-
Notifications
You must be signed in to change notification settings - Fork 4
/
pg150.txt
16960 lines (12441 loc) · 699 KB
/
pg150.txt
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
The Project Gutenberg EBook of Plato's Republic, by Plato
*******************************************************************
THIS EBOOK WAS ONE OF PROJECT GUTENBERG'S EARLY FILES PRODUCED AT A
TIME WHEN PROOFING METHODS AND TOOLS WERE NOT WELL DEVELOPED. THERE
IS AN IMPROVED EDITION OF THIS TITLE WHICH MAY BE VIEWED AS EBOOK
(#55201) at https://www.gutenberg.org/ebooks/55201
*******************************************************************
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Plato's Republic
Author: Plato
Release Date: May 22, 2008 [EBook #150]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK PLATO'S REPUBLIC ***
**********************************************************************
THIS EBOOK WAS ONE OF PROJECT GUTENBERG'S EARLY FILES PRODUCED AT A
TIME WHEN PROOFING METHODS AND TOOLS WERE NOT WELL DEVELOPED. THERE IS
AN IMPROVED EDITION OF THIS TITLE WHICH MAY BE VIEWED AT EBOOK (#55201)
**********************************************************************
THE REPUBLIC
by Plato
(360 B.C.)
translated by Benjamin Jowett
THE INTRODUCTION
THE Republic of Plato is the longest of his works with the exception of
the Laws, and is certainly the greatest of them. There are nearer
approaches to modern metaphysics in the Philebus and in the Sophist;
the Politicus or Statesman is more ideal; the form and institutions of
the State are more clearly drawn out in the Laws; as works of art, the
Symposium and the Protagoras are of higher excellence. But no other
Dialogue of Plato has the same largeness of view and the same
perfection of style; no other shows an equal knowledge of the world, or
contains more of those thoughts which are new as well as old, and not
of one age only but of all. Nowhere in Plato is there a deeper irony
or a greater wealth of humor or imagery, or more dramatic power. Nor
in any other of his writings is the attempt made to interweave life and
speculation, or to connect politics with philosophy. The Republic is
the centre around which the other Dialogues may be grouped; here
philosophy reaches the highest point to which ancient thinkers ever
attained. Plato among the Greeks, like Bacon among the moderns, was
the first who conceived a method of knowledge, although neither of them
always distinguished the bare outline or form from the substance of
truth; and both of them had to be content with an abstraction of
science which was not yet realized. He was the greatest metaphysical
genius whom the world has seen; and in him, more than in any other
ancient thinker, the germs of future knowledge are contained. The
sciences of logic and psychology, which have supplied so many
instruments of thought to after-ages, are based upon the analyses of
Socrates and Plato. The principles of definition, the law of
contradiction, the fallacy of arguing in a circle, the distinction
between the essence and accidents of a thing or notion, between means
and ends, between causes and conditions; also the division of the mind
into the rational, concupiscent, and irascible elements, or of
pleasures and desires into necessary and unnecessary--these and other
great forms of thought are all of them to be found in the Republic, and
were probably first invented by Plato. The greatest of all logical
truths, and the one of which writers on philosophy are most apt to lose
sight, the difference between words and things, has been most
strenuously insisted on by him, although he has not always avoided the
confusion of them in his own writings. But he does not bind up truth
in logical formulae,--logic is still veiled in metaphysics; and the
science which he imagines to "contemplate all truth and all existence"
is very unlike the doctrine of the syllogism which Aristotle claims to
have discovered.
Neither must we forget that the Republic is but the third part of a
still larger design which was to have included an ideal history of
Athens, as well as a political and physical philosophy. The fragment
of the Critias has given birth to a world-famous fiction, second only
in importance to the tale of Troy and the legend of Arthur; and is said
as a fact to have inspired some of the early navigators of the
sixteenth century. This mythical tale, of which the subject was a
history of the wars of the Athenians against the Island of Atlantis, is
supposed to be founded upon an unfinished poem of Solon, to which it
would have stood in the same relation as the writings of the
logographers to the poems of Homer. It would have told of a struggle
for Liberty, intended to represent the conflict of Persia and Hellas.
We may judge from the noble commencement of the Timaeus, from the
fragment of the Critias itself, and from the third book of the Laws, in
what manner Plato would have treated this high argument. We can only
guess why the great design was abandoned; perhaps because Plato became
sensible of some incongruity in a fictitious history, or because he had
lost his interest in it, or because advancing years forbade the
completion of it; and we may please ourselves with the fancy that had
this imaginary narrative ever been finished, we should have found Plato
himself sympathizing with the struggle for Hellenic independence,
singing a hymn of triumph over Marathon and Salamis, perhaps making the
reflection of Herodotus where he contemplates the growth of the
Athenian empire--"How brave a thing is freedom of speech, which has
made the Athenians so far exceed every other state of Hellas in
greatness!" or, more probably, attributing the victory to the ancient
good order of Athens and to the favor of Apollo and Athene.
Again, Plato may be regarded as the "captain" ('arhchegoz') or leader
of a goodly band of followers; for in the Republic is to be found the
original of Cicero's De Republica, of St. Augustine's City of God, of
the Utopia of Sir Thomas More, and of the numerous other imaginary
States which are framed upon the same model. The extent to which
Aristotle or the Aristotelian school were indebted to him in the
Politics has been little recognized, and the recognition is the more
necessary because it is not made by Aristotle himself. The two
philosophers had more in common than they were conscious of; and
probably some elements of Plato remain still undetected in Aristotle.
