanation of these lines is that domestic pleasure\nis worth less to Marcius than honor in battle and the companionship of his\nfellow soldiers.\u00a0 Remember, he is Volumnia's son: replace her discussion of\nchild-rearing in relation to warfare with his views on the marital bed, and\nyou see how closely the two mirror one another in their disdain for\ndomesticity.\n\n", 
          "created": "2008-08-14T15:25:45", 
          "updated": "2012-06-29T12:18:34.576684+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 6869, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "let me clip ye  /  In arms as sound as when I woo'd, in heart  /  As merry as when our nuptial day was done,  /  And tapers burn'd to bedward!  / ", 
          "ranges": [
            {
              "end": "/div[190]/p[2]", 
              "endOffset": 130, 
              "startOffset": 3, 
              "start": "/div[190]/p[2]"
            }
          ]
        }, 
        "_id": "yK7VoCItRKS17hlxHx1F7g", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "The philosophies of battle held by Marcius and Cominius are extremely\ndifferent.\u00a0 Marcius's is black and white; Cominius allows for more variability\n(the Roman army had to retreat in order to win their purpose, something that\nMarcius finds difficult to understand).\n\n", 
          "created": "2008-08-18T11:29:02", 
          "updated": "2012-06-29T12:18:34.587706+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 7060, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "If not, why cease you till you are so?  /  COMINIUS   /  Marcius,  /  We have at disadvantage fought and did  /  Retire to win our purpose.  / ", 
          "ranges": [
            {
              "end": "/div[197]/p[2]", 
              "endOffset": 72, 
              "startOffset": 91, 
              "start": "/div[196]/p[2]"
            }
          ]
        }, 
        "_id": "2UeQ7NWXSGiB2bFU1_pPGQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "we put ourselves to the proof (ie, attack).\n\n", 
          "created": "2008-08-18T11:29:52", 
          "updated": "2012-06-29T12:18:34.591281+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 7061, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "prove", 
          "ranges": [
            {
              "end": "/div[200]/p[2]", 
              "endOffset": 291, 
              "startOffset": 286, 
              "start": "/div[200]/p[2]"
            }
          ]
        }, 
        "_id": "7-_F5NBLTIm__2h4Z3Vlmg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "In _Henry V_, Shakespeare wrote [such an inspirational piece of military\nrhetoric](http://www.chronique.com/Library/Knights/crispen.htm) that a\nrecording of [Sir Lawrence Olivier reciting\nit](http://www.youtube.com/watch?v=3jXFnQUU7yg&feature=related) was played on\nthe BBC nearly every evening in 1941.\u00a0 Marcius's speech seems to have a\nsimilar inspirational effect, yet the speech itself cannot compare to Henry's\nnationalist enthusiasm.\u00a0 Marcius, of course, is a man of action rather than\nwords: why, then, do his bland words have such an inspirational effect?\n\n", 
          "created": "2008-08-18T11:40:24", 
          "updated": "2012-06-29T12:18:34.594511+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 7062, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "If any such be here--  /  As it were sin to doubt--that love this painting  /  Wherein you see me smear'd; if any fear  /  Lesser his person than an ill report;  /  If any think brave death outweighs bad life  /  And that his country's dearer than himself;  /  Let him alone, or so many so minded,  /  Wave thus, to express his disposition,  /  And follow Marcius.  / ", 
          "ranges": [
            {
              "end": "/div[202]/p[2]", 
              "endOffset": 361, 
              "startOffset": 37, 
              "start": "/div[202]/p[2]"
            }
          ]
        }, 
        "_id": "FbxIRsjaR9qkU5bEggEvQg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "(Aufidius is here addressing the Volsces who help him--he's shamed by their\nsupport, since Marcius drives them singlehandedly).\n\n", 
          "created": "2008-08-18T11:51:06", 
          "updated": "2012-06-29T12:18:34.614244+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 7069, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Officious, and not valiant, you have shamed me  /      In your condemned seconds.", 
          "ranges": [
            {
              "end": "/div[212]/p[2]", 
              "endOffset": 166, 
              "startOffset": 3, 
              "start": "/p[34]"
            }
          ]
        }, 
        "_id": "w-HFatNXRQeet3iWwMXt4Q", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "Romans entering from both sides of the stage would signify that they had total\ncommand of the battlefield.\n\n", 
          "created": "2008-08-18T11:52:59", 
          "updated": "2012-06-29T12:18:34.617867+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 7070, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Enter, from one side, COMINIUS with the Romans; from the other side, MARCIUS,", 
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              "endOffset": 127, 
              "startOffset": 50, 
              "start": "/p[34]"
            }
          ]
        }, 
        "_id": "nKAjhKR6QLmdCE6PF619pA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "the title\n\n", 
          "created": "2008-08-18T12:30:25", 
          "updated": "2012-06-29T12:18:34.650447+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 7086, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "addition", 
          "ranges": [
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              "startOffset": 568, 
              "start": "/div[221]/p[2]"
            }
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        "_id": "6Z63PH5yRAqj_p3AXLTdmg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "ie, my face\n\n", 
          "created": "2008-08-26T10:12:26", 
          "updated": "2012-06-29T12:18:34.690722+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 7597, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "the map of my microcosm,", 
          "ranges": [
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              "endOffset": 822, 
              "startOffset": 802, 
              "start": "/div[265]/p[2]"
            }
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        }, 
        "_id": "i54k9YGIRI6xtvShVrjnrQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "Here is a moment where the actor (or the director) has an important choice:\nshould the tone of \"your people\" imply \"the people that you represent,\" or\n\"_you people_?\"\n\n", 
          "created": "2008-08-27T09:43:09", 
          "updated": "2012-06-29T12:18:34.774015+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 7683, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "your people  / ", 
          "ranges": [
            {
              "end": "/div[350]/p[2]", 
              "endOffset": 116, 
              "startOffset": 105, 
              "start": "/div[350]/p[2]"
            }
          ]
        }, 
        "_id": "d6KXceiLTZqqMgkxLPbBcw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "Notice how Sicinius and Brutus harangue the citizens, behaving just as\ncondescendingly as they accuse Coriolanus of behaving.\n\n", 
          "created": "2008-08-27T11:33:52", 
          "updated": "2012-06-29T12:18:34.834015+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 7712, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Why, had your bodies  /      No heart among you? or had you tongues to cry  /      Against the rectorship of judgment?  / ", 
          "ranges": [
            {
              "end": "/div[446]/p[2]", 
              "endOffset": 266, 
              "startOffset": 172, 
              "start": "/div[446]/p[2]"
            }
          ]
        }, 
        "_id": "GGytv9j-S121vv9yqTNQTA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "They dress themselves up in authority.\u00a0 This speaks to Coriolanus's hatred of\nall things theatrical, but also calls into question the basis of authority.\nIf the republican democracy that elected the tribunes as the voice of the\npeople is merely a show, then what, exactly, is the \"noble sufferance\" that\nwould constitute _real _authority, if such a thing exists?\n\n", 
          "created": "2008-08-28T10:23:26", 
          "updated": "2012-06-29T12:18:34.858403+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 7771, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "they do prank them in authority,  / ", 
          "ranges": [
            {
              "end": "/div[473]/p[2]", 
              "endOffset": 212, 
              "startOffset": 180, 
              "start": "/div[473]/p[2]"
            }
          ]
        }, 
        "_id": "fySyloYtRKSb9VDSDEAUQQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "eyes\n\n", 
          "created": "2008-07-14T09:37:18", 
          "updated": "2012-06-29T12:18:32.828480+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 5781, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "eyne,", 
          "ranges": [
            {
              "end": "/div[49]/p[2]", 
              "endOffset": 699, 
              "startOffset": 694, 
              "start": "/div[49]/p[2]"
            }
          ]
        }, 
        "_id": "PlYjeic2TrKfrfMlXTOkkQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "Each man (usually called \"the mechanicals\") has a specific profession, listed\nin the cast of characters, and referred to later in the scene.\u00a0 Quince is a\ncarpenter; Snug is a joiner (a carpenter who makes cabinets or possibly\nfurniture); Bottom is a weaver; Flute is a bellows-mender; Snout is a tinker\n(someone who would travel around mending pots and pans); and Starveling is a\ntailor.\n\n", 
          "created": "2008-07-14T09:47:23", 
          "updated": "2012-06-29T12:18:32.849673+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 5783, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "QUINCE, SNUG, BOTTOM, FLUTE, SNOUT, and STARVELING", 
          "ranges": [
            {
              "end": "/p[7]", 
              "endOffset": 56, 
              "startOffset": 6, 
              "start": "/p[7]"
            }
          ]
        }, 
        "_id": "5yWsvZLaTvak4nwdQN-gmQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "Everything that follows here are natural phenomena attributed, in\nShakespeare's time, to discord between fairies (fog, blight, floods, disease,\nunseasonable weather).\u00a0 Much of the specific wording comes from Arthur\nGolding's 1567 translation of Ovid's _Metamorphoses _(this was one of\nShakespeare's favorite sources).\n\n", 
          "created": "2008-07-15T09:21:13", 
          "updated": "2012-06-29T12:18:33.016036+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 5829, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Therefore the winds, piping to us in vain,   /  As in revenge, have suck'd up from the sea   /  Contagious fogs;", 
          "ranges": [
            {
              "end": "/div[102]/p[2]", 
              "endOffset": 387, 
              "startOffset": 287, 
              "start": "/div[102]/p[2]"
            }
          ]
        }, 
        "_id": "vCFhtlI3TSmPm0s-8uzbGQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "watching the merchant ships on the ocean\n\n", 
          "created": "2008-07-15T09:33:50", 
          "updated": "2012-06-29T12:18:33.035060+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 5835, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Marking the embarked traders on the flood,", 
          "ranges": [
            {
              "end": "/div[104]/p[2]", 
              "endOffset": 265, 
              "startOffset": 223, 
              "start": "/div[104]/p[2]"
            }
          ]
        }, 
        "_id": "RdBjVeGISFKRGDeR9tkXnA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "molts\n\n", 
          "created": "2008-07-15T11:42:34", 
          "updated": "2012-06-29T12:18:33.061818+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 5843, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "there the snake throws her enamell'd skin,", 
          "ranges": [
            {
              "end": "/div[128]/p[2]", 
              "endOffset": 328, 
              "startOffset": 286, 
              "start": "/div[128]/p[2]"
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          ]
        }, 
        "_id": "qQCejnPVQYu9ySNL80H-eg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "A round dance\n\n", 
          "created": "2008-07-15T11:43:24", 
          "updated": "2012-06-29T12:18:33.095686+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 5844, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "roundel", 
          "ranges": [
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              "end": "/div[130]/p[2]", 
              "endOffset": 19, 
              "startOffset": 12, 
              "start": "/div[130]/p[2]"
            }
          ]
        }, 
        "_id": "CGpfErH4SpiMpw4-B8Ptdw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "Jerk\n\n", 
          "created": "2008-07-16T12:20:13", 
          "updated": "2012-06-29T12:18:33.135170+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 5932, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Churl,", 
          "ranges": [
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              "end": "/div[141]/p[2]", 
              "endOffset": 379, 
              "startOffset": 373, 
              "start": "/div[141]/p[2]"
            }
          ]
        }, 
        "_id": "G8pFP2veTOKz07LzMDTMRA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "ripen\n\n", 
          "created": "2008-07-16T12:54:20", 
          "updated": "2012-06-29T12:18:33.183829+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 5936, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "ripe", 
          "ranges": [
            {
              "end": "/div[149]/p[2]", 
              "endOffset": 306, 
              "startOffset": 302, 
              "start": "/div[149]/p[2]"
            }
          ]
        }, 
        "_id": "q3ie43htR7W42y31nMuGog", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "Bottom is calling, in other words, for an end to theatrical illusion, to which\nhe attributes far too much power.\n\n", 
          "created": "2008-07-16T13:23:46", 
          "updated": "2012-06-29T12:18:33.224324+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 5945, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Write me a prologue; and let the prologue seem to   /  say, we will do no harm with our swords, and that   /  Pyramus is not killed indeed; and, for the more   /  better assurance, tell them that I, Pyramus, am not   /  Pyramus, but Bottom the weaver: this will put them   /  out of fear.", 
          "ranges": [
            {
              "end": "/div[160]/p[2]", 
              "endOffset": 303, 
              "startOffset": 45, 
              "start": "/div[160]/p[2]"
            }
          ]
        }, 
        "_id": "18tXBqRNQs6TSgqmT2ZC7A", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "Approx. \"what's up?\" or \"how are you?\"\n\n", 
          "created": "2008-07-17T07:35:14", 
          "updated": "2012-06-29T12:18:33.235825+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 5949, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "what cheer?", 
          "ranges": [
            {
              "end": "/div[2]/p[2]", 
              "endOffset": 25, 
              "startOffset": 14, 
              "start": "/div[2]/p[2]"
            }
          ]
        }, 
        "_id": "-MZqgg_3TPGWm-z9B6bvkg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "In preparation of a play?\n\n", 
          "created": "2008-07-18T12:24:58", 
          "updated": "2012-06-29T12:18:33.252346+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 5977, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "What, a play toward!", 
          "ranges": [
            {
              "end": "/div[177]/p[2]", 
              "endOffset": 105, 
              "startOffset": 85, 
              "start": "/div[177]/p[2]"
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        }, 
        "_id": "U2u_3CKDRvW8SoiZ0brf6w", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "For the natural world, the Boatswain reminds Gonzalo, is indifferent to the\nsocially constructed hierarchy that Gonzalo presses him to remember. 'King' is\njust a name. It has no independent power. The hollow and impotent reality of\nthe 'name of king' lurks behind many of Shakespeare's plays and haunts many of\nhis royal characters, such as King Richard II and King Lear.\n\n", 
          "created": "2008-07-18T12:38:22", 
          "updated": "2012-06-29T12:18:33.263804+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 5981, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "What cares these roarers   /  for the name of king?", 
          "ranges": [
            {
              "end": "/div[10]/p[2]", 
              "endOffset": 69, 
              "startOffset": 24, 
              "start": "/div[10]/p[2]"
            }
          ]
        }, 
        "_id": "us3d-krrRi64q9hvRZ1Z2w", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "\u00a0Big-mouthed.\n\n", 
          "created": "2008-07-18T13:00:24", 
          "updated": "2012-06-29T12:18:33.271786+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 5983, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "wide-chapp'd", 
          "ranges": [
            {
              "end": "/div[24]/p[2]", 
              "endOffset": 65, 
              "startOffset": 53, 
              "start": "/div[24]/p[2]"
            }
