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CITATION.cff
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cff-version: 1.2.0
message: "Please cite this dataset using the metadata from 'preferred-citation'."
title: "Arcangelo Corelli - Trio Sonatas (A corpus of annotated scores)"
abstract: "This corpus of annotated MuseScore files has been created within the DCML corpus initiative and employs the DCML harmony annotation standard. It comprises 36 Sonate a tre, divided into 149 separate movements. Together they make up for three of the four famous cycles of 12 trio sonatas each"
type: dataset
authors:
- given-names: Johannes
family-names: Hentschel
email: [email protected]
affiliation: "École Polytechnique Fédérale de Lausanne"
orcid: "https://orcid.org/0000-0002-1986-9545"
- given-names: "Fabian C."
family-names: Moss
email: [email protected]
affiliation: "Julius-Maximilians-Universität Würzburg"
orcid: "https://orcid.org/0000-0001-9377-2066"
- given-names: Markus
family-names: Neuwirth
email: [email protected]
affiliation: "Bruckner University Linz"
orcid: "https://orcid.org/0000-0003-1990-052X"
- given-names: Martin
family-names: Rohrmeier
email: [email protected]
affiliation: "École Polytechnique Fédérale de Lausanne"
orcid: "https://orcid.org/0000-0002-4323-7257"
version: v2.4
date-released: 2024-09-26
keywords:
- corpora
- "symbolic datasets"
- scores
- harmony
- grouping
- phrase
- cadence
- "trio sonatas"
- "chamber music"
- "17th century"
license: "CC-BY-NC-SA-4.0"
repository: https://github.com/DCMLab/corelli
preferred-citation:
authors:
- given-names: Johannes
family-names: Hentschel
email: [email protected]
affiliation: "École Polytechnique Fédérale de Lausanne"
orcid: "https://orcid.org/0000-0002-1986-9545"
- given-names: "Fabian C."
family-names: Moss
email: [email protected]
affiliation: "Julius-Maximilians-Universität Würzburg"
orcid: "https://orcid.org/0000-0001-9377-2066"
- given-names: Markus
family-names: Neuwirth
email: [email protected]
affiliation: "Bruckner University Linz"
orcid: "https://orcid.org/0000-0003-1990-052X"
- given-names: Martin
family-names: Rohrmeier
email: [email protected]
affiliation: "École Polytechnique Fédérale de Lausanne"
orcid: "https://orcid.org/0000-0002-4323-7257"
title: "A semi-automated workflow paradigm for the distributed creation and curation of expert annotations"
doi: 10.5281/zenodo.5624417
collection-title: "Proceedings of the 22nd International Society for Music Information Retrieval Conference"
collection-type: "proceedings"
collection-doi: 10.5281/zenodo.5776687
type: conference-paper
year: 2021
start: 262
end: 269
pages: 8
abstract: "The creation and curation of labeled datasets can be an arduous, expensive, and time-consuming task. We introduce a workflow paradigm for remote consensus-building between expert annotators, while considerably reducing the associated administrative overhead through automation. Most music annotation tasks rely heavily on human interpretation and therefore defy the concept of an objective and indisputable ground truth. Thus, our paradigm invites and documents inter-annotator controversy based on a transparent set of analytical criteria, and aims at putting forth the consensual solutions emerging from such deliberations. The workflow that we suggest traces the entire genesis of annotation data, including the relevant discussions between annotators, reviewers, and curators. It adopts a well-proven pattern from collaborative software development, namely distributed version control, and allows for the automation of repetitive maintenance tasks, such as validity checks, message dispatch, or updates of meta- and paradata. To demonstrate the workflow's effectiveness, we introduce one possible implementation through GitHub Actions and showcase its success in creating cadence, phrase, and harmony annotations for a corpus of 36 trio sonatas by Arcangelo Corelli. Both code and annotated scores are freely available and the implementation can be readily used in and adapted for other MIR projects."