In English philosophy too, many affinities may be traced, not only in
the works of the Cambridge Platonists, but in great original writers
like Berkeley or Coleridge, to Plato and his ideas. That there is a
truth higher than experience, of which the mind bears witness to
herself, is a conviction which in our own generation has been
enthusiastically asserted, and is perhaps gaining ground. Of the Greek
authors who at the Renaissance brought a new life into the world Plato
has had the greatest influence. The Republic of Plato is also the
first treatise upon education, of which the writings of Milton and
Locke, Rousseau, Jean Paul, and Goethe are the legitimate descendants.
Like Dante or Bunyan, he has a revelation of another life; like Bacon,
he is profoundly impressed with the unity of knowledge; in the early
Church he exercised a real influence on theology, and at the Revival of
Literature on politics. Even the fragments of his words when "repeated
at second-hand" have in all ages ravished the hearts of men, who have
seen reflected in them their own higher nature. He is the father of
idealism in philosophy, in politics, in literature. And many of the
latest conceptions of modern thinkers and statesmen, such as the unity
of knowledge, the reign of law, and the equality of the sexes, have
been anticipated in a dream by him.
ARGUMENT
The argument of the Republic is the search after Justice, the nature of
which is first hinted at by Cephalus, the just and blameless old
man--then discussed on the basis of proverbial morality by Socrates and
Polemarchus--then caricatured by Thrasymachus and partially explained
by Socrates--reduced to an abstraction by Glaucon and Adeimantus, and
having become invisible in the individual reappears at length in the
ideal State which is constructed by Socrates. The first care of the
rulers is to be education, of which an outline is drawn after the old
Hellenic model, providing only for an improved religion and morality,
and more simplicity in music and gymnastic, a manlier strain of poetry,
and greater harmony of the individual and the State. We are thus led
on to the conception of a higher State, in which "no man calls anything
his own," and in which there is neither "marrying nor giving in
marriage," and "kings are philosophers" and "philosophers are kings;"
and there is another and higher education, intellectual as well as
moral and religious, of science as well as of art, and not of youth
only but of the whole of life. Such a State is hardly to be realized
in this world and would quickly degenerate. To the perfect ideal
succeeds the government of the soldier and the lover of honor, this
again declining into democracy, and democracy into tyranny, in an
imaginary but regular order having not much resemblance to the actual
facts. When "the wheel has come full circle" we do not begin again
with a new period of human life; but we have passed from the best to
the worst, and there we end. The subject is then changed and the old
quarrel of poetry and philosophy which had been more lightly treated in
the earlier books of the Republic is now resumed and fought out to a
conclusion. Poetry is discovered to be an imitation thrice removed
from the truth, and Homer, as well as the dramatic poets, having been
condemned as an imitator, is sent into banishment along with them. And
the idea of the State is supplemented by the revelation of a future
life.
The division into books, like all similar divisions, is probably later
than the age of Plato. The natural divisions are five in number;--(1)
Book I and the first half of Book II down to the paragraph beginning,
"I had always admired the genius of Glaucon and Adeimantus," which is
introductory; the first book containing a refutation of the popular and
sophistical notions of justice, and concluding, like some of the
earlier Dialogues, without arriving at any definite result. To this is
appended a restatement of the nature of justice according to common
opinion, and an answer is demanded to the question--What is justice,
stripped of appearances? The second division (2) includes the
remainder of the second and the whole of the third and fourth books,
which are mainly occupied with the construction of the first State and
the first education. The third division (3) consists of the fifth,
sixth, and seventh books, in which philosophy rather than justice is
the subject of inquiry, and the second State is constructed on
principles of communism and ruled by philosophers, and the
contemplation of the idea of good takes the place of the social and
political virtues. In the eighth and ninth books (4) the perversions
of States and of the individuals who correspond to them are reviewed in
succession; and the nature of pleasure and the principle of tyranny are
further analyzed in the individual man. The tenth book (5) is the
conclusion of the whole, in which the relations of philosophy to poetry
are finally determined, and the happiness of the citizens in this life,
which has now been assured, is crowned by the vision of another.
Or a more general division into two parts may be adopted; the first
(Books I-IV) containing the description of a State framed generally in
accordance with Hellenic notions of religion and morality, while in the
second (Books V-X) the Hellenic State is transformed into an ideal
kingdom of philosophy, of which all other governments are the
perversions. These two points of view are really opposed, and the
opposition is only veiled by the genius of Plato. The Republic, like
the Phaedrus, is an imperfect whole; the higher light of philosophy
breaks through the regularity of the Hellenic temple, which at last
fades away into the heavens. Whether this imperfection of structure
arises from an enlargement of the plan; or from the imperfect
reconcilement in the writer's own mind of the struggling elements of
thought which are now first brought together by him; or, perhaps, from
the composition of the work at different times--are questions, like the
similar question about the Iliad and the Odyssey, which are worth
asking, but which cannot have a distinct answer. In the age of Plato
there was no regular mode of publication, and an author would have the
less scruple in altering or adding to a work which was known only to a
few of his friends. There is no absurdity in supposing that he may
have laid his labors aside for a time, or turned from one work to
another; and such interruptions would be more likely to occur in the
case of a long than of a short writing. In all attempts to determine
the chronological he order of the Platonic writings on internal
evidence, this uncertainty about any single Dialogue being composed at
one time is a disturbing element, which must be admitted to affect
longer works, such as the Republic and the Laws, more than shorter
ones. But, on the other hand, the seeming discrepancies of the
Republic may only arise out of the discordant elements which the
philosopher has attempted to unite in a single whole, perhaps without
being himself able to recognize the inconsistency which is obvious to
us. For there is a judgment of after ages which few great writers have
ever been able to anticipate for themselves. They do not perceive the
want of connection in their own writings, or the gaps in their systems
which are visible enough to those who come after them. In the
beginnings of literature and philosophy, amid the first efforts of
thought and language, more inconsistencies occur than now, when the
paths of speculation are well worn and the meaning of words precisely
defined. For consistency, too, is the growth of time; and some of the
greatest creations of the human mind have been wanting in unity. Tried
by this test, several of the Platonic Dialogues, according to our
modern ideas, appear to be defective, but the deficiency is no proof
that they were composed at different times or by different hands. And
the supposition that the Republic was written uninterruptedly and by a
continuous effort is in some degree confirmed by the numerous
references from one part of the work to another.