          ]
        }, 
        "_id": "L-JB7bnNR2-hRsKBjPdSkQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "In Shakespeare's own production of the play in 1611, the role of Prospero was\nplayed by 44-year-old Richard Burbage, but from the eighteenth century until\nthe mid-twentieth, Prospero was nearly always performed as a\u00a0grey and wizened\ngrandfather\u00a0and played by a much older man. In the late twentieth century, the\nrole began to be given to actors in their fourties who played Prospero as\nmiddle-aged.\n\nHow does Prospero's age affect the tone of the play? How does it affect his\nrelationship with Miranda? Some critics have argued that the middle-aged\nProspero harbors incestuous feelings for Miranda (feelings that were\u00a0absent in\nthe sexless old man of eighteenth century productions)\u00a0and that this emotional\ncurrent provides crucial motivation for his actions later in the play.\n\n", 
          "created": "2008-07-19T08:24:51", 
          "updated": "2012-06-29T12:18:33.298178+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 6019, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "PROSPERO", 
          "ranges": [
            {
              "end": "/div[32]/p[1]", 
              "endOffset": 8, 
              "startOffset": 15, 
              "start": "/div[31]/p[2]"
            }
          ]
        }, 
        "_id": "VHOerdhKReqepP80kF5wkg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "Referring to Sycorax's posture. Sycorax must have been hunchbacked in old age\nand bent over until her body was more curved (like a hoop) than straight.\n\n", 
          "created": "2008-07-19T13:25:48", 
          "updated": "2012-06-29T12:18:33.351479+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 6036, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "grown into a hoop?", 
          "ranges": [
            {
              "end": "/div[94]/p[2]", 
              "endOffset": 112, 
              "startOffset": 94, 
              "start": "/div[94]/p[2]"
            }
          ]
        }, 
        "_id": "5wT3cTCYQTi-wicOJZz1CQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "The other two are her father and Caliban. Interesting that Caliban is counted\nas a human being here and is omitted from Miranda's count later on (see link\nbelow). It's another example of the uneasy status of Caliban's identity.\n\n", 
          "created": "2008-07-19T15:30:56", 
          "updated": "2012-06-29T12:18:33.367646+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 6049, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "This   /  Is the third man that e'er I saw,", 
          "ranges": [
            {
              "end": "/div[142]/p[2]", 
              "endOffset": 71, 
              "startOffset": 33, 
              "start": "/div[142]/p[2]"
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        "_id": "IprFfw7MSXKA3tXzTEG8TA", 
        "_type": "annotation"
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      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "moistened\n\n", 
          "created": "2008-07-21T09:25:33", 
          "updated": "2012-06-29T12:18:33.440371+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "user": {
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            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "latch'd", 
          "ranges": [
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              "endOffset": 67, 
              "startOffset": 60, 
              "start": "/div[223]/p[2]"
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        }, 
        "_id": "gPOcUa4cRluiC5J-9icjLQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "mistaking one thing for another\n\n", 
          "created": "2008-07-21T09:47:17", 
          "updated": "2012-06-29T12:18:33.457913+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "finalsclub_id": 6078, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "misprision", 
          "ranges": [
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              "endOffset": 112, 
              "startOffset": 102, 
              "start": "/div[238]/p[2]"
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        }, 
        "_id": "R4MEzQYMQKelLTvgcoXWhg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "Hermia had dark hair and eyes, to Helena's blond fairness.\u00a0 On Lysander's\nusage here, and the perception of \"blackamoors\" in Renaissance England more\ngenerally, see my notes on Othello.\n\n", 
          "created": "2008-07-22T10:19:13", 
          "updated": "2012-06-29T12:18:33.500295+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 6242, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "you Ethiope!", 
          "ranges": [
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              "endOffset": 18, 
              "startOffset": 6, 
              "start": "/div[277]/p[2]"
            }
          ]
        }, 
        "_id": "zU5VEVKLQ-GVDi2lZ846Bg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "We get some clues as to the staging of this in Helena's speech: she's much\nless furious than Hermia, but makes sure to get her insults in (\"...because\nshe is something lower than myself\").\u00a0 Lysander and Demetrius must both be\nrestraining Hermia (or else trying, comically, to both restrain Hermia and\nfawn on Helena).\n\n", 
          "created": "2008-07-22T10:34:00", 
          "updated": "2012-06-29T12:18:33.512327+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 6246, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Let her not strike me.", 
          "ranges": [
            {
              "end": "/div[292]/p[2]", 
              "endOffset": 176, 
              "startOffset": 154, 
              "start": "/div[292]/p[2]"
            }
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        }, 
        "_id": "7FNEwqWaSmSV8RnIqMN7sg", 
        "_type": "annotation"
      }, 
      {
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "discord\n\n", 
          "created": "2008-07-22T10:41:20", 
          "updated": "2012-06-29T12:18:33.523288+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          "finalsclub_id": 6249, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "jangling", 
          "ranges": [
            {
              "end": "/div[311]/p[2]", 
              "endOffset": 253, 
              "startOffset": 245, 
              "start": "/div[311]/p[2]"
            }
          ]
        }, 
        "_id": "xndIj0F0SaeWBAOSjj_X6w", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "Helena wishes the night would seem shorter.\n\n", 
          "created": "2008-07-22T10:59:19", 
          "updated": "2012-06-29T12:18:33.546379+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 6255, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Abate thy hour!", 
          "ranges": [
            {
              "end": "/div[329]/p[2]", 
              "endOffset": 55, 
              "startOffset": 40, 
              "start": "/div[329]/p[2]"
            }
          ]
        }, 
        "_id": "rEya_VGCTRG5IG36MrJl-w", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "Meaning Adrian, who is younger than Gonzalo, the \"old cock\". A cockerel is a\nyoung rooster.\n\n", 
          "created": "2008-07-22T11:37:45", 
          "updated": "2012-06-29T12:18:33.556387+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 6258, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "The cockerel.  / ", 
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              "start": "/div[181]"
            }
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        }, 
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        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "_oar_, OED:\u00a0to propel with or as with oars.\n\n", 
          "created": "2008-07-22T12:30:57", 
          "updated": "2012-06-29T12:18:33.578608+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 6265, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "oar'd  / ", 
          "ranges": [
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              "start": "/div[234]/p[2]"
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        }, 
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        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "Gonzalo pays Antonio and Sebastian a sarcastic compliment. They are, he says,\nso brave they could pull the moon out of orbit if the moon remained still for\nfive weeks (which would, of course, never happen).\n\n", 
          "created": "2008-07-22T13:25:42", 
          "updated": "2012-06-29T12:18:33.615189+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 6276, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "You are gentlemen of brave metal; you would lift  /  the moon out of her sphere, if she would continue  /  in it five weeks without changing.  / ", 
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              "end": "/div[267]/p[2]", 
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              "startOffset": 8, 
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            }
          ]
        }, 
        "_id": "lRWiHfANQ8e5LZbKjiKsvg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "\u00a0blister\n\n", 
          "created": "2008-07-22T17:13:50", 
          "updated": "2012-06-29T12:18:33.648880+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 6285, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "kibe,  / ", 
          "ranges": [
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              "end": "/div[305]/p[2]", 
              "endOffset": 43, 
              "startOffset": 38, 
              "start": "/div[305]/p[2]"
            }
          ]
        }, 
        "_id": "CqMlD-g6QQq3AgkX_kz9pw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "\u00a0This is a typo - there shouldn't be a question mark here. The sentence\ncontinuous onto the next line.\n\n", 
          "created": "2008-07-22T17:57:09", 
          "updated": "2012-06-29T12:18:33.662734+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 6289, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "whom?  / ", 
          "ranges": [
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              "endOffset": 119, 
              "startOffset": 114, 
              "start": "/div[226]/p[2]"
            }
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        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "hay fed to horses was measured in bottles.\n\n", 
          "created": "2008-07-23T09:15:32", 
          "updated": "2012-06-29T12:18:33.707378+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 6303, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "bottle", 
          "ranges": [
            {
              "end": "/div[346]/p[2]", 
              "endOffset": 103, 
              "startOffset": 97, 
              "start": "/div[346]/p[2]"
            }
          ]
        }, 
        "_id": "j27PAPSTSlSxsmFnPWFRwA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "infatuation\n\n", 
          "created": "2008-07-23T09:16:34", 
          "updated": "2012-06-29T12:18:33.713715+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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          }, 
          "finalsclub_id": 6305, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "dotage", 
          "ranges": [
            {
              "end": "/div[350]/p[2]", 
              "endOffset": 76, 
              "startOffset": 70, 
              "start": "/div[350]/p[2]"
            }
          ]
        }, 
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        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "Caliban's unabashed worship of Stephano (and Stephano's wine) quickly inflates\nStephano's ego and soon Stephano will be strutting about, proclaiming himself\nKing of the island.\n\nIn the last scene, we saw Antonio convince Sebastian that Sebastian was the\nrightful King of Naples.\n\nHow is Caliban's effect on Stephano like or unlike Antonio's upon Sebastian?\nWhat does Caliban stand to gain from Stephano's empowerment?\n\n", 
          "created": "2008-07-23T10:51:34", 
          "updated": "2012-06-29T12:18:33.790807+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 6328, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "I'll swear upon that bottle to be thy true subject;  /  for the liquor is not earthly.  / ", 
          "ranges": [
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              "endOffset": 81, 
              "startOffset": 8, 
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          ]
        }, 
        "_id": "gNe0WwlYRVKJNb59VIbm4g", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "Feste has made up this philosopher.\n\n", 
          "created": "2008-06-29T12:28:31", 
          "updated": "2012-06-29T12:18:31.783793+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4889, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Quinapalus?", 
          "ranges": [
            {
              "end": "/div[124]/p[2]", 
              "endOffset": 193, 
              "startOffset": 181, 
              "start": "/div[124]/p[2]"
            }
          ]
        }, 
        "_id": "iw7VObNiT6az4z4vBNwK5A", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "Orsino has prepared a speech for Cesario to deliver.\n\n", 
          "created": "2008-06-29T12:58:53", 
          "updated": "2012-06-29T12:18:31.840435+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4901, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Most radiant, exquisite, and unmatchable beauty,-- I pray you,  /  tell me if this be the lady of the house, for I never saw her: I  /  would be loth to cast away my speech; for, besides that it is  /  excellently well penn'd, I have taken great pains to con it.", 
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              "startOffset": 6, 
              "start": "/div[182]"
            }
          ]
        }, 
        "_id": "xU0gCT4cQsKZOJxD7JYGeg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "This is precisely the argument of Sonnet 1:\n\n\\r\\n\\r\\n\n\nFrom fairest creatures we\\r\\ndesire increase,\n\n\\r\\nThat thereby beauty's rose might never die,\n\n\\r\\nBut as the riper should by time decease,\n\n\\r\\nHis tender heir might bear his memory:\n\n\\r\\nBut thou, contracted to thine own bright eyes,\n\n\\r\\nFeed'st thy light'st flame with self-substantial fuel,\n\n\\r\\nMaking a famine where abundance lies,\n\n\\r\\nThyself thy foe, to thy sweet self too cruel.\n\n\\r\\nThou that art now the world's fresh ornament\n\n\\r\\nAnd only herald to the gaudy spring,\n\n\\r\\nWithin thine own bud buriest thy content\n\n\\r\\nAnd, tender churl, makest waste in niggarding.\n\n\\r\\nPity the world, or else this glutton be,\n\n\\r\\nTo eat the world's due, by the grave and thee.\n\n\\r\\n\\r\\nMen and women who are physically beautiful have the obligation to\nreproduce, so that their beauty can be preserved after their death.\n\n", 
          "created": "2008-06-29T13:22:33", 
          "updated": "2012-06-29T12:18:31.857055+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4905, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "VIOLA.  /  'T is beauty truly blent whose red and white  /  Nature's own sweet and cunning hand laid on.  /  Lady, you are the cruell'st she alive,  /  If you will lead these graces to the grave,  /  And leave the world no copy.  / ", 
          "ranges": [
            {
              "end": "/div[209]/p[2]", 
              "endOffset": 196, 
              "startOffset": 50, 
              "start": "/div[208]/p[2]"
            }
          ]
        }, 
        "_id": "U5uvYL4_R1ygyNFAWKhTgQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "A fantastic Shakespearean word, though not a coinage.\u00a0 Shakespeare uses fadge\nin two senses.\u00a0 The first, \"to turn out, end up,\" is how it's intended in this\nline.\u00a0 The second sense is \"to succeed, turn out well,\" as in Love's Labour's\nLost when the Spanish buffoon Armado declares, \"We will have, if this fadge\nnot, an antic\" (\"Shakespeare's Words,\" Crystal and Crystal).\n\n", 
          "created": "2008-06-30T12:28:48", 
          "updated": "2012-06-29T12:18:31.994027+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 4953, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "fadge?", 
          "ranges": [
            {
              "end": "/div[243]/p[2]", 
              "endOffset": 682, 
              "startOffset": 676, 
              "start": "/div[243]/p[2]"
            }
          ]
        }, 
        "_id": "obtifhW5QqKpAN0DU80phw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "This beautiful song was probably written by Shaksepeare, and it's a beautiful\nmix of melancholy longing (\"where are you roaming?\") and sensual desire (\"come\nkiss me, sweet and twenty.\")\n\n  \nYet, as with so much of Twelfth Night, Festes' song is both a pean to youth\nand love and an elegy to them.\u00a0 It recognizes that love is a passing pleasure\nwhile refusing to cheapen or darken the vision of young love as it is\npresented.\u00a0 In fact, it's the passage of time that makes love so important,\nand so pleasurable. \"In delay there lies no plenty,\" sings Feste; let's get\nall we can right now, because (and despite that) tomorrow isn't certain.\n\n  \n  \n\n", 
          "created": "2008-06-30T12:48:54", 
          "updated": "2012-06-29T12:18:32.009712+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4959, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "O mistress mine, where are you roaming?  /  O, stay and hear; your true love's coming,  /  That can sing both high and low:  /  Trip no further, pretty sweeting;  /  Journeys end in lovers meeting,  /  Every wise man's son doth know.  /    /  SIR ANDREW.  /  Excellent good, i' faith.  /    /  SIR TOBY.  /  Good, good.  /    /  CLOWN.  /  [Sings.]  /  What is love? 'T is not hereafter;  /  Present mirth hath present laughter;  /  What's to come is still unsure.  /  In delay there lies no plenty,  /  Then come kiss me, sweet and twenty,  /  Youth's a stuff will not endure.  / ", 
