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"title": "长夜未深透，\r\n请逗留",
"excerpt": "单读正式发布许知远音频首次直播所录制的视频。听着《夜温柔》，饮着酒，燃着烟，许知远谈起忘年交蔡澜和他的书《江湖老友》，还有那些“无边风月”。",
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"title": "诗化的科幻世界",
"excerpt": "人们也许因为雨果奖才读《北京折叠》，因为诺贝尔奖才开始听鲍勃迪伦，但其实他们的作品不是因获奖才值得关注。听郝景芳讲讲她的其他作品和灵感启发。",
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"lead": "经历了“二次元”世界的“游历”后，许知远继续着三次元世界的探索。这一次他与导演冯小刚一起抽烟、聊天、静想。在袅袅烟雾中，不知不觉二人在时光中“穿梭”：从 80 年代到现在，从崔健到王朔到刘震云，从《甲方乙方》到《我不是潘金莲》，从当年的贺岁片到“一定要拍的电影”。",
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"content": "实际上冯导是后悔了吧。年轻的时候没有坚持文艺，收获了一堆所谓的“成功”和“商业价值”，现在觉得资历够了可以任性消耗之前所积累的资源了，但是，青春时的创造性却一去不复返了。对于艺术家来说，任性在对的时间才是出作品的必要条件。要以高龄转向，不是说不可能成，只是绝对出不了年轻时能成的东西！以他现在的这些作品，还不太能经受时间的检验。所以，奔跑吧！趁年轻，趁你的心还有力气催着你！",
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"content": "突然间想到邀高晓松与许知远，喜欢的两个人！",
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{
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"content": " 做一谈话节目得多费劲，绕圈、欲言又止、弦外之音，最后还得看的人明白。中国人为什么这么累？干什么都不能直奔目标而去？借冯小刚的话“这就一命”…… 闲话一句，许知远还是有点拘谨，没事儿，挺可爱。不过，我还是对这个节目有更多期待。 冯小刚说《一地鸡毛》连母版都找不到了，自个想再看一遍都不得，也挺唏嘘的。",
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{
"id": "51293",
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"content": "年轻时，也特别喜欢王朔的小说，反对一切崇高和虚伪的东西。就如顽主中的那位所谓学者，简直就是一个笑话。但正如许致远的提问，为了反对而反对，又成为新的装，毋宁说，新的矫情。所以，无论文学还是电影，别老想着自己在智力和道德上有制高点，把观众当傻子。做一个真诚的导演，这是一个好导演的起点。",
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"title": "波兰电影骑士",
"excerpt": "今晨波兰电影大师安杰伊·瓦伊达去世。作为在二战年代成长起来的电影导演，瓦依达在作品里探讨的“波兰精神”，远超其地域局限。",
"lead": "生于波兰史瓦基，饱受战争洗礼与折磨的青年瓦依达从十几岁开始便与波兰人民一起加入抵抗纳粹势力的地下解放斗争中。在面对战争和历史时，瓦伊达充满悔恨和困惑，这种情感贯穿他的作品，让它们成为 20世纪的最好见证。他迄今已出产49部电影，并于1996年和2006年两获柏林电影节终身成就奖，1998年又获威尼斯电影节终身成就奖，2000年获得奥斯卡终身成就奖。",
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"content": "不认识，但热爱电影的我，对这些导演总是充满敬畏的。思想火花的闪耀，照入影像，由影像再迸发出无限的力量。影像的艺术可能是20世纪最为伟大的艺术，也可能是最被低估的。",
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"title": "哥伦比亚之火",
"excerpt": "本年度的诺贝尔和平奖授予了哥伦比亚总统桑托斯。他结束血腥内战，寻求和平的努力尝试，让这块因战争而撕裂的土地重新进入世界视野。",
"lead": "在和平协议被公投否决后，桑托斯说：“未来他亦绝不会放弃和平的机会“。但对于很多哥国民众而言，宽恕杀人如麻的叛军绝非易事。和平与战争，宽恕与仇恨，在这血腥内战超过半世纪的南美国家里延宕。哥伦比亚政府为追求和平煞费苦心，但和平协议因违背司法公正却激怒了众多国民。是应该以和平为重，还是要秉承司法正义？",
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"title": "缅因捕虾人",
"excerpt": "EB. 怀特是《纽约客》撰稿人，擅作散文与评论。而《缅因捕虾人（A Maine Lobsterman）》大概是怀特作品中唯一一部不是纸质印刷的作品。",