The second title, "Concerning Justice," is not the one by which the
Republic is quoted, either by Aristotle or generally in antiquity, and,
like the other second titles of the Platonic Dialogues, may therefore
be assumed to be of later date. Morgenstern and others have asked
whether the definition of justice, which is the professed aim, or the
construction of the State is the principal argument of the work. The
answer is, that the two blend in one, and are two faces of the same
truth; for justice is the order of the State, and the State is the
visible embodiment of justice under the conditions of human society.
The one is the soul and the other is the body, and the Greek ideal of
the State, as of the individual, is a fair mind in a fair body. In
Hegelian phraseology the State is the reality of which justice is the
ideal. Or, described in Christian language, the kingdom of God is
within, and yet develops into a Church or external kingdom; "the house
not made with hands, eternal in the heavens," is reduced to the
proportions of an earthly building. Or, to use a Platonic image,
justice and the State are the warp and the woof which run through the
whole texture. And when the constitution of the State is completed,
the conception of justice is not dismissed, but reappears under the
same or different names throughout the work, both as the inner law of
the individual soul, and finally as the principle of rewards and
punishments in another life. The virtues are based on justice, of
which common honesty in buying and selling is the shadow, and justice
is based on the idea of good, which is the harmony of the world, and is
reflected both in the institutions of States and in motions of the
heavenly bodies. The Timaeus, which takes up the political rather than
the ethical side of the Republic, and is chiefly occupied with
hypotheses concerning the outward world, yet contains many indications
that the same law is supposed to reign over the State, over nature, and
over man.
Too much, however, has been made of this question both in ancient and
in modern times. There is a stage of criticism in which all works,
whether of nature or of art, are referred to design. Now in ancient
writings, and indeed in literature generally, there remains often a
large element which was not comprehended in the original design. For
the plan grows under the author's hand; new thoughts occur to him in
the act of writing; he has not worked out the argument to the end
before he begins. The reader who seeks to find some one idea under
which the whole may be conceived, must necessarily seize on the vaguest
and most general. Thus Stallbaum, who is dissatisfied with the
ordinary explanations of the argument of the Republic, imagines himself
to have found the true argument "in the representation of human life in
a State perfected by justice and governed according to the idea of
good." There may be some use in such general descriptions, but they can
hardly be said to express the design of the writer. The truth is, that
we may as well speak of many designs as of one; nor need anything be
excluded from the plan of a great work to which the mind is naturally
led by the association of ideas, and which does not interfere with the
general purpose. What kind or degree of unity is to be sought after in
a building, in the plastic arts, in poetry, in prose, is a problem
which has to be determined relatively to the subject-matter. To Plato
himself, the inquiry "what was the intention of the writer," or "what
was the principal argument of the Republic" would have been hardly
intelligible, and therefore had better be at once dismissed.
Is not the Republic the vehicle of three or four great truths which, to
Plato's own mind, are most naturally represented in the form of the
State? Just as in the Jewish prophets the reign of Messiah, or "the
day of the Lord," or the suffering Servant or people of God, or the
"Sun of righteousness with healing in his wings" only convey, to us at
least, their great spiritual ideals, so through the Greek State Plato
reveals to us his own thoughts about divine perfection, which is the
idea of good--like the sun in the visible world;--about human
perfection, which is justice--about education beginning in youth and
continuing in later years--about poets and sophists and tyrants who are
the false teachers and evil rulers of mankind--about "the world" which
is the embodiment of them--about a kingdom which exists nowhere upon
earth but is laid up in heaven to be the pattern and rule of human
life. No such inspired creation is at unity with itself, any more than
the clouds of heaven when the sun pierces through them. Every shade of
light and dark, of truth, and of fiction which is the veil of truth, is
allowable in a work of philosophical imagination. It is not all on the
same plane; it easily passes from ideas to myths and fancies, from
facts to figures of speech. It is not prose but poetry, at least a
great part of it, and ought not to be judged by the rules of logic or
the probabilities of history. The writer is not fashioning his ideas
into an artistic whole; they take possession of him and are too much
for him. We have no need therefore to discuss whether a State such as
Plato has conceived is practicable or not, or whether the outward form
or the inward life came first into the mind of the writer. For the
practicability of his ideas has nothing to do with their truth; and the
highest thoughts to which he attains may be truly said to bear the
greatest "marks of design"--justice more than the external frame-work
of the State, the idea of good more than justice. The great science of
dialectic or the organization of ideas has no real content; but is only
a type of the method or spirit in which the higher knowledge is to be
pursued by the spectator of all time and all existence. It is in the
fifth, sixth, and seventh books that Plato reaches the "summit of
speculation," and these, although they fail to satisfy the requirements
of a modern thinker, may therefore be regarded as the most important,
as they are also the most original, portions of the work.