          "ranges": [
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              "end": "/div[263]/p[2]", 
              "endOffset": 209, 
              "startOffset": 10, 
              "start": "/div[260]/p[2]"
            }
          ]
        }, 
        "_id": "hJJOdv9uR2-T0TWMXulvCw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/hamlet", 
          "text": "Ophelia prays, following Hamlet's speculation on them upon greeting her.\n\n", 
          "created": "2008-06-30T13:42:18", 
          "updated": "2012-06-29T12:18:32.196464+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "finalsclub_id": 4991, 
          "user": {
            "id": 738, 
            "name": "Anagrammarian", 
            "realname": "M. Newman"
          }, 
          "quote": "O, help him, you sweet heavens!", 
          "ranges": [
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              "endOffset": 31, 
              "startOffset": 7, 
              "start": "/div[490]/p[1]"
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        }, 
        "_id": "4Ck6ZFW8Sz28WQRqr6cb8w", 
        "_type": "annotation"
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      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "You may be wondering what bear-baiting is, and why Malvolio disapproves of it.\nThe Arden editors note dryly that bear-baiting is something \"of which Puritans\ndisapproved,\" leaving us to ask, What is it?\u00a0 Is it giving a bear a fishing\nrod and letting him catch trout?\u00a0 Is it luring him to you with a jar of honey?\n\n  \nIt is not.\u00a0 Bear-baiting is an old \"sport\" in which a bear is chained to a\nstake and torn apart by dogs.\u00a0 If you want to see it (and you may not want\nto), you can by [clicking here](http://www.youtube.com/watch?v=0eZi6XP5cpI).\n\n  \nIt's worth noting that Thomas Macaulay's \"History of England\" includes this\nline about bear-baiting: The Puritan hated bearbaiting, not because it gave\npain to the bear, but because it gave pleasure to the spectators.\u00a0 This fits\nin with what we know about Malvolio.\n\n", 
          "created": "2008-06-30T14:23:09", 
          "updated": "2012-06-29T12:18:32.253774+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          "user": {
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            "realname": ""
          }, 
          "quote": "bear-baiting", 
          "ranges": [
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              "endOffset": 90, 
              "startOffset": 78, 
              "start": "/div[370]/p[2]"
            }
          ]
        }, 
        "_id": "0WhSEU6wRZiUBD49q5QyIw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "Of course Malvolio wouldn't read the letter aloud in real life, so\nShakespeare, through Sir Toby, slyly requests us to suspend disbelief and\nenjoy the comedy of the scene.\n\n", 
          "created": "2008-06-30T14:48:30", 
          "updated": "2012-06-29T12:18:32.306310+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 5036, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "O, peace! and the spirit of humours intimate reading aloud to  /  him!  / ", 
          "ranges": [
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              "endOffset": 64, 
              "startOffset": 9, 
              "start": "/div[411]/p[1]"
            }
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        }, 
        "_id": "QXpgLwLISxmZugZ-EiRZOw", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/hamlet", 
          "text": "To whom is Hamlet's liberty a threat? Claudius tries to extend it to everyone\n-- \"to you yourself, to us, to every one\" -- but this is a clear instance in\nwhich our predisposition to doubting Claudius's candor is operative. He knows\nby this point that Hamlet has a bone to pick, and he's looking after his own\ninterests. Yet Claudius is more honest than he appears; that is, Hamlet is a\nthreat to Gertrude (the bedroom interview, anyone?) and to the state (can you\nimagine Hamlet at the helm of Denmark?). Shakespeare is a pretty good\nplaywright, and here he provides ample evidence of that by having the text\nspeak to us on three levels: a basic level (Claudius speaks and we listen); a\npsychological level (Claudius is clearly a lying, good-for-nothing throne-\nstealer and his motives are transparent); and a meta-level that transcends\ncharacter (Claudius may be deceiving Gertrude and himself, but he's also\nsaying something intelligible and instructive that the reader is made to\nconsider).\n\n", 
          "created": "2008-07-01T09:48:05", 
          "updated": "2012-06-29T12:18:32.334878+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 5050, 
          "user": {
            "id": 740, 
            "name": "paulw", 
            "realname": ""
          }, 
          "quote": "liberty is full of threats to all;", 
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              "end": "/div[707]/p[2]", 
              "endOffset": 93, 
              "startOffset": 59, 
              "start": "/div[707]/p[2]"
            }
          ]
        }, 
        "_id": "PE2HNuhKTUqIRC-u_G_p_A", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "In other words, the written contract has made spoken words \"rascals,\" because\nno one believes what anyone says anymore (Arden).\n\n", 
          "created": "2008-07-02T08:34:46", 
          "updated": "2012-06-29T12:18:32.354980+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 5128, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "since  /  bonds disgrac'd them.  / ", 
          "ranges": [
            {
              "end": "/div[460]/p[2]", 
              "endOffset": 145, 
              "startOffset": 118, 
              "start": "/div[460]/p[2]"
            }
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        }, 
        "_id": "4q8vNNt7TjusoOZVYk1rew", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "Allusion to a 1599 map of the \"augmented Indies\" (Australia etc.) which\nincluded lots of information for sailors.\n\n  \nRhumb lines are navigational paths which cross all meridians at the same\nangle:\n\n  \n![](http://www.gracegalleries.com/images/AF/AF108.jpg)\n\n", 
          "created": "2008-07-02T09:56:02", 
          "updated": "2012-06-29T12:18:32.427432+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 5152, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "he does smile  /  his face into more lines than is in the new map, with the  /  augmentation of the Indies:", 
          "ranges": [
            {
              "end": "/div[543]/p[2]", 
              "endOffset": 267, 
              "startOffset": 170, 
              "start": "/div[543]/p[2]"
            }
          ]
        }, 
        "_id": "Js7qksmvQI6lY3IUoNAtqg", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "Midsummer madness is very inappropriate indeed to Twelfth Night, which is a\nJanuary holiday.\u00a0 Malvolio's mood is summery while Olivia's is wintry.\n\n  \nThe critic James Simpson correlates each season with a literary mode, calling\nthe conflation \"seasons of the soul.\"\u00a0 It's not a rigid system, but we might\nsay that spring is the season for comedy and autumn is elegy, leaving winter\nfor tragedy and summer for satire or parody.\u00a0 It's clear that Malvolio is an\nautumnal character who has turned vernal.\n\n", 
          "created": "2008-07-05T12:17:15", 
          "updated": "2012-06-29T12:18:32.474378+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          "finalsclub_id": 5257, 
          "user": {
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            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "midsummer madness.  / ", 
          "ranges": [
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              "end": "/div[591]/p[2]", 
              "endOffset": 36, 
              "startOffset": 18, 
              "start": "/div[591]/p[2]"
            }
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        }, 
        "_id": "rgd_vqPgRaafxpra2BzPrQ", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "Used in the older senses of spirit or essential character, as in OED 3.a:\nCharacteristic disposition; inclination; bent, turn or temper of mind\n\n", 
          "created": "2008-07-05T12:39:56", 
          "updated": "2012-06-29T12:18:32.495357+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 5265, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "genius", 
          "ranges": [
            {
              "end": "/div[622]/p[2]", 
              "endOffset": 105, 
              "startOffset": 99, 
              "start": "/div[622]/p[2]"
            }
          ]
        }, 
        "_id": "axR3zIhbQbmmOnBTBqiQ5w", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "Sir Toby is a kind of playwright in this play, writing other people's parts\nand then performing them as an actor.\u00a0 Here, he lets Andrew believe that his\nletter is being delivered, when really his is changing the course of the plot\nby giving a report of Andrew's valour to Olivia's suitor.\n\n", 
          "created": "2008-07-05T12:45:51", 
          "updated": "2012-06-29T12:18:32.503110+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 5268, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Now will not I deliver his letter; for the behaviour of the young  /  gentleman gives him out to be of good capacity and breeding; his  /  employment between his lord and my niece confirms no less:  /  therefore this letter, being so excellently ignorant, will breed  /  no terror in the youth; he will find it comes from a clodpole.  /  But, sir, I will deliver his challenge by word of mouth; set upon  /  Aguecheek a notable report of valour; and drive the gentleman, as  /  I know his youth will aptly receive it, into a most hideous  /  opinion of his rage, skill, fury, and impetuosity. This will so  /  fright them both, that they will kill one another by the look,  /  like cockatrices.  / ", 
          "ranges": [
            {
              "end": "/div[641]/p[2]", 
              "endOffset": 639, 
              "startOffset": 9, 
              "start": "/div[641]/p[1]"
            }
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        }, 
        "_id": "KUAqbDGaQ_OktJ-uuXSizQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "Likely from Chaucer's \"Tale of Sir Thopas\":\n\n  \nListen, lordings, in good intent,\n\nAnd I will tell you verrament\n\nOf mirth and of solas,\n\nAll of a knight was fair and gent,\n\nIn battle and in tournament,\n\nHis name was Sir Thopas...\n\n", 
          "created": "2008-07-08T07:37:07", 
          "updated": "2012-06-29T12:18:32.591020+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 5415, 
          "user": {
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            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Sir Topas", 
          "ranges": [
            {
              "end": "/div[738]/p[2]", 
              "endOffset": 83, 
              "startOffset": 74, 
              "start": "/div[738]/p[2]"
            }
          ]
        }, 
        "_id": "a_45lMoqRHC1_CTSKwfeSw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "Probably Feste takes off his costume at this point.\n\n", 
          "created": "2008-07-09T07:34:02", 
          "updated": "2012-06-29T12:18:32.605748+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 5538, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "SIR TOBY.  /  To him in thine own voice, and bring me word how thou find'st  /  him; I would we were well rid of this knavery.", 
          "ranges": [
            {
              "end": "/div[781]/p[2]", 
              "endOffset": 16, 
              "startOffset": 35, 
              "start": "/div[780]/p[2]"
            }
          ]
        }, 
        "_id": "0xHEyFhOSTq_DCXKZjvhOA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "Is all love (\"natural\" or fairy-inspired) a kind of bewitching?\n\n", 
          "created": "2008-07-11T14:00:24", 
          "updated": "2012-06-29T12:18:32.681489+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 5643, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "This man hath bewitch'd the bosom of my child;", 
          "ranges": [
            {
              "end": "/div[6]/p[2]", 
              "endOffset": 242, 
              "startOffset": 196, 
              "start": "/div[6]/p[2]"
            }
          ]
        }, 
        "_id": "4ng0-rvWRaCdc-6RXJIZGw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "This means something like \"flawed\" here.\n\n", 
          "created": "2008-07-14T07:25:15", 
          "updated": "2012-06-29T12:18:32.706024+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 5761, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "crazed", 
          "ranges": [
            {
              "end": "/div[16]/p[2]", 
              "endOffset": 52, 
              "startOffset": 46, 
              "start": "/div[16]/p[2]"
            }
          ]
        }, 
        "_id": "quCYoO33QzW0c-tcT-mApg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "It's true that Lear has been \"transformed\" lately, but we must remember that\nGoneril explained to Oswald at the beginning of this scene that she would\ninstruct her household staff to provoke Lear to force him to confrontation\n(1.3.25, e.g.).\u00a0 Goneril is similar to Edmund in these lines - clever and\nconniving behind a sympathetic, solicitous front.\n\n", 
          "created": "2008-03-17T11:12:04", 
          "updated": "2012-06-29T12:18:27.583270+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 3561, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "These dispositions, that of late transform you  /      From what you rightly are.  / ", 
          "ranges": [
            {
              "end": "/div[218]/p[2]", 
              "endOffset": 173, 
              "startOffset": 101, 
              "start": "/div[218]/p[2]"
            }
          ]
        }, 
        "_id": "4rzGZG13SQ-Uy1y0GRpHXQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "This is similar to a line in the _Leir_ source, but Shakespeare uses similar\nlines elsewhere, as in the selection from Richard II cited in the preceding\nannotation.\n\n", 
          "created": "2008-03-17T11:44:36", 
          "updated": "2012-06-29T12:18:27.600434+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 3563, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Lear's shadow.  / ", 
          "ranges": [
            {
              "end": "/div[221]/p[2]", 
              "endOffset": 14, 
              "startOffset": 0, 
              "start": "/div[221]/p[2]"
            }
          ]
        }, 
        "_id": "WnMBnuDERsqnVrJr8eTetQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "From OED:\n\n\u00a0**1.** A bird of prey of the family Falconid\u00c3\u00a6 and subfamily Milvin\u00c3\u00a6, having\nlong wings, tail usually forked, and no tooth in the bill.\n\n  \nThis is an evocative bird for Shakespeare, and it appears elsewhere, as in\nthis line from Coriolanus:\n\n  \nThird Servingman\n\n  \n\u00a0\u00a0\u00a0 Where dwellest thou?\n\n  \nCORIOLANUS\n\n  \n\u00a0\u00a0\u00a0 Under the canopy.\n\n  \nThird Servingman\n\n  \n\u00a0\u00a0\u00a0 Under the canopy!\n\n  \nCORIOLANUS\n\n  \n\u00a0\u00a0\u00a0 Ay.\n\n  \nThird Servingman\n\n  \n\u00a0\u00a0\u00a0 Where's that?\n\n  \nCORIOLANUS\n\n  \n\u00a0\u00a0\u00a0** I' the city of kites and crows.**\n\n", 
          "created": "2008-03-17T11:51:16", 
          "updated": "2012-06-29T12:18:27.614590+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 3565, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Detested kite!", 
          "ranges": [
            {
              "end": "/div[230]/p[2]", 
              "endOffset": 32, 
              "startOffset": 18, 
              "start": "/div[230]/p[2]"
            }
          ]
        }, 
        "_id": "FaT5QaGWRNCe8PYbCoUkFg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "\"If you think this is funny, you probably aren't smart enough even to preserve\nyour own virginity.\" (And if you think _that's_ funny, you are probably living\nin Jacobean England.)\u00a0 Departure/shorter was a rhyme at the time (AS).\n\n", 
          "created": "2008-03-17T12:30:09", 
          "updated": "2012-06-29T12:18:27.858355+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 3580, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "    She that's a maid now, and laughs at my departure,  /      Shall not be a maid long, unless things be cut shorter.  / ", 
          "ranges": [
            {
              "end": "/div[278]/p[2]", 
              "endOffset": 105, 
              "startOffset": 0, 
              "start": "/div[278]/p[2]"
            }
          ]
        }, 
        "_id": "svDT2EauTCO7QHNVpq73KA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "In other words, \"If I appear to be wounded I will have a much stronger case to\npresent to my father.\"\n\n", 
          "created": "2008-03-17T12:52:19", 
          "updated": "2012-06-29T12:18:27.904409+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 3586, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Some blood drawn on me would beget opinion.  / ", 
          "ranges": [
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              "endOffset": 258, 
              "startOffset": 215, 
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        }, 