"lead": "美国东北部盛产龙虾。缅因州的捕虾人从绵长而翠绿的海岸出发，追随木质浮标，寻找深埋海下的捕虾陷阱。最终，他们的收获成为你餐桌上的“波士顿龙虾”。这部 1954年制作的短片，编剧和配音均是由怀特担当。",
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"title": "别处的安慰",
"excerpt": "在美国连载超过半个世纪的花生漫画，不全是画给小孩子看的，尽管主人公是一群造型可爱的孩子。从他们口中蹦出来的对白，只有成年人才能明白。",
"lead": "花生漫画（Peanuts）这部美国报纸连环漫画，马上就要迎来它的第66个生日。这部漫画之所以经典，不仅因为人物被作者查尔斯·舒尔茨（Charles Schulz）描绘得惹人喜爱，更因为读者能在其中看到生活的缩影，找到适时的安慰。",
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"content": "每一种动漫的画风都有它自己所含的情感，每一部动画的剧情以及人物的背后，都有着作者所想表达的东西。世界之大，美漫和日漫只是大千世界的一个缩影，其实类似的还有很多，就不一一列举了。美漫，比较偏重“仿实”，从现实中提炼，在作品中得以加工，最后呈现许多有着灵魂的优秀动画。日漫，比较偏重“幻想”，亦是对自己思想的表达，也是对美好世界的向往，一种精神寄托。相较而言，美漫和日漫，说它们每一部作品都是佳作，是笼统的，有些作品也只是商业机器又或者是想博观众一笑。几个优秀的作品代表系列可以举举个例子，美国的DC，在超级英雄方面还不失加入人性的题材，史努比更不用说，陪我从小到大一起走过的好伙伴；日漫方面，大师宫崎骏的动画绝非是一般日漫可以比的，近几年来的新海诚的作品也不错，剧情深入人心，寄生兽，以它独特的结尾表达了作者对这个世界的看法……",
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"content": "拥有力量的创作皆如此",
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"content": "其实，我个人非常喜欢美式动漫。不仅仅是画风，而是一种含义，而这种含义恰恰就是日本漫画所模仿不了的，日式动漫大多只是知道天天哥哥妹妹姐姐弟弟情感，实在是太过于庸俗。而美式漫画间接性的会进行暗讽社会，让看漫画的人不仅仅得到心灵的慰藉，更能够看到社会的缺陷，激起人们改变的欲望。人和社会不应该故步自封，而应该改革创新。单读或许提出史努比的同时，也可以提出南方公园（south park）这个美式漫画，真正的教会我们以大人的身份来看待有内涵的漫画，不再是以往虚无缥缈的兴奋……试试去看这些讽刺动漫，你会读懂社会，看透人性。（釜山行并不是第一个提出这个概念的，还有11月份的李安的电影比利林恩漫长的中场休息也不错）",
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"title": "伍迪∙艾伦的\r\n纽约独白",
"excerpt": "这是伍迪∙艾伦最不喜欢的一部电影，却也是商业上最成功的。片中曼哈顿街头的画面，展现了这个城市的大气和浪漫，是伍迪式的对白和镜头。",
"lead": "生活在曼哈顿的人们，他们庸人自扰，时时制造出那些毫无必要的、神经兮兮的问题。因为这样，他们就不用去面对这世上更加棘手的生死攸关的大问题了。——《曼哈顿》",
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"title": "每往前一步，\r\n地面都在延展",
"excerpt": "诗人雷平阳是本期读书人，他的诗集《云南记》曾获第五届鲁迅文学奖，他的诗带着云南特有的神秘与野性，苍劲有力地书写着灵魂。",
"lead": "我很乐意成为一个茧人，缩身于乡愁。——雷平阳",
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"content": "对于诗歌的神性与当代的社会的巨大鸿沟确实是悲哀，对于任何诗人来说，这种苦难是无法避免的，而我唯一不赞同他的地方就在于，他渴求了一种绝对的和谐，一种宁静，而当我们理智地认清美与现实的相互交融后，我们会发现我们渴求的美正处于两者的矛盾中，这种向往是蕴含在对立中的。与其说我们渴望了那样的宁静、神性，倒不如说我们渴求握住这种对立，位于它模糊的的中心。",
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"content": "生活中的神性来自自己，与其做一个盲目的信众，不如做自己的教徒。",
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"title": "蓝色\r\n旅人",
"excerpt": "蓝色的旅馆里，有着菊色的梦和停不下的虚构姿势。钟立风说：“歌者也好，写作者也罢，他自己本人最好是一个匿名般的存在。”让一切，听者有心。",
"lead": "她说她爱你 我不怀疑\r\n她说要离开你，我也相信\r\n就像那本书里没有讲完的故事\r\n那首歌里流出的泪\r\n眼泪是真的 她是假的\r\n她是假的 可 眼泪是真的\r\n我已变成一个词语\r\n迷失在骨感的旅途里\r\n莫尤塔的心，藏不住秘密\r\n回来时 他可不要变心\r\n蓝色旅馆里她打开自己\r\n你试探着可不可以进去\r\n——钟立风《蓝色旅人》",