It is not necessary to discuss at length a minor question which has
been raised by Boeckh, respecting the imaginary date at which the
conversation was held (the year 411 B. C. which is proposed by him will
do as well as any other); for a writer of fiction, and especially a
writer who, like Plato, is notoriously careless of chronology, only
aims at general probability. Whether all the persons mentioned in the
Republic could ever have met at any one time is not a difficulty which
would have occurred to an Athenian reading the work forty years later,
or to Plato himself at the time of writing (any more than to
Shakespeare respecting one of his own dramas); and need not greatly
trouble us now. Yet this may be a question having no answer "which is
still worth asking," because the investigation shows that we can not
argue historically from the dates in Plato; it would be useless
therefore to waste time in inventing far-fetched reconcilements of them
in order avoid chronological difficulties, such, for example, as the
conjecture of C. F. Hermann, that Glaucon and Adeimantus are not the
brothers but the uncles of Plato, or the fancy of Stallbaum that Plato
intentionally left anachronisms indicating the dates at which some of
his Dialogues were written.
CHARACTERS
The principal characters in the Republic are Cephalus, Polemarchus,
Thrasymachus, Socrates, Glaucon, and Adeimantus. Cephalus appears in
the introduction only, Polemarchus drops at the end of the first
argument, and Thrasymachus is reduced to silence at the close of the
first book. The main discussion is carried on by Socrates, Glaucon,
and Adeimantus. Among the company are Lysias (the orator) and
Euthydemus, the sons of Cephalus and brothers of Polemarchus, an
unknown Charmantides--these are mute auditors; also there is
Cleitophon, who once interrupts, where, as in the Dialogue which bears
his name, he appears as the friend and ally of Thrasymachus.
Cephalus, the patriarch of house, has been appropriately engaged in
offering a sacrifice. He is the pattern of an old man who has almost
done with life, and is at peace with himself and with all mankind. He
feels that he is drawing nearer to the world below, and seems to linger
around the memory of the past. He is eager that Socrates should come
to visit him, fond of the poetry of the last generation, happy in the
consciousness of a well-spent life, glad at having escaped from the
tyranny of youthful lusts. His love of conversation, his affection,
his indifference to riches, even his garrulity, are interesting traits
of character. He is not one of those who have nothing to say, because
their whole mind has been absorbed in making money. Yet he
acknowledges that riches have the advantage of placing men above the
temptation to dishonesty or falsehood. The respectful attention shown
to him by Socrates, whose love of conversation, no less than the
mission imposed upon him by the Oracle, leads him to ask questions of
all men, young and old alike, should also be noted. Who better suited
to raise the question of justice than Cephalus, whose life might seem
to be the expression of it? The moderation with which old age is
pictured by Cephalus as a very tolerable portion of existence is
characteristic, not only of him, but of Greek feeling generally, and
contrasts with the exaggeration of Cicero in the De Senectute. The
evening of life is described by Plato in the most expressive manner,
yet with the fewest possible touches. As Cicero remarks (Ep. ad Attic.
iv. 16), the aged Cephalus would have been out of place in the
discussion which follows, and which he could neither have understood
nor taken part in without a violation of dramatic propriety.
His "son and heir" Polemarchus has the frankness and impetuousness of
youth; he is for detaining Socrates by force in the opening scene, and
will not "let him off" on the subject of women and children. Like
Cephalus, he is limited in his point of view, and represents the
proverbial stage of morality which has rules of life rather than
principles; and he quotes Simonides as his father had quoted Pindar.
But after this he has no more to say; the answers which he makes are
only elicited from him by the dialectic of Socrates. He has not yet
experienced the influence of the Sophists like Glaucon and Adeimantus,
nor is he sensible of the necessity of refuting them; he belongs to the
pre-Socratic or pre-dialectical age. He is incapable of arguing, and
is bewildered by Socrates to such a degree that he does not know what
he is saying. He is made to admit that justice is a thief, and that
the virtues follow the analogy of the arts. From his brother Lysias we
learn that he fell a victim to the Thirty Tyrants, but no allusion is
here made to his fate, nor to the circumstance that Cephalus and his
family were of Syracusan origin, and had migrated from Thurii to Athens.
