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"title": "别把我与所有人混为一谈",
"excerpt": "在自我被高扬的时代，也许应该重回尼采。目空一切，既是天才又是疯子的他，循着习惯、本能之骄傲，提出并回答了“我是谁”。\r\n",
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"title": "加缪手记",
"excerpt": "《局外人》在出版之初就以离经叛道的创作风格引发了巨大的争议，对此，加缪将自己对社会议论的回应写进手札，完成了对这部伟大作品的二次创作。",
"lead": "《加缪手记》收录了加缪自 1935 年至 1959 年的读书杂感与生活随想，这些来自作家内心的细微声音如吉光片羽，为加缪提供着创作的灵感和对生命的思考。本文选自《加缪手记》第二卷，本卷写于加缪创作的黄金时期，读者可以从中看到《局外人》所遭逢的社会议论，《反抗者》出版后引起的激烈笔战，以及加缪创作风格与心路历程的变迁。",
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"lead": "他们拥抱时，百货公司橱窗的一块玻璃映照出他们的身姿。他们没注意到，玻璃中的这个影像在那短暂的瞬间记录下一种潇洒新潮的形象风貌；如果他们看到了，他和她多半会否认那是他们所呈示出的时尚风度，或者，他们也可能会猜测，在这场已成往事的婚外情缘中，他们确曾有过如此的刹那风华。",
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"title": "如果北京城\r\n可以折叠",
"excerpt": "中国作家郝景芳的作品《北京折叠》刚刚获得世界科幻文学雨果奖。由作者本人授权，我们重刊此文，再次进入那座拥有三重空间的幻想之城。",
"lead": "故事中的北京是一座可折叠的城市，大地和建筑定时翻转、折叠，小心翼翼地分隔出3个生存条件差异极大的空间。少数人在第一空间的蓝天下过着优渥的生活；多数人挣扎在拥挤不堪的第三空间，难以向第二、第一空间流动，连捡垃圾都是难能获得的工作。\r\n垃圾工老刀为了挣钱供孩子上学，冒险接活前往第一空间，目睹跨空间的残忍差距，甚至险遭意外……\r\n",
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"title": "幸福过了头",
"excerpt": "作家艾丽丝·门罗擅长描绘女性和家庭，她的作品《幸福过了头》并非人间喜剧，而只有平凡生活。在残酷而真实的世界里，故事里的她们各带伤疤，清醒地活着。",
"lead": "他相信自己坠入爱河，她说这是只是孩子气的病；她以为是结伴旅途中的小坎，他明白这是长路的终结。他们曾经的欢乐，已经到了头。",
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