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      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "It doesn't take much to see that Gloucester is making a Lear-esque error here.\nIn fact, he is doing _exactly as Lear did in scene 1.1: damning the loyal\nchild and trusting the betraying one_.\n\n  \nThe Gloucester parallel plot doesn't appear in most of Shakespeare's sources\n(the histories, _Leir, _Spenser), but Philip Sidney included it in a play from\n1590.\n\n", 
          "created": "2008-03-17T13:05:38", 
          "updated": "2012-06-29T12:18:27.916612+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 3589, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Let him fly far:  /      Not in this land shall he remain uncaught;  /      And found--dispatch. The noble duke my master,  /      My worthy arch and patron, comes to-night:  /      By his authority I will proclaim it,  /      That he which finds him shall deserve our thanks,  /      Bringing the murderous coward to the stake;  /      He that conceals him, death.  / ", 
          "ranges": [
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      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "This is the overarching theme of much of Kent's dialogue - the discernment of\na flatterer from an honest man.\n\n  \nThis is a microcosmic version of a problem that haunts the whole play, that of\ndiscernment of madness/sanity and spirits/reality.\u00a0 I won't rehash\nGreenblatt's entire argument in \"Shakespeare and the Exorcists,\" we can say at\nleast that Kent's obsession with flattery is a smaller version of these larger\nconcerns.\u00a0 If Lear, as Greenblatt suggests, is a play in which ancient\nmeaningful rituals have been \"emptied out\" (inheritance, e.g.), then flattery\nis language that has similarly been emptied.\u00a0 Kent's position as character is\nperhaps closer to Edmund's in his naturalism than to Gloucester's in his\nsuperstition, but Kent is that rare naturalist who will side with the\nsuperstitious when he sees that they are in trouble.\n\n", 
          "created": "2008-03-18T06:04:46", 
          "updated": "2012-06-29T12:18:28.000723+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 3622, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "To go out of my dialect, which you  /      discommend so much. I know, sir, I am no  /      flatterer: he that beguiled you in a plain  /      accent was a plain knave; which for my part  /      I will not be, though I should win your displeasure  /      to entreat me to 't.  / ", 
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          ]
        }, 
        "_id": "oI6In9o5T3-VbA3sG_l_tw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "In other words, when we are in despair the smallest goodnesses seem like\nmiracles (AS).\n\n", 
          "created": "2008-03-18T19:57:08", 
          "updated": "2012-06-29T12:18:28.190732+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 3631, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Nothing almost sees miracles  /      But misery:", 
          "ranges": [
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              "end": "/div[384]/p[2]", 
              "endOffset": 235, 
              "startOffset": 196, 
              "start": "/div[384]/p[2]"
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        }, 
        "_id": "aVNsYY6oQBqVjHfwI0u5bA", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "Lear misconstrues the situation.\u00a0 It's not that Kent hasn't been recognized as\na servant of Lear's; it's that such recognition has been useless to him as a\nmeans of defense against Cornwall.\n\n", 
          "created": "2008-03-18T20:13:23", 
          "updated": "2012-06-29T12:18:28.225827+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 3642, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "    What's he that hath so much thy place mistook  /      To set thee here?  / ", 
          "ranges": [
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              "endOffset": 62, 
              "startOffset": 0, 
              "start": "/div[392]/p[2]"
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        }, 
        "_id": "1AZrQYymRXqQ5VLaHjZ-sw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/hamlet", 
          "text": "While referring to both heaven and hell, Shakespeare may be talking about\nrevenge or as later Hamlet discusses, he may be doubting the ghost.\n\n  \nWhen talking about how he must carry about his actions, Hamlet seems to be\nslightly disgusted with himself and hence the usage of a \"whore.\" Also here\nShakespeare may be hinting at a grander design.\n\n", 
          "created": "2008-03-18T20:20:34", 
          "updated": "2012-06-29T12:18:28.234172+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 3645, 
          "user": {
            "id": 355, 
            "name": "uahmed", 
            "realname": "Usama"
          }, 
          "quote": "Prompted to my revenge by heaven and hell,   /  Must, like a whore, unpack my heart with words,", 
          "ranges": [
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        }, 
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        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "Tricks.\n\n", 
          "created": "2008-03-18T20:33:46", 
          "updated": "2012-06-29T12:18:28.269081+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
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          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "fetches;  / ", 
          "ranges": [
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              "endOffset": 101, 
              "startOffset": 93, 
              "start": "/div[415]/p[2]"
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        }, 
        "_id": "UEyEQ6jcRE2nh_ht_ulgjg", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "Regan is, of course, colluding with Goneril.\u00a0 Lear doesn't know this yet, and\nassumes that if he goes to Goneril and explains the abuses he's suffered at\nthe hands of her sister (Kent in the stocks, etc.), she will be sympathetic to\nhim.\u00a0 Regan knows this isn't the case.\u00a0 But she presents the argument to her\nfather that anyone with reason can see through his mad anger (\"passion\") and\nwon't be taken in.\n\n", 
          "created": "2008-03-19T08:13:47", 
          "updated": "2012-06-29T12:18:28.412495+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 3674, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Give ear, sir, to my sister;  /      For those that mingle reason with your passion  /      Must be content to think you old, and so--  /      But she knows what she does.  / ", 
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        }, 
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        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "Perhaps the worst cover of any song, ever, accompanied by one of the worst\nvideos:\n\n  \n[http://www.youtube.com/watch?v=glm7cVBZjqw&feature=related](http://www.youtub\ne.com/watch?v=glm7cVBZjqw&feature=related)\n\n", 
          "created": "2008-03-19T08:47:20", 
          "updated": "2012-06-29T12:18:28.444101+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 3684, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "wild night:  / ", 
          "ranges": [
            {
              "end": "/div[482]/p[2]", 
              "endOffset": 47, 
              "startOffset": 36, 
              "start": "/div[482]/p[2]"
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          ]
        }, 
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        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "This is the great illusion of the monarch, that the world listens to his\ndesires.\u00a0 Keep in mind that a responsive natural world implies a natural world\nwith meaning, and that an unresponsive one tends precariously towards the\nmeaninglessness of human life.\u00a0 The stakes are therefore unbearably high for\nLear in this scene.\n\n", 
          "created": "2008-03-19T12:01:12", 
          "updated": "2012-06-29T12:18:28.456260+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 3687, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Bids the winds blow the earth into the sea,  /      Or swell the curled water 'bove the main,  / ", 
          "ranges": [
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              "endOffset": 120, 
              "startOffset": 36, 
              "start": "/div[486]/p[2]"
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        "_type": "annotation"
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "This is an absolutely fascinating bit of information.\u00a0 A half-hour ago, Edgar\ndid, finally, reveal himself to his father.\u00a0 But Gloucester is so overcome\nwith joy (at seeing Edgar) and grief (at what he's done to Edgar) that his\n\"flaw'd heart\" simply ceases to beat.\u00a0 What are we to make of this?\n\n  \nIn the first place, we have already seen that Gloucester's story is in many\nways a parallel to Lear's, beginning in the very largest sense; it is a story\nabout a man who throws his allegiance to the wrong (evil) child, leaving the\nright (good) child spurned and releasing an unstoppable chain of events\nleading to his own death.\u00a0 Gloucester, as we know, wasn't in most of\nShakespeare's sources.\u00a0 He is absent from \"The True Chronicle History of King\nLeir\" as well as from Monmouth's \"Historia Regum Brittaniae\" (c. 1135).\nShakespeare took considerable historical license by adding him in the first\nplace, and he uses him to great effect.\n\n  \nGloucester - Lear's shadow - dies only a few moments before Lear, and he dies\njust at the moment when his lost child is restored to him.\u00a0 This is exactly\nwhat will happen to Lear in the play's final seconds, and so Gloucester's\ndeath presages and prefigures Lear's own death.\n\n  \nWe also have to ask ourselves whether Edgar's decision to delay open\nrecognition of Gloucester as his father was the right one, given what\nhappened.\u00a0 Cavell notes that Gloucester compared the joy of \"touching\" Edgar\nto the joy of having his sight restored; the one would be as good as the\nother.\u00a0 By denying Gloucester the joy of recognizing him, then, Edgar is\ndenying Gloucester his sight.\u00a0 He is doing precisely the thing that the play's\nmost evil characters (like Regan and Cornwall) have done in the blinding\nscene.\u00a0 Good and evil have ceased to be distinct categories.\n\n", 
          "created": "2008-05-22T04:23:46", 
          "updated": "2012-06-29T12:18:29.705300+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 4193, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "By nursing them, my lord. List a brief tale;  /      And when 'tis told, O, that my heart would burst!  /      The bloody proclamation to escape,  /      That follow'd me so near,--O, our lives' sweetness!  /      That we the pain of death would hourly die  /      Rather than die at once!--taught me to shift  /      Into a madman's rags; to assume a semblance  /      That very dogs disdain'd: and in this habit  /      Met I my father with his bleeding rings,  /      Their precious stones new lost: became his guide,  /      Led him, begg'd for him, saved him from despair;  /      Never,--O fault!--reveal'd myself unto him,  /      Until some half-hour past, when I was arm'd:  /      Not sure, though hoping, of this good success,  /      I ask'd his blessing, and from first to last  /      Told him my pilgrimage: but his flaw'd heart,  /      Alack, too weak the conflict to support!  /      'Twixt two extremes of passion, joy and grief,  /      Burst smilingly.  / ", 
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              "endOffset": 811, 
              "startOffset": 0, 
              "start": "/div[1005]/p[2]"
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        }, 
        "_id": "F8B5EAa-R7yKE_ZL-VhFIQ", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "Again: good and evil are shifting across a porous barier here.\u00a0 The writ on\nLear's life is a significant way in which Shakespeare altered his sources.\nMost stories of Old King Leir ended, of course, with Lear's restoration to the\nthrone and the promise that Cordelia would succeed him.\u00a0 With Edmund's writ,\nShakespeare does away completely with the possibility of normal succession.\n\n", 
          "created": "2008-05-22T04:34:35", 
          "updated": "2012-06-29T12:18:29.728284+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 4197, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "I pant for life: some good I mean to do,  /      Despite of mine own nature. Quickly send,  /      Be brief in it, to the castle; for my writ  /      Is on the life of Lear and on Cordelia:  /      Nay, send in time.  / ", 
          "ranges": [
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              "startOffset": 2, 
              "start": "/div[1026]/p[2]"
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        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "William Sharp's (British 1749-1824)\u00a0 engraving of 3.4.\n\n  \n![](http://nrs.harvard.edu/urn-3:HUAM:INV101458_mddl?buttons=y&viewheight=480&\nviewwidth=640)\n\n", 
          "created": "2008-05-22T06:32:18", 
          "updated": "2012-06-29T12:18:29.878016+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4213, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "SCENE IV. The heath. Before a hovel.  /    /      Enter KING LEAR, KENT, and Fool", 
          "ranges": [
            {
              "end": "/p[74]", 
              "endOffset": 31, 
              "startOffset": 0, 
              "start": "/h4[13]"
            }
          ]
        }, 
        "_id": "Jykkdfo3QMWV8xmji9J74g", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "One who counts on an abacus, synonymous here with \"arithmetician.\"\n\n", 
          "created": "2008-06-03T13:52:18", 
          "updated": "2012-06-29T12:18:30.072728+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 4259, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "counter-caster,", 
          "ranges": [
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              "end": "/div[4]/p[2]", 
              "endOffset": 968, 
              "startOffset": 953, 
              "start": "/div[4]/p[2]"
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          ]
        }, 
        "_id": "je7-t8RPS_aBWf3-L0gc9Q", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "When they have put away some money (\"lined their coats\"=lined their purses)\nthey'll serve their own interests.\n\n", 
          "created": "2008-06-04T10:43:38", 
          "updated": "2012-06-29T12:18:30.077229+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 4263, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "when they have lined   /  their coats   /  Do themselves homage:", 
          "ranges": [
            {
              "end": "/div[8]/p[2]", 
              "endOffset": 585, 
              "startOffset": 533, 
              "start": "/div[8]/p[2]"
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          ]
        }, 
        "_id": "3Mbr5pHcRoiJEuRjDjyj2g", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "small horses\n\n", 
          "created": "2008-06-04T11:38:58", 
          "updated": "2012-06-29T12:18:30.114746+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4272, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "gennets", 
          "ranges": [
            {
              "end": "/div[30]/p[2]", 
              "endOffset": 281, 
              "startOffset": 274, 
              "start": "/div[30]/p[2]"
            }
          ]
        }, 
        "_id": "af127F97SwmvRC7okKTuoQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "The ruling body of Venice.\n\n", 
          "created": "2008-06-06T08:32:48", 
          "updated": "2012-06-29T12:18:30.171110+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 4286, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "signiory", 
          "ranges": [
            {
              "end": "/div[49]/p[2]", 
              "endOffset": 63, 
              "startOffset": 55, 
              "start": "/div[49]/p[2]"
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          ]
        }, 
        "_id": "3dlHUfmcSEKVplhlCy6OqQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "urgent\n\n", 
          "created": "2008-06-06T08:42:32", 
          "updated": "2012-06-29T12:18:30.184380+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 4290, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "haste-post-haste", 
          "ranges": [
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              "end": "/div[54]/p[2]", 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "consistency: the reports that the Duke is getting about the ships are\ninconsistent, thus he can't believe them.\n\n", 
          "created": "2008-06-06T12:16:50", 
          "updated": "2012-06-29T12:18:30.225883+00:00", 
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            "realname": ""
          }, 
          "quote": "composition", 
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              "start": "/div[78]/p[2]"
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "This primacy-of-the-individual-will theme is one of Shakespeare's\nfavorites...for his villains. Compare Edmund's \"Thou, Nature, art my goddess\"\nspeech in King Lear, or even Lady Macbeth's (creepier) \"Art thou afeard to be\nthe same in thine own act and valour as thou art in desire?\"\n\n", 
          "created": "2008-06-07T15:19:36", 
          "updated": "2012-06-29T12:18:30.318266+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 4330, 
          "user": {
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            "realname": ""
          }, 
          "quote": "'tis in ourselves that we are thus   /  or thus.", 