The "Chalcedonian giant," Thrasymachus, of whom we have already heard
in the Phaedrus, is the personification of the Sophists, according to
Plato's conception of them, in some of their worst characteristics. He
is vain and blustering, refusing to discourse unless he is paid, fond
of making an oration, and hoping thereby to escape the inevitable
Socrates; but a mere child in argument, and unable to foresee that the
next "move" (to use a Platonic expression) will "shut him up." He has
reached the stage of framing general notions, and in this respect is in
advance of Cephalus and Polemarchus. But he is incapable of defending
them in a discussion, and vainly tries to cover his confusion in banter
and insolence. Whether such doctrines as are attributed to him by
Plato were really held either by him or by any other Sophist is
uncertain; in the infancy of philosophy serious errors about morality
might easily grow up--they are certainly put into the mouths of
speakers in Thucydides; but we are concerned at present with Plato's
description of him, and not with the historical reality. The
inequality of the contest adds greatly to the humor of the scene. The
pompous and empty Sophist is utterly helpless in the hands of the great
master of dialectic, who knows how to touch all the springs of vanity
and weakness in him. He is greatly irritated by the irony of Socrates,
but his noisy and imbecile rage only lays him more and more open to the
thrusts of his assailant. His determination to cram down their
throats, or put "bodily into their souls" his own words, elicits a cry
of horror from Socrates. The state of his temper is quite as worthy of
remark as the process of the argument. Nothing is more amusing than
his complete submission when he has been once thoroughly beaten. At
first he seems to continue the discussion with reluctance, but soon
with apparent good-will, and he even testifies his interest at a later
stage by one or two occasional remarks. When attacked by Glaucon he is
humorously protected by Socrates "as one who has never been his enemy
and is now his friend." From Cicero and Quintilian and from Aristotle's
Rhetoric we learn that the Sophist whom Plato has made so ridiculous
was a man of note whose writings were preserved in later ages. The
play on his name which was made by his contemporary Herodicus, "thou
wast ever bold in battle," seems to show that the description of him is
not devoid of verisimilitude.
When Thrasymachus has been silenced, the two principal respondents,
Glaucon and Adeimantus, appear on the scene: here, as in Greek
tragedy, three actors are introduced. At first sight the two sons of
Ariston may seem to wear a family likeness, like the two friends
Simmias and Cebes in the Phaedo. But on a nearer examination of them
the similarity vanishes, and they are seen to be distinct characters.
Glaucon is the impetuous youth who can "just never have enough of
fechting" (cf. the character of him in Xen. Mem. iii. 6); the man of
pleasure who is acquainted with the mysteries of love; the "juvenis qui
gaudet canibus," and who improves the breed of animals; the lover of
art and music who has all the experiences of youthful life. He is full
of quickness and penetration, piercing easily below the clumsy
platitudes of Thrasymachus to the real difficulty; he turns out to the
light the seamy side of human life, and yet does not lose faith in the
just and true. It is Glaucon who seizes what may be termed the
ludicrous relation of the philosopher to the world, to whom a state of
simplicity is "a city of pigs," who is always prepared with a jest when
the argument offers him an opportunity, and who is ever ready to second
the humor of Socrates and to appreciate the ridiculous, whether in the
connoisseurs of music, or in the lovers of theatricals, or in the
fantastic behavior of the citizens of democracy. His weaknesses are
several times alluded to by Socrates, who, however, will not allow him
to be attacked by his brother Adeimantus. He is a soldier, and, like
Adeimantus, has been distinguished at the battle of Megara.
The character of Adeimantus is deeper and graver, and the profounder
objections are commonly put into his mouth. Glaucon is more
demonstrative, and generally opens the game. Adeimantus pursues the
argument further. Glaucon has more of the liveliness and quick
sympathy of youth; Adeimantus has the maturer judgment of a grown-up
man of the world. In the second book, when Glaucon insists that
justice and injustice shall be considered without regard to their
consequences, Adeimantus remarks that they are regarded by mankind in
general only for the sake of their consequences; and in a similar vein
of reflection he urges at the beginning of the fourth book that
Socrates falls in making his citizens happy, and is answered that
happiness is not the first but the second thing, not the direct aim but
the indirect consequence of the good government of a State. In the
discussion about religion and mythology, Adeimantus is the respondent,
but Glaucon breaks in with a slight jest, and carries on the
conversation in a lighter tone about music and gymnastic to the end of
the book. It is Adeimantus again who volunteers the criticism of
common sense on the Socratic method of argument, and who refuses to let
Socrates pass lightly over the question of women and children. It is
Adeimantus who is the respondent in the more argumentative, as Glaucon
in the lighter and more imaginative portions of the Dialogue. For
example, throughout the greater part of the sixth book, the causes of
the corruption of philosophy and the conception of the idea of good are
discussed with Adeimantus. Then Glaucon resumes his place of principal
respondent; but he has a difficulty in apprehending the higher
education of Socrates, and makes some false hits in the course of the
discussion. Once more Adeimantus returns with the allusion to his
brother Glaucon whom he compares to the contentious State; in the next
book he is again superseded, and Glaucon continues to the end.
Thus in a succession of characters Plato represents the successive
stages of morality, beginning with the Athenian gentleman of the olden
time, who is followed by the practical man of that day regulating his
life by proverbs and saws; to him succeeds the wild generalization of
the Sophists, and lastly come the young disciples of the great teacher,
who know the sophistical arguments but will not be convinced by them,
and desire to go deeper into the nature of things. These too, like
Cephalus, Polemarchus, Thrasymachus, are clearly distinguished from one
another. Neither in the Republic, nor in any other Dialogue of Plato,
is a single character repeated.
The delineation of Socrates in the Republic is not wholly consistent.
In the first book we have more of the real Socrates, such as he is
depicted in the Memorabilia of Xenophon, in the earliest Dialogues of
Plato, and in the Apology. He is ironical, provoking, questioning, the
old enemy of the Sophists, ready to put on the mask of Silenus as well
as to argue seriously. But in the sixth book his enmity towards the
Sophists abates; he acknowledges that they are the representatives
rather than the corrupters of the world. He also becomes more dogmatic
and constructive, passing beyond the range either of the political or
the speculative ideas of the real Socrates. In one passage Plato
himself seems to intimate that the time had now come for Socrates, who
had passed his whole life in philosophy, to give his own opinion and
not to be always repeating the notions of other men. There is no
evidence that either the idea of good or the conception of a perfect
State were comprehended in the Socratic teaching, though he certainly
dwelt on the nature of the universal and of final causes (cp. Xen.