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"content": "…有点反感“文艺”这个词的泛滥 不明白它到底指什么？…“民谣”也一样 对于那些觉得自己背上吉他哼歌就是唱民谣的人感到错愕…民谣到底是什么我可不想妄加定义 不过它应该就像北京现在窗外突如其来的雨 小钟就是忽然吹过的风 它/他不会停下来…他总是讲故事 故事里埋藏隐喻 隐喻里又藏很多谜 但是永远别想知道谜底…因为小钟最喜欢藏起来 也许他自己也不知道答案…所以听完歌更有意思的回应是 把蓝旅人的故事接下去 每个人讲的一定不一样 又好像是似曾相识的…",
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"title": "垃圾让我们对\r\n艺术有了胃口",
"excerpt": "于1976年创办了香港《号外》杂志的影评人陈冠中，谈起了从青年时代至今最崇拜的影评人宝琳·凯尔。她以颠覆的美学审美以及新奇的角度解读电影。",
"lead": "当我们无家可归的时候，但是电影院还在。——宝琳 · 凯尔",
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"content": "有视频的文章上滑能不能隐藏视频啊，只能看半截文章好痛苦",
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"title": "罗素留给\r\n后世的话",
"excerpt": "1959年，在BBC“面对面”访谈节目中，罗素被问道是否有人生教益值得告诉后代。罗素答：“我想说两件事，一件关于思想，一件关于道德。”",
"lead": "关于思想，你只需要问自己：“什么才是事实？”关于道德，只需要记住一句话：“爱是明智的，仇恨是愚蠢的。”——罗素\r\n\r\n",
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"content": "不少人都希望做自己，世界上的每一个生命个体，只有一项权利，就是拥抱自己，没法说出自己究竟是有多苦涩如果很正经的问自己，佯装太久连摘下面具的勇气也会消失殆尽，这个社会很公平，无论贫穷或是富有，如果真的很想把很多的不如意归咎于先天，不过是抛弃了自己，扔就要扔的彻底，只要你不尝试捡回来，新的自然会到来，爱也是，一个人不用抽烟不用喝酒，也许连拥抱都可以舍弃",
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"content": "事实未必是真相，爱需要爱的能力",
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"content": "不可知论者的真实，我很好奇那些东西会构成怎样的世界，以及它的形成…但是话说回来，我们始终是站在自己的立场，受观念的影响，去思考，不能说思考，臆想更好，那个世界，甚至可能是完全相反的。现实中需要的是反复实践认识。从更纯粹的层面上来说，它的意义在于它是一种认识世界，理解世界，改造世界的角度，眼光，以及人类孜孜不倦的探索精神。",
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"nickname": "看见另一种可能",
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"title": "芭蕾女王",
"excerpt": "波林娜大概是当今世界最著名的芭蕾舞者。舞台上，她抛却华美的舞裙，换上轻巧朴素的练功服。绷直的身体随节奏舞动，脸上的微笑看了让人忘情。",
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"content": "柔软，轻盈，飞跃。一遍遍的旋转，舒展，从劲道变为柔美，从冷静变为悦动。从寂静中苏醒，漫游，舞蹈，喜悦到极点，最终微微倒下，一切就像梦一场。",
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"content": "惊艳！再多的修辞都是累赘。",
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"title": "男人写诗 女人如诗而活",
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"content": "共同的底线！加入书单！",
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"content": "不如诗，又只能如是",
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"content": "把《共同的底线》，《心灵史》列入书单",
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"title": "当导演爱上\r\n摄影",
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