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              "endOffset": 57, 
              "startOffset": 16, 
              "start": "/div[151]/p[2]"
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        "_id": "3uPXnHtVQKSh275ym2OrTQ", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "The constellation Ursa Minor (the Little Bear)\n\n", 
          "created": "2008-06-10T08:45:11", 
          "updated": "2012-06-29T12:18:30.384953+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "finalsclub_id": 4351, 
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            "realname": ""
          }, 
          "quote": "the burning bear,", 
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              "start": "/div[167]/p[2]"
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        }, 
        "_id": "AynoT6BvRiKXUwgGFE86ZA", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "Important people had their own trumpet calls (like theme songs).\n\n", 
          "created": "2008-06-10T11:52:27", 
          "updated": "2012-06-29T12:18:30.464287+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "user": {
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            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "I know his trumpet.", 
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              "endOffset": 571, 
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              "start": "/div[225]/p[2]"
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        }, 
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      }, 
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "This implies that the marriage between Othello and Desdemona has yet to be\nconsummated, which is odd, because Othello said earlier that they were \"fast\nmarried.\"\u00a0 It's not unusual for Shakespeare's plays to have inconsistencies\nlike this.\n\n", 
          "created": "2008-06-11T07:23:26", 
          "updated": "2012-06-29T12:18:30.582290+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
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          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "The purchase made, the fruits are to ensue;   /  That profit's yet to come 'tween me and you.", 
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        "_score": 1.0, 
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          "uri": "http://openshakespeare.org/work/othello", 
          "text": "It's in her nature to be as generous and beneficial to others as the elements\nare (to be used)--like air, water, earth, and fire.\n\n", 
          "created": "2008-06-11T08:41:47", 
          "updated": "2012-06-29T12:18:30.649179+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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            "realname": ""
          }, 
          "quote": "she's framed as fruitful   /  As the free elements.", 
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        "_type": "annotation"
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "Coriolanus beats them \"in\" to the tiring house at the back of the stage.\n\n", 
          "created": "2008-08-29T09:46:50", 
          "updated": "2012-06-29T12:18:34.932624+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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            "realname": ""
          }, 
          "quote": "In this mutiny, the Tribunes, the AEdiles, and the People, are beat in  / ", 
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              "startOffset": 0, 
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          "text": "unconsidered\n\n", 
          "created": "2008-08-29T10:49:01", 
          "updated": "2012-06-29T12:18:35.003846+00:00", 
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            "realname": ""
          }, 
          "quote": "unscann'd", 
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              "startOffset": 78, 
              "start": "/div[606]/p[2]"
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        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "exposure\n\n", 
          "created": "2008-08-29T12:18:44", 
          "updated": "2012-06-29T12:18:35.118466+00:00", 
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            "realname": ""
          }, 
          "quote": "exposture", 
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              "start": "/div[723]/p[2]"
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "\"Are you a man, that you're being so aggressive?\"\u00a0 Volumnia responds, however,\nas if it were \"humankind\"--it's only human that she feel so strongly about her\nson.\n\n", 
          "created": "2008-08-29T12:23:32", 
          "updated": "2012-06-29T12:18:35.121808+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "finalsclub_id": 7855, 
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            "realname": ""
          }, 
          "quote": "mankind?  / ", 
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              "startOffset": 8, 
              "start": "/div[741]/p[2]"
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        "_id": "KFHIy10ESRuItYJ5q6gfhg", 
        "_type": "annotation"
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "vengeance\n\n", 
          "created": "2008-08-31T13:53:46", 
          "updated": "2012-06-29T12:18:35.271677+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "finalsclub_id": 7944, 
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            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "wreak", 
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              "endOffset": 858, 
              "startOffset": 853, 
              "start": "/div[827]/p[2]"
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        "_type": "annotation"
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "In Act IV, Scene 1, Coriolanus refers to himself as a \"lonely dragon\"--what\nshould we make of this image?\n\n", 
          "created": "2008-08-31T17:12:16", 
          "updated": "2012-06-29T12:18:35.341600+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "finalsclub_id": 7964, 
          "user": {
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            "realname": ""
          }, 
          "quote": "Fights dragon-like,", 
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              "start": "/div[946]/p[2]"
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "ie, Cominius\n\n", 
          "created": "2008-09-01T07:23:11", 
          "updated": "2012-06-29T12:18:35.359372+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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            "realname": ""
          }, 
          "quote": "he", 
          "ranges": [
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              "endOffset": 33, 
              "startOffset": 31, 
              "start": "/div[949]/p[2]"
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "Remember the \"musty superfluity\" of Act I Scene 1 (ie, the people): now\nCoriolanus refuses to distinguish between that \"musty chaff\" and the \"poor\ngrain or two\" that are his friends and supporters.\n\nAs [Marjorie Garber](http://www.amazon.com/Shakespeare-After-All-Marjorie-\nGarber/dp/0385722141/ref=sr_1_1?ie=UTF8&s=books&qid=1220280398&sr=8-1) notes,\nthis makes Coriolanus a kind of grim reaper--just as the reaper's scythe\nlevels all the grain in a field, so does Death level all the living, without\ndistinguishing between good and evil.\n\n", 
          "created": "2008-09-01T07:39:24", 
          "updated": "2012-06-29T12:18:35.370486+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          "finalsclub_id": 7972, 
          "user": {
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            "realname": ""
          }, 
          "quote": "He could not stay to pick them in a pile  /      Of noisome musty chaff: he said 'twas folly,  /      For one poor grain or two, to leave unburnt,  /      And still to nose the offence.  / ", 
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              "start": "/div[956]/p[2]"
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        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "whichever side should win\n\n", 
          "created": "2008-09-02T14:58:23", 
          "updated": "2012-06-29T12:18:35.453780+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          "finalsclub_id": 7996, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "which side should win:", 
          "ranges": [
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              "endOffset": 869, 
              "startOffset": 847, 
              "start": "/div[1025]/p[2]"
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        "_id": "rqJloaq6Ta-bqdIa2IHAMA", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "Remember the dragon imagery of Act IV scenes 1 and 7.\n\n", 
          "created": "2008-09-02T17:56:28", 
          "updated": "2012-06-29T12:18:35.498309+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          "finalsclub_id": 8007, 
          "user": {
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            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "This Marcius is grown  /      from man to dragon:", 
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              "endOffset": 122, 
              "startOffset": 82, 
              "start": "/div[1039]/p[2]"
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        }, 
        "_id": "3GHFXqQMQ6ClbnJ3jaFNCQ", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "Remember that Emilia lied about the handkerchief--Bianca, though a courtesan,\nis more honest than Emilia.\n\n", 
          "created": "2008-06-26T13:24:58", 
          "updated": "2012-06-29T12:18:31.349211+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 4753, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "but of life as honest   /  As you that thus abuse me.", 
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              "endOffset": 65, 
              "startOffset": 17, 
              "start": "/div[1001]/p[2]"
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        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "The last few bars of the piece.\n\n", 
          "created": "2008-06-28T11:37:57", 
          "updated": "2012-06-29T12:18:31.366783+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          "finalsclub_id": 4788, 
          "user": {
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            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "dying fall;  / ", 
          "ranges": [
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              "endOffset": 152, 
              "startOffset": 141, 
              "start": "/div[1]/p[2]"
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        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "The first we learn of Olivia's dead father.\u00a0In the Barnabe Rich version, the\nduke (there named Apolonius), is suitor to a woman named Juliana (whom\nShakespeare turned into Olivia).\u00a0 But unlike Olivia, Juliana is a widow - this\nled to some confusion among those familiar with Rich's story; they sometimes\nmistakenly believed Olivia to be\u00a0a widow.\n\n", 
          "created": "2008-06-28T12:17:09", 
          "updated": "2012-06-29T12:18:31.397113+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 4798, 
          "user": {
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            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "A virtuous maid, the daughter of a count  /  That died some twelvemonth since, then leaving her  /  In the protection of his son, her brother,  /  Who shortly also died; for whose dear love,  /  They say, she hath abjur'd the company  /  And sight of men.  / ", 
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              "endOffset": 64, 
              "startOffset": 4, 
              "start": "/div[23]/p[1]"
            }
          ]
        }, 
        "_id": "3PM3Wur6SkqcebhgUMmpWw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "Viola's first instinct is to serve Olivia, not to meet Duke Orsino.\u00a0 By scene\n1.4, though, she has already been in the service of the Duke for three days.\nDid Shakespeare lose track of his own set up?\u00a0 Is Viola's change of plans\nmerely a symptom of the chaos of Illyria, especially for one who's been\nshipwrecked on its shores?\n\n", 
          "created": "2008-06-28T12:24:23", 
          "updated": "2012-06-29T12:18:31.401759+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4799, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "O that I serv'd that lady,  /  And might not be delivered to the world,  /  Till I had made mine own occasion mellow,  /  What my estate is!  / ", 
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              "start": "/div[25]/p[2]"
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        "_id": "W87UAMkXS6CTQ4EHKiZCTg", 
        "_type": "annotation"
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "\"Many sorts of music\" makes us think of Orsino's opening lines: \"If music be\nthe food of love...\"\u00a0 Viola is already connected with Orsino's concept of\nlove, though she doesn't know it yet.\n\n", 
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          "quote": "And speak to him in many sorts of music  / ", 
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        "_source": {
          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "A spinning top.\u00a0 Sir Toby's describing a state of drunkenness so advanced that\nthe room seems to spin.\n\n", 
          "created": "2008-06-28T12:58:46", 
          "updated": "2012-06-29T12:18:31.435129+00:00", 
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          "quote": "parish-top.", 
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "The life-as-a-candle idea is one of Shakespeare's favorites--Macbeth's eulogy\nof Lady Macbeth (\"Out, out brief candle\") is probably the most famous. Here,\nthough, Othello compares the light of Desdemona's life to the light of the\ncandle only to dissect the comparison: nothing is more _un_like, because a\ncandle can be re-lit.\n\n", 
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          "quote": "Put out the light, and then put out the light:", 
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          "uri": "http://openshakespeare.org/work/twelfth_night", 
          "text": "Cesario is Viola's name when she is in disguise.\n\n", 
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          "quote": "Cesario,", 
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          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "The eagle was the symbol of noble Roman power.\n\n", 
          "created": "2008-08-28T12:52:03", 
          "updated": "2012-06-29T12:18:34.889716+00:00", 
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          "quote": "eagles.  / ", 
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          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "Notice the distinction between Coriolanus here and the flatterers that the\nOfficers talk about in Act II Scene 2, and from the tribunes themselves.\n\n", 
          "created": "2008-08-29T10:06:48", 
          "updated": "2012-06-29T12:18:34.978398+00:00", 
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            "realname": ""
          }, 
          "quote": "His heart's his mouth:  / ", 
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          "text": "mother\n\n", 
          "created": "2008-08-29T10:33:05", 
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          "quote": "dam  / ", 
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              "start": "/div[599]/p[2]"
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        "_type": "annotation"
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        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "ie, before they confirmed you as consul.\n\n", 
          "created": "2008-08-29T11:21:35", 
          "updated": "2012-06-29T12:18:35.011457+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "quote": "Ere they lack'd power to cross you.  / ", 
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        "_type": "annotation"
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          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "embrace\n\n", 
          "created": "2008-08-31T14:10:00", 
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          }, 
          "quote": "clip  / ", 
          "ranges": [
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              "start": "/div[828]/p[2]"
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        "_id": "YS2IrvMERrStVt-BaR5jIQ", 
        "_type": "annotation"
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          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "tempered himself\n\n", 
          "created": "2008-08-31T14:49:51", 
          "updated": "2012-06-29T12:18:35.310503+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "finalsclub_id": 7955, 
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            "realname": ""
          }, 
          "quote": "temporized.  / ", 
          "ranges": [
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              "start": "/div[874]/p[2]"
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        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "That is, if Coriolanus's friends were to plead with him to spare Rome, they\nwould then be behaving as the tribunes and plebeians would behave.\n\n", 
          "created": "2008-08-31T16:31:03", 
          "updated": "2012-06-29T12:18:35.325875+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          "finalsclub_id": 7959, 