Mem. i. 4; Phaedo 97); and a deep thinker like him in his thirty or
forty years of public teaching, could hardly have falled to touch on
the nature of family relations, for which there is also some positive
evidence in the Memorabilia (Mem. i. 2, 51 foll.) The Socratic method
is nominally retained; and every inference is either put into the mouth
of the respondent or represented as the common discovery of him and
Socrates. But any one can see that this is a mere form, of which the
affectation grows wearisome as the work advances. The method of
inquiry has passed into a method of teaching in which by the help of
interlocutors the same thesis is looked at from various points of view.
The nature of the process is truly characterized by Glaucon, when he
describes himself as a companion who is not good for much in an
investigation, but can see what he is shown, and may, perhaps, give the
answer to a question more fluently than another.
Neither can we be absolutely certain that, Socrates himself taught the
immortality of the soul, which is unknown to his disciple Glaucon in
the Republic; nor is there any reason to suppose that he used myths or
revelations of another world as a vehicle of instruction, or that he
would have banished poetry or have denounced the Greek mythology. His
favorite oath is retained, and a slight mention is made of the
daemonium, or internal sign, which is alluded to by Socrates as a
phenomenon peculiar to himself. A real element of Socratic teaching,
which is more prominent in the Republic than in any of the other
Dialogues of Plato, is the use of example and illustration
('taphorhtika auto prhospherhontez'): "Let us apply the test of common
instances." "You," says Adeimantus, ironically, in the sixth book, "are
so unaccustomed to speak in images." And this use of examples or
images, though truly Socratic in origin, is enlarged by the genius of
Plato into the form of an allegory or parable, which embodies in the
concrete what has been already described, or is about to be described,
in the abstract. Thus the figure of the cave in Book VII is a
recapitulation of the divisions of knowledge in Book VI. The composite
animal in Book IX is an allegory of the parts of the soul. The noble
captain and the ship and the true pilot in Book VI are a figure of the
relation of the people to the philosophers in the State which has been
described. Other figures, such as the dog in the second, third, and
fourth books, or the marriage of the portionless maiden in the sixth
book, or the drones and wasps in the eighth and ninth books, also form
links of connection in long passages, or are used to recall previous
discussions.
Plato is most true to the character of his master when he describes him
as "not of this world." And with this representation of him the ideal
State and the other paradoxes of the Republic are quite in accordance,
though they can not be shown to have been speculations of Socrates. To
him, as to other great teachers both philosophical and religious, when
they looked upward, the world seemed to be the embodiment of error and
evil. The common sense of mankind has revolted against this view, or
has only partially admitted it. And even in Socrates himself the
sterner judgment of the multitude at times passes into a sort of
ironical pity or love. Men in general are incapable of philosophy, and
are therefore at enmity with the philosopher; but their
misunderstanding of him is unavoidable: for they have never seen him as
he truly is in his own image; they are only acquainted with artificial
systems possessing no native force of truth--words which admit of many
applications. Their leaders have nothing to measure with, and are
therefore ignorant of their own stature. But they are to be pitied or
laughed at, not to be quarrelled with; they mean well with their
nostrums, if they could only learn that they are cutting off a Hydra's
head. This moderation towards those who are in error is one of the
most characteristic features of Socrates in the Republic. In all the
different representations of Socrates, whether of Xenophon or Plato,
and the differences of the earlier or later Dialogues, he always
retains the character of the unwearied and disinterested seeker after
truth, without which he would have ceased to be Socrates.
Leaving the characters we may now analyze the contents of the Republic,
and then proceed to consider (1) The general aspects of this Hellenic
ideal of the State, (2) The modern lights in which the thoughts of
Plato may be read.
BOOK I
SOCRATES - GLAUCON
I WENT down yesterday to the Piraeus with Glaucon the son of Ariston,
that I might offer up my prayers to the goddess; and also because I
wanted to see in what manner they would celebrate the festival, which
was a new thing. I was delighted with the procession of the
inhabitants; but that of the Thracians was equally, if not more,
beautiful. When we had finished our prayers and viewed the spectacle,
we turned in the direction of the city; and at that instant Polemarchus
the son of Cephalus chanced to catch sight of us from a distance as we
were starting on our way home, and told his servant to run and bid us
wait for him. The servant took hold of me by the cloak behind, and
said: Polemarchus desires you to wait.
I turned round, and asked him where his master was.
There he is, said the youth, coming after you, if you will only wait.
Certainly we will, said Glaucon; and in a few minutes Polemarchus
appeared, and with him Adeimantus, Glaucon's brother, Niceratus the son
of Nicias, and several others who had been at the procession.
SOCRATES - POLEMARCHUS - GLAUCON - ADEIMANTUS
Polemarchus said to me: I perceive, Socrates, that you and our
companion are already on your way to the city.
You are not far wrong, I said.
But do you see, he rejoined, how many we are?
Of course.
And are you stronger than all these? for if not, you will have to
remain where you are.
May there not be the alternative, I said, that we may persuade you to
let us go?
But can you persuade us, if we refuse to listen to you? he said.
Certainly not, replied Glaucon.
Then we are not going to listen; of that you may be assured.
Adeimantus added: Has no one told you of the torch-race on horseback
in honour of the goddess which will take place in the evening?
With horses! I replied: That is a novelty. Will horsemen carry
torches and pass them one to another during the race?
Yes, said Polemarchus, and not only so, but a festival will he
celebrated at night, which you certainly ought to see. Let us rise
soon after supper and see this festival; there will be a gathering of
young men, and we will have a good talk. Stay then, and do not be
perverse.
Glaucon said: I suppose, since you insist, that we must.
Very good, I replied.
GLAUCON - CEPHALUS - SOCRATES
Accordingly we went with Polemarchus to his house; and there we found
his brothers Lysias and Euthydemus, and with them Thrasymachus the
Chalcedonian, Charmantides the Paeanian, and Cleitophon the son of
Aristonymus. There too was Cephalus the father of Polemarchus, whom I
had not seen for a long time, and I thought him very much aged. He was
seated on a cushioned chair, and had a garland on his head, for he had
been sacrificing in the court; and there were some other chairs in the
room arranged in a semicircle, upon which we sat down by him. He
saluted me eagerly, and then he said:--
You don't come to see me, Socrates, as often as you ought: If I were
still able to go and see you I would not ask you to come to me. But at
my age I can hardly get to the city, and therefore you should come
oftener to the Piraeus. For let me tell you, that the more the
pleasures of the body fade away, the greater to me is the pleasure and
charm of conversation. Do not then deny my request, but make our house
your resort and keep company with these young men; we are old friends,
and you will be quite at home with us.
I replied: There is nothing which for my part I like better, Cephalus,
than conversing with aged men; for I regard them as travellers who have
gone a journey which I too may have to go, and of whom I ought to
enquire, whether the way is smooth and easy, or rugged and difficult.
And this is a question which I should like to ask of you who have
arrived at that time which the poets call the 'threshold of old
age'--Is life harder towards the end, or what report do you give of it?
I will tell you, Socrates, he said, what my own feeling is. Men of my
age flock together; we are birds of a feather, as the old proverb says;
and at our meetings the tale of my acquaintance commonly is--I cannot
eat, I cannot drink; the pleasures of youth and love are fled away:
there was a good time once, but now that is gone, and life is no longer
life. Some complain of the slights which are put upon them by
relations, and they will tell you sadly of how many evils their old age
is the cause. But to me, Socrates, these complainers seem to blame
that which is not really in fault. For if old age were the cause, I
too being old, and every other old man, would have felt as they do.
But this is not my own experience, nor that of others whom I have
known. How well I remember the aged poet Sophocles, when in answer to
the question, How does love suit with age, Sophocles,--are you still
the man you were? Peace, he replied; most gladly have I escaped the
thing of which you speak; I feel as if I had escaped from a mad and
furious master. His words have often occurred to my mind since, and
they seem as good to me now as at the time when he uttered them. For
certainly old age has a great sense of calm and freedom; when the
passions relax their hold, then, as Sophocles says, we are freed from
the grasp not of one mad master only, but of many. The truth is,
Socrates, that these regrets, and also the complaints about relations,
are to be attributed to the same cause, which is not old age, but men's
characters and tempers; for he who is of a calm and happy nature will
hardly feel the pressure of age, but to him who is of an opposite
disposition youth and age are equally a burden.
I listened in admiration, and wanting to draw him out, that he might go
on--Yes, Cephalus, I said: but I rather suspect that people in general
are not convinced by you when you speak thus; they think that old age
sits lightly upon you, not because of your happy disposition, but
because you are rich, and wealth is well known to be a great comforter.
You are right, he replied; they are not convinced: and there is
something in what they say; not, however, so much as they imagine. I
might answer them as Themistocles answered the Seriphian who was
abusing him and saying that he was famous, not for his own merits but
because he was an Athenian: 'If you had been a native of my country or
I of yours, neither of us would have been famous.' And to those who are
not rich and are impatient of old age, the same reply may be made; for
to the good poor man old age cannot be a light burden, nor can a bad
rich man ever have peace with himself.
May I ask, Cephalus, whether your fortune was for the most part
inherited or acquired by you?
Acquired! Socrates; do you want to know how much I acquired? In the
art of making money I have been midway between my father and
grandfather: for my grandfather, whose name I bear, doubled and trebled
the value of his patrimony, that which he inherited being much what I
possess now; but my father Lysanias reduced the property below what it
is at present: and I shall be satisfied if I leave to these my sons not
less but a little more than I received.
That was why I asked you the question, I replied, because I see that
you are indifferent about money, which is a characteristic rather of
those who have inherited their fortunes than of those who have acquired
them; the makers of fortunes have a second love of money as a creation
of their own, resembling the affection of authors for their own poems,
or of parents for their children, besides that natural love of it for
the sake of use and profit which is common to them and all men. And
hence they are very bad company, for they can talk about nothing but
the praises of wealth. That is true, he said.
Yes, that is very true, but may I ask another question? What do you
consider to be the greatest blessing which you have reaped from your
wealth?
One, he said, of which I could not expect easily to convince others.