          "user": {
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            "name": "hyacinth_girl", 
            "realname": ""
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          "quote": "for his best friends, if they  /      Should say 'Be good to Rome,' they charged him even  /      As those should do that had deserved his hate,  /      And therein show'd like enemies.  / ", 
          "ranges": [
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        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "One of the major motifs of this play is naming: Caius Marcius quickly gains\nthe cognomen \"Coriolanus\" for defeating Corioles (one of the only two gifts,\nalong with a horse, that he accepts from Cominius).\u00a0 When he first comes to\nAufidius, he unveils himself in the hopes that naming will not be necessary,\nbut remains unrecognizable.\u00a0 Leaving Rome, his mother, his wife, and his\nchildren, he obliterates his proper names, and retains only the cognomen\nachieved in battle, Coriolanus (\"Only that name remains\").\n\nNow Coriolanus is a man without a name, without an identity, rejecting even\nthe name \"Coriolanus\"--he can't in all good conscience, after all, take the\nside of the Volscians while using the name he gained from burning their city.\nHe will take a new name, he says to Cominius, when he conquers Rome--but what\nkind of name could be given to the Roman conqueror of Rome?\n\n", 
          "created": "2008-09-01T07:32:26", 
          "updated": "2012-06-29T12:18:35.366166+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "quote": "Coriolanus  /      He would not answer to: forbad all names;  /      He was a kind of nothing, titleless,  /      Till he had forged himself a name o' the fire  /      Of burning Rome.  / ", 
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "\"leasing\" here means falsehood--\"stamped the leasing\" thus means\n\"authenticated falsehood.\"\u00a0 Menenius is arguing (somewhat oddly) that he's\nsuch a good friend to Coriolanus that he has boasted so strongly of his deeds\nthat he has almost lied about them.\n\n", 
          "created": "2008-09-01T08:02:03", 
          "updated": "2012-06-29T12:18:35.388898+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          "finalsclub_id": 7978, 
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            "realname": ""
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          "quote": "Have almost stamp'd the leasing:", 
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        "_type": "annotation"
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "active as a faction or partisan\n\n", 
          "created": "2008-09-01T08:03:00", 
          "updated": "2012-06-29T12:18:35.392722+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          }, 
          "quote": "factionary", 
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          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "Menenius bases his rhetoric here on emotional ties of kinship and love, which\nare unlikely (as he doesn't yet understand) to succeed with Coriolanus, who\nhas abdicated what shred of these he once had upon his exile from Rome.\n\nThe play is examining here the question of military identity.\u00a0 The traditional\nRoman view, as expressed by Volumnia, is that a soldier must place his larger\npurpose (ie, service of the state) ahead of any personal commitments.\u00a0 Yet it\nis precisely these commitments that Cominius and Menenius are exploiting to\ntry to get Coriolanus to return to Rome.\n\n", 
          "created": "2008-09-01T11:00:06", 
          "updated": "2012-06-29T12:18:35.407108+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "finalsclub_id": 7984, 
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          "quote": "thy old father Menenius does! O my son, my son!  / ", 
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        "_type": "annotation"
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          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "Menenius is crying.\n\n", 
          "created": "2008-09-01T11:00:32", 
          "updated": "2012-06-29T12:18:35.411312+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "finalsclub_id": 7985, 
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            "name": "hyacinth_girl", 
            "realname": ""
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          "quote": "here's  /      water to quench it.", 
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          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "This, after all, is the Roman military fantasy: that the strongest bonds\n(indeed, the only bonds that should count) are those forged on the battlefield\nbetween soldiers, those that stem from shared honor, bravery, and strength.\nIf this were the case, then man would be, as Coriolanus longs to be, \"author\nof himself\" and bound to nothing outside his own choosing.\u00a0 The bonds of\nnature--of filial duty, marital love, and parental responsibility--not only\ndistract from the duties of the soldier to his state, but _soften _that\nsoldier and make him less than what he ought to be.\n\nYet even as the play constructs this fantasy, it shows us its holes and frayed\nedges.\u00a0 Even Coriolanus \"melts\" to see his family, and the pain of Menenius as\nhe's being mocked by Aufidius's watchmen makes us think that Coriolanus does\nindeed owe him some loyalty, not as a Roman, but as a friend.\n\n", 
          "created": "2008-09-01T12:16:00", 
          "updated": "2012-06-29T12:18:35.419574+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          "finalsclub_id": 7987, 
          "user": {
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            "name": "hyacinth_girl", 
            "realname": ""
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          "quote": "As if a man were author of himself  /      And knew no other kin.  / ", 
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        "_type": "annotation"
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        "_score": 1.0, 
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          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "workmen, working class\n\n", 
          "created": "2008-09-02T13:14:46", 
          "updated": "2012-06-29T12:18:35.446416+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "finalsclub_id": 7994, 
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            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "mechanics:", 
          "ranges": [
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              "endOffset": 204, 
              "startOffset": 194, 
              "start": "/div[1022]/p[2]"
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        }, 
        "_id": "dRvFOWx9R1G8B_qywlONwg", 
        "_type": "annotation"
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "Volumnia's parallel here is between Rome as \"womb\" of its citizens and her own\nmaternal body.\u00a0 This is a mutation of the body politic--rather than the\nindividual body as a metaphor for the state, the state is a metaphorical\nextension of the womb.\u00a0 There is nothing political about this: the state, in\nthis conception, is entirely personal.\n\n\n", 
          "created": "2008-09-02T15:12:27", 
          "updated": "2012-06-29T12:18:35.457821+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "finalsclub_id": 7997, 
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            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "thou shalt no sooner  /      March to assault thy country than to tread--  /      Trust to't, thou shalt not--on thy mother's womb,  /      That brought thee to this world.  / ", 
          "ranges": [
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        "_type": "annotation"
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "Battery here means a military assault, probably one with giant noisy guns.\n\n", 
          "created": "2008-09-02T18:00:48", 
          "updated": "2012-06-29T12:18:35.510014+00:00", 
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            "realname": ""
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          "quote": "battery.", 
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              "startOffset": 288, 
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      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "a lingering death\n\n", 
          "created": "2008-09-02T18:19:08", 
          "updated": "2012-06-29T12:18:35.517414+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "finalsclub_id": 8012, 
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            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "death by inches.  / ", 
          "ranges": [
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              "endOffset": 206, 
              "startOffset": 190, 
              "start": "/div[1046]/p[2]"
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        }, 
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        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/coriolanus", 
          "text": "This ultimate insult added to the ultimate injury would be an extremely\njarring visual moment onstage: how would you stage this, if you were a\ndirector?\n\n", 
          "created": "2008-09-04T13:06:27", 
          "updated": "2012-06-29T12:18:35.593629+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          "finalsclub_id": 8048, 
          "user": {
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            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "AUFIDIUS stands on his body  / ", 
          "ranges": [
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              "start": "/p[148]"
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        }, 
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      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "\u00a0\"A base and silly sneer,\" according to Coleridge.\n\n", 
          "created": "2008-09-05T07:03:25", 
          "updated": "2012-06-29T12:18:35.616114+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "finalsclub_id": 8055, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "Servant-monster!", 
          "ranges": [
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              "endOffset": 16, 
              "startOffset": 9, 
              "start": "/div[396]"
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "\u00a0appetites\n\n", 
          "created": "2008-09-06T14:30:00", 
          "updated": "2012-06-29T12:18:35.658936+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "user": {
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            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "stomachs.  / ", 
          "ranges": [
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              "endOffset": 73, 
              "startOffset": 64, 
              "start": "/div[477]/p[2]"
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        }, 
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      }, 
      {
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        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "\u00a0Juno is the Classical goddess of women and marriage.\n\n", 
          "created": "2008-09-07T09:27:50", 
          "updated": "2012-06-29T12:18:35.714736+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
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          "user": {
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            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "JUNO  / ", 
          "ranges": [
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              "endOffset": 4, 
              "startOffset": 10, 
              "start": "/p[54]"
            }
          ]
        }, 
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        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "Though this repetition may seem awkward, it achieves its intended effect. By\nemphasizing the blood tie between himself and Antonio, Prospero evokes all the\nduties and loyalties associated with a family and thus makes Antonio's\nbetrayals seem all the more despicable for being acted out against his own\nbrother.\n\n", 
          "created": "2008-09-07T20:03:42", 
          "updated": "2012-06-29T12:18:35.735454+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 8089, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "Flesh and blood,  /  You, brother mine,", 
          "ranges": [
            {
              "end": "/div[571]/p[2]", 
              "endOffset": 1773, 
              "startOffset": 1739, 
              "start": "/div[571]/p[2]"
            }
          ]
        }, 
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        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "The fight for Edmund's love has escaped into the open, where even Albany is\nnot spared from it.\n\n", 
          "created": "2008-05-21T21:58:40", 
          "updated": "2012-06-29T12:18:29.627328+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "REGAN  /    /      In my rights,  /      By me invested, he compeers the best.  /    /  GONERIL  /    /      That were the most, if he should husband you.  /    /  REGAN  /    /      Jesters do oft prove prophets.  /    /  GONERIL  /    /      Holla, holla!  /      That eye that told you so look'd but a-squint.  / ", 
          "ranges": [
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              "endOffset": 59, 
              "startOffset": 75, 
              "start": "/div[957]/p[2]"
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        }, 
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        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "Albany is given this line only in Q1 and Q2.\u00a0 In F, the line (5.3.250) is\nEdgar's.\n\n", 
          "created": "2008-05-22T04:35:56", 
          "updated": "2012-06-29T12:18:29.733181+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 4198, 
          "user": {
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            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "ALBANY  /    /      Haste thee, for thy life.  / ", 
          "ranges": [
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              "endOffset": 25, 
              "startOffset": 49, 
              "start": "/div[1029]/p[2]"
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          ]
        }, 
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        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "If Cordelia lives, then Lear will be able to find meaning in his suffering.\nGreenblatt notes that Lear, like the audience, wants to have a _reason _for\neverything that's happened in the play.\u00a0 In the 1681 version, it was easy to\nmake meaning out of act five: there had been tremendous suffering up unti that\npoint but now that suffering has given way (inevitably led to) greater order\nand perhaps even love.\n\n  \nSpenser's version ends with Lear being restored to the throne.\u00a0 \"She\" is\nCordelia:\n\n  \nSo to his crowne she him restor'd againe,\n\n\u00a0 In which he dyde, made ripe for death by eld.\n\n  \nBut Shakespeare denies us that ending.\n\n  \n  \n\n", 
          "created": "2008-05-22T04:51:12", 
          "updated": "2012-06-29T12:18:29.746481+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 4201, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "if it be so,  /      It is a chance which does redeem all sorrows  /      That ever I have felt.  / ", 
          "ranges": [
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              "end": "/div[1037]/p[2]", 
              "endOffset": 109, 
              "startOffset": 31, 
              "start": "/div[1037]/p[2]"
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          ]
        }, 
        "_id": "AvLgUCZeTLObjOUcdUZXAg", 
        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "This is another false promise of Shakespeare's.\u00a0 In the King Leir story the\nking does indeed take back the throne, but here we know Lear's death to be\nimminent and so Albany's promise will not be fulfilled.\n\n", 
          "created": "2008-05-22T05:02:19", 
          "updated": "2012-06-29T12:18:29.843543+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4205, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "What comfort to this great decay may come  /      Shall be applied: for us we will resign,  /      During the life of this old majesty,  /      To him our absolute power:  / ", 
          "ranges": [
            {
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              "endOffset": 213, 
              "startOffset": 70, 
              "start": "/div[1057]/p[2]"
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        }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "We have come back to this image of \"unaccommodated man.\"\u00a0 Lear wanted to\nunbutton his clothes during the storm scene, shouting to the Fool:\n\n  \nOff, off, you lendings!\n\ncome unbutton here.\n\n  \nSome editors suggest that Lear is unbuttoning his own clothes, while some say\nthat the line refers to Cordelia.\u00a0 Shakespeare is playing a carefully\ncalculated game with this line, because he has established the connection\nbetween clothing and artifice throughout the play.\u00a0 We can reasonably expect\nthat Lear will come to recognize Cordelia's death, and accept his own part in\nit, when he begins the symbolic gesture of loosening his clothes.\u00a0 But this is\nnot what happens.\n\n  \n\n", 
          "created": "2008-05-22T05:31:38", 
          "updated": "2012-06-29T12:18:29.853738+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4208, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Pray you, undo this button:", 
          "ranges": [
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              "end": "/div[1058]/p[2]", 
              "endOffset": 197, 
              "startOffset": 170, 
              "start": "/div[1058]/p[2]"
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        }, 
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        "_type": "annotation"
      }, 
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        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/hamlet", 
          "text": "In the first printed version of Hamlet, the first Quarto of 1603, this line,\none of the most famous in world literature, reads: To be or not to be, that is\nthe point.\n\n", 
          "created": "2008-05-28T12:39:17", 
          "updated": "2012-06-29T12:18:29.994556+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          "user": {
            "id": 432, 
            "name": "SamClemens", 
            "realname": ""
          }, 
          "quote": "To be, or not to be: that is the question:", 
          "ranges": [
            {
              "end": "/div[471]/p[2]", 
              "endOffset": 42, 
              "startOffset": 6, 
              "start": "/div[471]/p[1]"
            }
          ]
        }, 
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        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "Roderigo is described in the _dramatis personae _(the list of roles) as a\n\"gulled (or fooled) gentleman [of Venice].\" Though Roderigo is clearly\nOthello's inferior, Shakespeare is setting up the two \"gulled\" men as foils\nfor one another. The two men are both in love with Desdemona, and both succumb\nto their jealousy. These parallels help the contours of Othello's personality\ncome into relief: what is it _exactly _that makes Othello noble and Roderigo\njust silly?\n\n", 
          "created": "2008-06-01T14:18:58", 
          "updated": "2012-06-29T12:18:30.051115+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4255, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "RODERIGO", 
          "ranges": [
            {
              "end": "/p[1]", 
              "endOffset": 14, 
              "startOffset": 6, 
              "start": "/p[1]"
            }
          ]
        }, 
        "_id": "y6xjq4SYTQez7azS5NnPPQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "\"By God's wounds\"--Zounds is the Elizabethan equivalent of darn, drat, shoot,\nor frick.\n\n", 
          "created": "2008-06-04T11:05:53", 
          "updated": "2012-06-29T12:18:30.104888+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4270, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "'Zounds,", 
          "ranges": [
            {
              "end": "/div[30]/p[2]", 
              "endOffset": 8, 
              "startOffset": 1, 
              "start": "/div[30]/p[2]"
            }
          ]
        }, 
        "_id": "WN9b_YA-Rn2ftf8v0YsNnA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "The class difference here is important: if Brabantio called someone of his own\nrank a villain, it could lead to a duel. Iago is his inferior, so he has to\nswallow his words.\n\n", 
          "created": "2008-06-04T11:43:07", 
          "updated": "2012-06-29T12:18:30.121658+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 4274, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Thou art a villain.   /  IAGO You are--a senator.", 
          "ranges": [
            {
              "end": "/div[34]/p[2]", 
              "endOffset": 19, 
              "startOffset": 9, 
              "start": "/div[33]/p[1]"
            }
          ]
        }, 
        "_id": "mAyzE5wqTZyXIV6cInO9Cw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "The Duke's shift to prose, especially after two speeches of rhyming couplets,\nis notable. Imagine what this would sound like on stage: I think it really\nseparates the private matters of Desdemona and Othello from the public\nbusiness under discussion. Othello switches right back into verse in his next\nspeech: what effect would this have on the stage?\n\n", 
          "created": "2008-06-07T13:21:30", 
          "updated": "2012-06-29T12:18:30.285225+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4320, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "The Turk with a most mighty preparation makes for   /  Cyprus. Othello, the fortitude of the place is best   /  known to you; and though we have there a substitute   /  of most allowed sufficiency, yet opinion, a   /  sovereign mistress of effects, throws a more safer   /  voice on you: you must therefore be content to   /  slubber the gloss of your new fortunes with this   /  more stubborn and boisterous expedition.", 
          "ranges": [
            {
              "end": "/div[124]/p[2]", 
              "endOffset": 378, 
              "startOffset": 13, 
              "start": "/div[124]/p[1]"
            }
          ]
        }, 
        "_id": "KroeqSADRWG4kW-XPgwtZg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "The previous governor of Cyprus, replaced by Othello.\n\n", 
          "created": "2008-06-10T08:34:44", 
          "updated": "2012-06-29T12:18:30.354678+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4342, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "MONTANO", 
          "ranges": [
            {
              "end": "/p[23]", 
              "endOffset": 13, 
              "startOffset": 6, 
              "start": "/p[23]"
            }
          ]
        }, 
        "_id": "9j0Ixjk1S_W0-n_7Mt7URQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "separation\n\n", 
          "created": "2008-06-10T08:44:18", 
          "updated": "2012-06-29T12:18:30.380089+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 4350, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "segregation", 
          "ranges": [
            {
              "end": "/div[167]/p[2]", 
              "endOffset": 13, 
              "startOffset": 2, 
              "start": "/div[167]/p[2]"
            }
          ]
        }, 
        "_id": "9GTIAj8ISzmXbXV_zLVhew", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "This is, of course, a joke about Desdemona and Othello's interracial marriage:\n\"white\" is also a homonym for \"wight,\" meaning \"man.\"\n\n", 
          "created": "2008-06-10T11:42:23", 
          "updated": "2012-06-29T12:18:30.447141+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 4370, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "white", 
          "ranges": [
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              "endOffset": 59, 
              "startOffset": 54, 
              "start": "/div[213]/p[2]"
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        "_id": "MthjXRWLSVqszVnOyabtAg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "Indeed she will, more literally than Othello knows, by Roderigo and Iago.\n\n", 
          "created": "2008-06-10T11:59:48", 
          "updated": "2012-06-29T12:18:30.475737+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4378, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Honey, you shall be well desired in Cyprus;", 
          "ranges": [
            {
              "end": "/div[235]/p[2]", 
              "endOffset": 167, 
              "startOffset": 124, 
              "start": "/div[235]/p[2]"
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          ]
        }, 
        "_id": "ldMF03yeTuGyOIo0JQWI_g", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "The minutes drag, and each one is so horrible, for those who love their\npartners but suspect them of adultery (without knowing for certain).\n\n", 
          "created": "2008-06-12T11:23:51", 
          "updated": "2012-06-29T12:18:30.497499+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 4450, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "But, O, what damned minutes tells he o'er   /  Who dotes, yet doubts, suspects, yet strongly loves!", 
          "ranges": [
            {
              "end": "/div[448]/p[2]", 
              "endOffset": 266, 
              "startOffset": 173, 
              "start": "/div[448]/p[2]"
            }
          ]
        }, 
        "_id": "P6iqA3wSQdKcMfKXRwbGGA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "straps that connected a hawk to the falconer while it's being trained.\n\n", 
          "created": "2008-06-12T11:45:42", 
          "updated": "2012-06-29T12:18:30.525323+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4458, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "jesses", 
          "ranges": [
            {
              "end": "/div[473]/p[2]", 
              "endOffset": 149, 
              "startOffset": 143, 
              "start": "/div[473]/p[2]"
            }
          ]
        }, 
        "_id": "7h8Mv8rRQrOPZePDM01AjA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "This is a central concern in Hamlet as well.\n\n", 
          "created": "2008-06-12T11:01:14", 
          "updated": "2012-06-29T12:18:30.550719+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 4443, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Men should be what they seem;   /  Or those that be not, would they might seem none!   /  OTHELLO Certain, men should be what they seem.", 
          "ranges": [
            {
              "end": "/div[437]/p[2]", 
              "endOffset": 36, 
              "startOffset": 0, 
              "start": "/div[436]/p[2]"
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          ]
        }, 
        "_id": "p_ehLAteQNqAgl0WIjL84g", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "This is a term from wrestling, meaning having someone at a disadvantage.\n\n", 
          "created": "2008-06-11T07:12:49", 
          "updated": "2012-06-29T12:18:30.557099+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 4390, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "on the hip,", 
          "ranges": [
            {
              "end": "/div[248]/p[2]", 
              "endOffset": 827, 
              "startOffset": 816, 
              "start": "/div[248]/p[2]"
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          ]
        }, 
        "_id": "JdVbATtLRuyzyeoWBSZcdA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "restraint\n\n", 
          "created": "2008-06-11T07:19:13", 
          "updated": "2012-06-29T12:18:30.571043+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 4394, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "stop,", 
          "ranges": [
            {
              "end": "/div[250]/p[2]", 
              "endOffset": 88, 
              "startOffset": 83, 
              "start": "/div[250]/p[2]"
            }
          ]
        }, 
        "_id": "hbucPGV3RpiAQIX6nXEzUQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/othello", 
          "text": "The cleaner version: \"She's beautiful enough for the gods.\" The dirtier\nversion: \"She's a tramp, like Jove was a womanizer.\"\n\n", 
          "created": "2008-06-11T07:26:25", 
          "updated": "2012-06-29T12:18:30.586680+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 4398, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "she is sport for Jove.", 
          "ranges": [
            {
              "end": "/div[254]/p[2]", 
              "endOffset": 222, 
              "startOffset": 200, 
              "start": "/div[254]/p[2]"
            }
          ]
        }, 
        "_id": "jHVdDdjjQteAsCTefVs8_w", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "Goneril's complaint that Lear's rabble is causing chaos in her household is\nreceived by Lear as a breaking of the bond between father and daughter.\u00a0 \"Yet\nhave I left a daughter\" refers to Regan, to whose castle he'll go next, and\nimplies the loss of Cordelia and Goneril - those two are now subsumed, in\nLear's mind, in the same \"bastard\" category to which Edmund belongs.\n\n", 
          "created": "2008-03-17T11:48:38", 
          "updated": "2012-06-29T12:18:27.604602+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 3564, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Darkness and devils!  /      Saddle my horses; call my train together:  /      Degenerate bastard! I'll not trouble thee.  /      Yet have I left a daughter.  /    /  GONERIL  /    /      You strike my people; and your disorder'd rabble  /      Make servants of their betters.  / ", 
          "ranges": [
            {
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              "endOffset": 79, 
              "startOffset": 0, 
              "start": "/div[226]/p[2]"
            }
          ]
        }, 
        "_id": "uM2NneJ1Q0K9qMQvagnXZw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "Again, I recommend checking out Laurence Olivier's Lear as you read these\nlines.\u00a0 You'll see that this is staged with lots of people in the background\neating, drinking, saddling horses.\u00a0 Lear's speeches are both completely public\nand unintelligibly private - especially the \"Lear, Lear, Lear!\" line, which\nmay be read as a moment of realization that things have taken a wrong turn,\nand yet contain with in them the tag \"Go, go, my people,\" which hints at the\ninexorability of the forces that Lear has released, and continues to release.\n\n  \n[http://youtube.com/watch?v=hQzDIYdFIy0&feature=related](http://youtube.com/wa\ntch?v=hQzDIYdFIy0&feature=related)\n\n", 
          "created": "2008-03-17T11:57:32", 
          "updated": "2012-06-29T12:18:27.618772+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 3566, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "thou liest.  /      My train are men of choice and rarest parts,  /      That all particulars of duty know,  /      And in the most exact regard support  /      The worships of their name. O most small fault,  /      How ugly didst thou in Cordelia show!  /      That, like an engine, wrench'd my frame of nature  /      From the fix'd place; drew from heart all love,  /      And added to the gall. O Lear, Lear, Lear!  /      Beat at this gate, that let thy folly in,  / ", 
          "ranges": [
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              "startOffset": 33, 
              "start": "/div[230]/p[2]"
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          ]
        }, 
        "_id": "7t1z3b-cSJ6uwdvJeoxBlg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "\"Your feet will be so calloused (as your wit is), that you won't need shoes\nafter undertaking this journey to Regan.\"\n\n", 
          "created": "2008-03-17T12:20:14", 
          "updated": "2012-06-29T12:18:27.663050+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 3575, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Fool  /    /      If a man's brains were in's heels, were't not in  /      danger of kibes?  /    /  KING LEAR  /    /      Ay, boy.  /    /  Fool  /    /      Then, I prithee, be merry; thy wit shall ne'er go  /      slip-shod.  /    /  KING LEAR  /    /      Ha, ha, ha!  / ", 
          "ranges": [
            {
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              "endOffset": 11, 
              "startOffset": 2, 
              "start": "/p[36]"
            }
          ]
        }, 
        "_id": "9tzGmmF4Ria7MFMWDvbLcg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "This is a very elegant image.\u00a0 It's night and the ground is covered in\nmoonlight, so Kent proposes to use Oswald's wounded or fallen body to soak it\nup.\n\n", 
          "created": "2008-03-17T17:45:13", 
          "updated": "2012-06-29T12:18:27.965780+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 3602, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Draw, you  /      rogue: for, though it be night, yet the moon  /      shines; I'll make a sop o' the moonshine of you:  / ", 
          "ranges": [
            {
              "end": "/div[334]/p[2]", 
              "endOffset": 241, 
              "startOffset": 139, 
              "start": "/div[334]/p[2]"
            }
          ]
        }, 
        "_id": "JBssqTSzRQCsU4YZ_E53_g", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "Kent sees that Cornwall thinks poorly of his way of speaking (that is, his\naffected way of speaking - Kent is a noble of Gloucester's status), and so he\nplays a game with him by ratcheting up his tone to a higher, more literary\none.\n\n", 
          "created": "2008-03-18T06:00:39", 
          "updated": "2012-06-29T12:18:27.995701+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 3621, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Sir, in good sooth, in sincere verity,  /      Under the allowance of your great aspect,  /      Whose influence, like the wreath of radiant fire  /      On flickering Phoebus' front,--  / ", 
          "ranges": [
            {
              "end": "/div[365]/p[2]", 
              "endOffset": 158, 
              "startOffset": 0, 
              "start": "/div[365]/p[2]"
            }
          ]
        }, 
        "_id": "jME1Fd9zSJqaqVxWQW3LMw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "Greenblatt notes that in Lear, the evil characters are always very certain of\ntheir actions (and - in a larger implication to which we'll turn our attention\nlater on - of who they are as people).\n\n", 
          "created": "2008-03-18T19:53:55", 
          "updated": "2012-06-29T12:18:28.186301+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 3630, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "I'll answer that.  /    /  REGAN  /    /      My sister may receive it much more worse,  /      To have her gentleman abused, assaulted,  /      For following her affairs. Put in his legs.  / ", 
          "ranges": [
            {
              "end": "/div[380]/p[2]", 
              "endOffset": 124, 
              "startOffset": 0, 