For let me tell you, Socrates, that when a man thinks himself to be
near death, fears and cares enter into his mind which he never had
before; the tales of a world below and the punishment which is exacted
there of deeds done here were once a laughing matter to him, but now he
is tormented with the thought that they may be true: either from the
weakness of age, or because he is now drawing nearer to that other
place, he has a clearer view of these things; suspicions and alarms
crowd thickly upon him, and he begins to reflect and consider what
wrongs he has done to others. And when he finds that the sum of his
transgressions is great he will many a time like a child start up in
his sleep for fear, and he is filled with dark forebodings. But to him
who is conscious of no sin, sweet hope, as Pindar charmingly says, is
the kind nurse of his age:
Hope, he says, cherishes the soul of him who lives in
justice and holiness and is the nurse of his age and the
companion of his journey;--hope which is mightiest to sway
the restless soul of man.
How admirable are his words! And the great blessing of riches, I do
not say to every man, but to a good man, is, that he has had no
occasion to deceive or to defraud others, either intentionally or
unintentionally; and when he departs to the world below he is not in
any apprehension about offerings due to the gods or debts which he owes
to men. Now to this peace of mind the possession of wealth greatly
contributes; and therefore I say, that, setting one thing against
another, of the many advantages which wealth has to give, to a man of
sense this is in my opinion the greatest.
Well said, Cephalus, I replied; but as concerning justice, what is
it?--to speak the truth and to pay your debts--no more than this? And
even to this are there not exceptions? Suppose that a friend when in
his right mind has deposited arms with me and he asks for them when he
is not in his right mind, ought I to give them back to him? No one
would say that I ought or that I should be right in doing so, any more
than they would say that I ought always to speak the truth to one who
is in his condition.
You are quite right, he replied.
But then, I said, speaking the truth and paying your debts is not a
correct definition of justice.
CEPHALUS - SOCRATES - POLEMARCHUS
Quite correct, Socrates, if Simonides is to be believed, said
Polemarchus interposing.
I fear, said Cephalus, that I must go now, for I have to look after the
sacrifices, and I hand over the argument to Polemarchus and the company.
Is not Polemarchus your heir? I said.
To be sure, he answered, and went away laughing to the sacrifices.
SOCRATES - POLEMARCHUS
Tell me then, O thou heir of the argument, what did Simonides say, and
according to you truly say, about justice?
He said that the repayment of a debt is just, and in saying so he
appears to me to be right.
I should be sorry to doubt the word of such a wise and inspired man,
but his meaning, though probably clear to you, is the reverse of clear
to me. For he certainly does not mean, as we were now saying that I
ought to return a return a deposit of arms or of anything else to one
who asks for it when he is not in his right senses; and yet a deposit
cannot be denied to be a debt.
True.
Then when the person who asks me is not in his right mind I am by no
means to make the return?
Certainly not.
When Simonides said that the repayment of a debt was justice, he did
not mean to include that case?
Certainly not; for he thinks that a friend ought always to do good to a
friend and never evil.
You mean that the return of a deposit of gold which is to the injury of
the receiver, if the two parties are friends, is not the repayment of a
debt,--that is what you would imagine him to say?
Yes.
And are enemies also to receive what we owe to them?
To be sure, he said, they are to receive what we owe them, and an
enemy, as I take it, owes to an enemy that which is due or proper to
him--that is to say, evil.
Simonides, then, after the manner of poets, would seem to have spoken
darkly of the nature of justice; for he really meant to say that
justice is the giving to each man what is proper to him, and this he
termed a debt.
That must have been his meaning, he said.
By heaven! I replied; and if we asked him what due or proper thing is
given by medicine, and to whom, what answer do you think that he would
make to us?
He would surely reply that medicine gives drugs and meat and drink to
human bodies.
And what due or proper thing is given by cookery, and to what?
Seasoning to food.
And what is that which justice gives, and to whom?
If, Socrates, we are to be guided at all by the analogy of the
preceding instances, then justice is the art which gives good to
friends and evil to enemies.
That is his meaning then?
I think so.
And who is best able to do good to his friends and evil to his enemies
in time of sickness?
The physician.
Or when they are on a voyage, amid the perils of the sea?
The pilot.
And in what sort of actions or with a view to what result is the just
man most able to do harm to his enemy and good to his friends?
In going to war against the one and in making alliances with the other.
But when a man is well, my dear Polemarchus, there is no need of a
physician?
No.
And he who is not on a voyage has no need of a pilot?
No.
Then in time of peace justice will be of no use?
I am very far from thinking so.
You think that justice may be of use in peace as well as in war?
Yes.
Like husbandry for the acquisition of corn?
Yes.
Or like shoemaking for the acquisition of shoes,--that is what you mean?
Yes.
And what similar use or power of acquisition has justice in time of
peace?
In contracts, Socrates, justice is of use.
And by contracts you mean partnerships?
Exactly.
But is the just man or the skilful player a more useful and better
partner at a game of draughts?
The skilful player.
And in the laying of bricks and stones is the just man a more useful or
better partner than the builder?
Quite the reverse.
Then in what sort of partnership is the just man a better partner than
the harp-player, as in playing the harp the harp-player is certainly a
better partner than the just man?
In a money partnership.
Yes, Polemarchus, but surely not in the use of money; for you do not
want a just man to be your counsellor the purchase or sale of a horse;
a man who is knowing about horses would be better for that, would he
not?
Certainly.
And when you want to buy a ship, the shipwright or the pilot would be
better?
True.
Then what is that joint use of silver or gold in which the just man is
to be preferred?
When you want a deposit to be kept safely.