              "start": "/div[379]/p[2]"
            }
          ]
        }, 
        "_id": "tq9UTJ4RTgWGLx2dzSfUHQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "Kent is down.\u00a0 But he belives in some kind of supernatural order of the\nuniverse (in this case, Boethius's wheel of fortune), just as Lear and\nGloucester do, to some extent.\n\n", 
          "created": "2008-03-18T20:01:34", 
          "updated": "2012-06-29T12:18:28.202737+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 3635, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Fortune, good night: smile once more: turn thy wheel!  / ", 
          "ranges": [
            {
              "end": "/div[384]/p[2]", 
              "endOffset": 547, 
              "startOffset": 494, 
              "start": "/div[384]/p[2]"
            }
          ]
        }, 
        "_id": "Z4vwNT4BSPC7sQr3DEpsog", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "This is another thing that appears in Harsnett's book as a symptom of a fake\nexorcism.\n\n", 
          "created": "2008-03-18T20:23:53", 
          "updated": "2012-06-29T12:18:28.245068+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 3648, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Hysterica passio,", 
          "ranges": [
            {
              "end": "/div[405]/p[2]", 
              "endOffset": 62, 
              "startOffset": 45, 
              "start": "/div[405]/p[2]"
            }
          ]
        }, 
        "_id": "z664N2W5QweIrx7ohqnSYw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "As defined in Edward Jordan's \"Brief discourse of a disease called the\nsuffocation of the mother\" (1605), the mother (probably short for smother) was\nan \"affect of the womb\" that led to choking and other discomforts.\u00a0 It's not\nreally important exactly what the medical definition of the thing is.\u00a0 It _is\n_important that Lear connects emotional weakness - like the \"climbing sorrow\"\n- as essentially feminine, and fears its intrusion into his mind and body\n(\"thy element's below\" - stay back!).\n\n", 
          "created": "2008-03-18T20:26:05", 
          "updated": "2012-06-29T12:18:28.248914+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 3649, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "mother", 
          "ranges": [
            {
              "end": "/div[405]/p[2]", 
              "endOffset": 18, 
              "startOffset": 12, 
              "start": "/div[405]/p[2]"
            }
          ]
        }, 
        "_id": "BKk_bhs2SK-eoW801iVZeA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "Lear is in the winter of his life and the winter of his powers.\u00a0 Like the\nant's instinct to gather food during the summer and rest during the winter,\nthe process of human aging is natural and unstoppable.\u00a0 There are certain\nthings that simply _happen_.\n\n", 
          "created": "2008-03-18T20:28:12", 
          "updated": "2012-06-29T12:18:28.255510+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 3651, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "We'll set thee to school to an ant, to teach thee  /      there's no labouring i' the winter.", 
          "ranges": [
            {
              "end": "/div[412]/p[2]", 
              "endOffset": 84, 
              "startOffset": 0, 
              "start": "/div[412]/p[2]"
            }
          ]
        }, 
        "_id": "rPCgkzbXRfWz4Aw45v2ttQ", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "One of the most terrible things about Lear's position here is that he is\ndependent on the very people who are abusing him.\u00a0 Even as he appeals to Regan\nfor help he is revolted by his need to make such an appeal.\u00a0 This type of\nsituation lends itself nicely to Freudian readings such as Cavell's, which\nwould go something like this: \"Men do not just naturally not love, they learn\nnot to.\u00a0 And our lives begin by having to accept under the name of love\nwhatever closeness is offered, and then by having to forgo its object\"\n(Adelman 86).\n\n  \n\"Its object\" is, of course, the infant's mother.\u00a0 Contributing to Lear's\nconfusion of female categories (mother/daughter/lover) is his return, in old\nage and madness, to a kind of infantalized state of rejection of women and\ndependency on them.\n\n", 
          "created": "2008-03-18T20:51:16", 
          "updated": "2012-06-29T12:18:28.300664+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
              "group:__world__"
            ]
          }, 
          "finalsclub_id": 3663, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "O Regan, she hath tied  /      Sharp-tooth'd unkindness, like a vulture, here:  /    /      Points to his heart  /      I can scarce speak to thee; thou'lt not believe  /      With how depraved a quality--O Regan!  / ", 
          "ranges": [
            {
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              "endOffset": 388, 
              "startOffset": 234, 
              "start": "/div[428]/p[2]"
            }
          ]
        }, 
        "_id": "nbYRgwoVQRKe0e0CxXELMg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "\"If need were the only thing that guided man were need, then you, my daughter,\nwouldn't be wearing that skimpy outfit, because you would be wearing something\nugly but much more practical.\"\n\n  \nThe dress that Regan is wearing, like Lear's train of knights, are the outward\nshows that men gather to themselves.\u00a0 The notion that man's life is \"cheap as\na beast's\" without all of the material things with which we surround ourselves\nechoes a little of Hobbes, and indeed Greenblatt sees Shakespeare as\nresponding to Hobbes's philosophy obliquely in this play.\u00a0 Where Hobbes would\nno doubt agree that the natural state of man matches Lear's description, he\nwould suggest that such a state is the starting point and we are moving away\nfrom it as civilization advances.\u00a0 Shakespeare would say that we are moving\n_toward_ it.\n\n", 
          "created": "2008-03-19T08:39:58", 
          "updated": "2012-06-29T12:18:28.432537+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 3680, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "If only to go warm were gorgeous,  /      Why, nature needs not what thou gorgeous wear'st,  /      Which scarcely keeps thee warm.", 
          "ranges": [
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        "_id": "ZTKc3XdtTtu1gw9Z82YqqA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/lear", 
          "text": "Kent and the gentleman will split up to go find the king.\u00a0 \"In which your pain\nthat way\" means \"in pursuit of which goal you go that way.\"\u00a0 They plan to\nshout for one another when they've found him.\n\n", 
          "created": "2008-03-19T12:17:47", 
          "updated": "2012-06-29T12:18:28.477590+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 3693, 
          "user": {
            "id": 23, 
            "name": "playerking", 
            "realname": ""
          }, 
          "quote": "Few words, but, to effect, more than all yet;  /      That, when we have found the king,--in which your pain  /      That way, I'll this,--he that first lights on him  /      Holla the other.  / ", 
          "ranges": [
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              "endOffset": 164, 
              "startOffset": 0, 
              "start": "/div[493]/p[2]"
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          ]
        }, 
        "_id": "AlFahj5yRUGg69A2pWpahg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "If Demetrius even bothers to thank Helena for the information, he'll do so\nonly grudgingly.\u00a0 I think this line (and the idea of enriching her pain) says\na lot about Helena, and how much she is willing to give to get almost nothing\nin return.\u00a0 There's more than a shred of self-pity here, which is important, I\nthink, lest we feel _too _sorry for Helena.\n\n", 
          "created": "2008-07-14T09:39:50", 
          "updated": "2012-06-29T12:18:32.840217+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 5782, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "If I have thanks, it is a dear expense:", 
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              "start": "/div[49]/p[2]"
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        }, 
        "_id": "CSKGH-TzSKiK24TEi5WvOg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "Being bald from the \"French disease,\" syphilis.\n\n", 
          "created": "2008-07-14T14:54:40", 
          "updated": "2012-06-29T12:18:32.907495+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 5807, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Some of your French crowns have no hair at all, and   /  then you will play bare-faced.", 
          "ranges": [
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              "startOffset": 6, 
              "start": "/div[87]/p[1]"
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        }, 
        "_id": "xazgMk25SQyCdzsL_0q56A", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "Word-perfect: memorize all your lines, so that you don't need the script (this\nis still the term used in theater.\n\n", 
          "created": "2008-07-14T14:57:34", 
          "updated": "2012-06-29T12:18:32.916217+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 5809, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "perfect:", 
          "ranges": [
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              "endOffset": 95, 
              "startOffset": 87, 
              "start": "/div[88]/p[2]"
            }
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        }, 
        "_id": "y0y37kASQVq_a7E1Brp6Bg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "Their mirth increases, and they sneeze (from laughing too hard?).\n\n", 
          "created": "2008-07-15T09:01:12", 
          "updated": "2012-06-29T12:18:32.960421+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 5823, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "And waxen in their mirth and neeze and swear", 
          "ranges": [
            {
              "end": "/div[95]/p[2]", 
              "endOffset": 594, 
              "startOffset": 550, 
              "start": "/div[95]/p[2]"
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          ]
        }, 
        "_id": "tDDUIqcsS3qDhxpr4aKUgw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "Leopard\n\n", 
          "created": "2008-07-15T11:47:21", 
          "updated": "2012-06-29T12:18:33.131692+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 5848, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Pard,", 
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              "startOffset": 125, 
              "start": "/div[132]/p[2]"
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        }, 
        "_id": "MDbuNHlkRNeZBsJVoXg1Zw", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "\u00a0'Prospero' means 'fortunate' and 'prosperous.' Keep this in mind as you read\nthrough the play. Was Shakespeare being sincere or ironic in selecting\nProspero's name?\n\n", 
          "created": "2008-07-19T08:07:37", 
          "updated": "2012-06-29T12:18:33.294085+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 6018, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "PROSPERO", 
          "ranges": [
            {
              "end": "/div[29]/p[2]", 
              "endOffset": 200, 
              "startOffset": 192, 
              "start": "/div[29]/p[2]"
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          ]
        }, 
        "_id": "9snj4Zw4QsOJHVRbg5sJ3w", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/tempest", 
          "text": "Before.\n\n\n\n", 
          "created": "2008-07-19T08:31:04", 
          "updated": "2012-06-29T12:18:33.309376+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 6022, 
          "user": {
            "id": 158, 
            "name": "crazy jane", 
            "realname": ""
          }, 
          "quote": "or ere", 
          "ranges": [
            {
              "end": "/div[29]/p[2]", 
              "endOffset": 485, 
              "startOffset": 479, 
              "start": "/div[29]/p[2]"
            }
          ]
        }, 
        "_id": "BWoCYtxrT7O6wJEJiFK1ig", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "Stories about a man changing into an ass, or an ass suddenly given the power\nof speech, were more common in sixteenth-century England than you might think.\nIn the city of Chester, a play about Balaam and his talking ass was one of the\nmost popular and long-lasting of the medieval religious plays.\u00a0 The most\nfamous story of a man being transformed into an ass was\n[Apuleius](http://en.wikipedia.org/wiki/Apuleius)'s \"The Golden Ass,\"\ntranslated into English in 1566, in which a beautiful princess lavishes\nadoration on the ass.\u00a0 [Reginald\nScot](http://en.wikipedia.org/wiki/Reginald_Scot)'s [_The discoverie of\nwitchcraft_](http://books.google.com/books?id=HM9NV-hDjc0C&printsec=frontcover\n&dq=discoverie+of+witchcraft&ei=NKSESJ_ePI6UiAHVyISjCA&sig=ACfU3U1Qr-HaRVkf-\nNUsRdr7QCVuezi00Q#PPR3,M1) (1584) relates the story of a sailor transformed\ninto an ass by a witch.\u00a0 Happening upon a church just as the consecration of\nthe mass is about to take place, he \u201cfell down in the churchyard upon the\nknees of his hinder legs and did lift his forefeet over his head as the priest\ndoth hold the sacrament at the elevation.\u201d\u00a0 The townspeople, amazed at the\nsight of a praying ass, figured out what had happened, found the witch, and\nforced her to remove the spell.\n\nAbove all, Bottom was an ass before Puck transformed his head; an ass getting\nan ass's head is not only hilarious and ironic, but reinforces Shakespeare's\nmockery of theatrical literalism (the audience _knows _that\u00a0 the Lion is not\nreal before he says his name; they would understand that Snout is supposed to\nbe a wall whether or not he had lime and roughcast about him).\n\n", 
          "created": "2008-07-21T07:29:40", 
          "updated": "2012-06-29T12:18:33.384292+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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            ]
          }, 
          "finalsclub_id": 6055, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "with an ass's head", 
          "ranges": [
            {
              "end": "/p[33]", 
              "endOffset": 44, 
              "startOffset": 26, 
              "start": "/p[33]"
            }
          ]
        }, 
        "_id": "Oc5Zwr1ZRQyIdvF7nWfUiA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "stupid, useless.\n\n", 
          "created": "2008-07-21T09:10:34", 
          "updated": "2012-06-29T12:18:33.425856+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
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          }, 
          "finalsclub_id": 6068, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "barren", 
          "ranges": [
            {
              "end": "/div[222]/p[2]", 
              "endOffset": 315, 
              "startOffset": 309, 
              "start": "/div[222]/p[2]"
            }
          ]
        }, 
        "_id": "rFHpprL_RqeF_Fh79ku0cg", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "actor (Bottom)\n\n", 
          "created": "2008-07-21T09:11:44", 
          "updated": "2012-06-29T12:18:33.433978+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 6070, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "mimic", 
          "ranges": [
            {
              "end": "/div[222]/p[2]", 
              "endOffset": 521, 
              "startOffset": 516, 
              "start": "/div[222]/p[2]"
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          ]
        }, 
        "_id": "JqgOLQk7SX2RRSuPycPk3Q", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "Tell the truth once and for all.\n\n", 
          "created": "2008-07-21T09:42:10", 
          "updated": "2012-06-29T12:18:33.451624+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 6076, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "O, once tell true,", 
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              "end": "/div[232]/p[2]", 
              "endOffset": 156, 
              "startOffset": 138, 
              "start": "/div[232]/p[2]"
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          ]
        }, 
        "_id": "XQULYNQAS36jOZ0C-jOYCA", 
        "_type": "annotation"
      }, 
      {
        "_index": "ygtnjguco3fkhapb469t", 
        "_score": 1.0, 
        "_source": {
          "uri": "http://openshakespeare.org/work/midsummer_nights_dream", 
          "text": "I'm crying as I make these vows to you, and tears are the sign of truth (or\n\"badge of faith\").\n\n", 
          "created": "2008-07-21T10:30:52", 
          "updated": "2012-06-29T12:18:33.469629+00:00", 
          "consumer": "39fc339cf058bd22176771b3e32b7448", 
          "permissions": {
            "read": [
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            ]
          }, 
          "finalsclub_id": 6082, 
          "user": {
            "id": 705, 
            "name": "hyacinth_girl", 
            "realname": ""
          }, 
          "quote": "Scorn and derision never come in tears:   /  Look, when I vow, I weep; and vows so born,   /  In their nativity all truth appears.   /  How can these things in me seem scorn to you,   /  Bearing the badge of faith, to prove them true?", 
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              "startOffset": 48, 
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            }
          ]
        }, 
        "_id": "uH15_F9mQ1yXwgG6YCCgBQ", 
        "_type": "annotation"
      }
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}